Broadway Box Office Slips In Pre-Thanksgiving Lull; ‘Jaja’s African Hair Braiding’, Melissa Etheridge Post Gains In Final Weeks

With awards shows’ ratings dropping annually, many have pinned that on mainstream viewers tuning out because their favorite tentpoles are overlooked in the Best Picture categories.

Naman Ramachandran One of the most popular events at the 34th Singapore International Film Festival (SGIFF) was a panorama event where six of the country’s leading indie film lights shared a panel to discuss opportunities and challenges. Opportunities are plentiful, with the festival world embracing Singaporean films and filmmakers warmly. Hong Kong-based Anthony Chen has had a stellar year with his directorial efforts “Drift” and “The Breaking Ice” which premiered at Sundance and Cannes, respectively.

Biggest Single-Day Domestic Box Office For A Foreign Live-Action Film, according to Screen Rant.It is also the Largest Domestic Debut For A Live-Action Japanese Film and the Second-Highest Debut For A Live-Action Foreign-Language Film Ever.Moviegoers are raving about the film, which slithered its way to the No. 2 spot in the box office on Friday, according to IMDB’s Box Office Mojo.“I believe the hype, the hype is well worth it.” said Miguel Santos, 46, a technician from Jersey City who caught the flick at the Times Square AMC.

according to IMDB’s Box Office Mojo.The Japanese animated fantasy, which The Washington Post called a “magical, otherworldly tale,” is expected to enjoy a $10.7 to 12 million opening weekend, Deadline reported.It is the only entirely foreign film to lead the weekend box office this year, the first since August 2022’s “Dragon Ball Super: Super Hero.”In second place was “Godzilla Minus One,” with a $2.25 million take. The film, which is the 37th in the Godzilla franchise, now holds the title ofBiggest Single-Day Domestic Box Office For A Foreign Live-Action Film, according to Screen Rant.Queen Bey was dethroned this week as Beyoncé’s film, which was in first place last week, fell down to third.Her documentary concert movie “Renaissance: A Film by Beyoncé” took injust $1.6 million, a drop of 75% since last Friday.“Trolls Band Together,” which debuted on Nov.

J. Kim Murphy Hayao Miyazaki’s “The Boy and the Heron” looks to soar atop domestic charts this weekend after earning about $5.4 million across Friday and various preview screenings. Playing in 2,205 theaters, the GKids release has the benefit of Imax and other premium large format auditoriums to boost those numbers.

After one Japanese title delivered at the sleepy December box office last weekend, that being Godzilla Minus One, here’s another that’s set to dominate: Studio Ghibli and GKIDS’ Hayao Miyazaki‘s The Boy and the Heron which is looking at a No. 1 lead with $10M+ after $2.39M Thursday and early access previews.

Elsa Keslassy International Correspondent Justine Triet‘s “Anatomy of a Fall” missed out on being chosen as France’s Oscar entry, but the movie has been a critical and commercial hit — including in the U.S., where it’s become the highest-grossing specialized foreign-language release post-pandemic, according to distributor Neon. Released in the States on Oct. 13, “Anatomy of a Fall” has pulled in $3.5 million so far, putting it ahead of Joachim Trier’s “The Worst Person in the World” and on track to match last year’s Palme d’Or winner “Triangle of Sadness,” another Neon movie.

Welcome to Global Breakouts, Deadline’s fortnightly strand in which we shine a spotlight on the TV shows and films killing it in their local territories. The industry is as globalized as it’s ever been, but breakout hits are appearing in pockets of the world all the time and it can be hard to keep track… So, we’re going to do the hard work for you.

Broadway box office and ticket prices fell back to earth last week following the previous week’s Thanksgiving holiday-inflated numbers, with the total gross for the 26 productions dropping 14% to a combined $29,568,897.

Refresh for latest…: New global entry Queen Bey’s concert movie/documentary Renaissance: A Film By Beyoncé put a ring on a $27.4M global debut this weekend. Included in that is $6.4M from 2,621 overseas cinemas.

Rebecca Rubin Film and Media Reporter There’s nothing heroic about the final box office performance of “The Marvels.” The superhero sequel is officially the lowest-grossing installment in the history of the Marvel Cinematic Universe. After four weeks on the big screen, the comic book tentpole is running out of steam with $80 million in North America and $197 million globally. There would typically be optimism that attendance could rebound over the busy holiday season, but Disney apparently doesn’t expect that to be the case.

Renaissance: A Film By Beyoncé is a hit!

Three very different movies, original, with arthouse cred and in theaters for weeks, are drawing audiences showing welcome depth and breadth in the specialty market as awards season kicks off. Nicolas Cage’s nerdy character sees his life collapse when he randomly starts appearing in people’s dreamsas Dream Scenario has a solid expansion, Saltburn is attracting young crowds on the coasts, The Holdovers drawing elusive older demos to theaters.

according to IMDB’s Box Office Mojo.The documentary concert film written, directed and produced by Beyoncé Knowles-Carter, is expected to enjoy as much as a $24-million-dollar opening, according to Deadline.Variety said the movie, which chronicles her 2023 tour, “highlights the pursuit of perfection with dazzling results.”Japanese adventure “Godzilla Minus One,” which also debuted Friday, landed in second, with earnings of $4.72 million. The Hollywood Reporter called the flick, the 37th in the Godzilla franchise “one of the best Godzilla films ever.“The Hunger Games: The Ballad of Songbirds & Snakes,” which was in the No.

Disney CEO Bob Iger blames the pandemic effect as part of the reason for the dismal box office results on The Marvels.

Renaissance: A Film by Beyoncé” is taking over the box office after grossing $11.5 million on its opening day from 2,539 locations, a figure that includes a strong $5.1 million in Thursday previews. Putting that next to the massive October debut of “Taylor Swift: The Eras Tour,” it’s shaping up to be the first year on record that two concert documentaries have opened at the top of domestic charts.

Disney CEO Bob Iger is sharing his thoughts on the box-office performance of The Marvels.

AMC Entertainment’s second concert film theatrical release, Renaissance: A Film by Beyonce, fired up last night with $5M previews from showtimes that began at 7PM. While that figure is higher than the Thursday night previews for AMC’s Taylor Swift: The Eras Tour which did $2.8M, you’ll remember that previews for that Sam Wrench-directed movie were announced literally two days before its release.

Brent Lang Executive Editor Queen Bey got the weekend off to a hot start. “Renaissance,” a concert film written, directed and produced by Beyoncé, earned $5.1 million in previews on Thursday. The film is expected to earn between $17 million to $20 million in its opening weekend from approximately 2,539 domestic locations.

Filmmaker Eli Roth made a big announcement on Instagram on Thursday (November 30)!