Refresh for latest…: New global entry Queen Bey’s concert movie/documentary Renaissance: A Film By Beyoncé put a ring on a $27.4M global debut this weekend. Included in that is $6.4M from 2,621 overseas cinemas.
14.11.2023 - 18:42 / deadline.com
Broadway began its trek into the lucrative holiday season last week at a steady clip, with the 28 shows grossing a total of $29,163,440 for the week ending November 12. That’s up about 10% over the previous week, though down about the same percentage from last year at this time.
Last year’s take at this point in the fall – $32,314,920 for 34 shows – was closer to pre-Covid pandemic levels: The week ending November 11, 2018, saw Broadway receipts of $36,501,888, while the week ending November 10, 2019 was at $35,399,366. In 2021, when Broadway returned from its year-plus shutdown, the comparable November week was down to $25,565,641.
The better news is that the majority of shows currently on the boards are doing pretty good business, with only six of the 28 shows pulling in audiences of less than 90% capacity (A Beautiful Noise, Chicago, Melissa Etheridge: My Window, Purlie Victorious, Some Like It Hot and The Shark is Broken).
Twelve of the 28 shows grossed more than $1 million for the week: & Juliet ($1,107,122); Aladdin ($1,188,415); Back to the Future ($1,299,452); Gutenberg! The Musical ($1,031,617); Hamilton ($1,941,374); Harry Potter and the Cursed Child ($1,241,808); Merrily We Roll Along ($1,865,831); MJ ($1,556,037); Moulin Rouge! ($1,269,624); Sweeney Todd ($1,770,126); The Lion King ($1,990,894); and Wicked ($1,864,500). Six was almost there with $999,517.
The Merrily We Roll Along take of $1,865,831 was another house record at the Hudson Theatre, with the musical starring Daniel Radcliffe, Jonathan Groff and Lindsay Mendez also topping the roster in average ticket price: $241.44 (average ticket price for all 28 shows was $123.69).
Two shows were in previews last week: Harmony, which opened last night,
Refresh for latest…: New global entry Queen Bey’s concert movie/documentary Renaissance: A Film By Beyoncé put a ring on a $27.4M global debut this weekend. Included in that is $6.4M from 2,621 overseas cinemas.
Rebecca Rubin Film and Media Reporter There’s nothing heroic about the final box office performance of “The Marvels.” The superhero sequel is officially the lowest-grossing installment in the history of the Marvel Cinematic Universe. After four weeks on the big screen, the comic book tentpole is running out of steam with $80 million in North America and $197 million globally. There would typically be optimism that attendance could rebound over the busy holiday season, but Disney apparently doesn’t expect that to be the case.
Renaissance: A Film By Beyoncé is a hit!
Three very different movies, original, with arthouse cred and in theaters for weeks, are drawing audiences showing welcome depth and breadth in the specialty market as awards season kicks off. Nicolas Cage’s nerdy character sees his life collapse when he randomly starts appearing in people’s dreamsas Dream Scenario has a solid expansion, Saltburn is attracting young crowds on the coasts, The Holdovers drawing elusive older demos to theaters.
Rebecca Rubin Film and Media Reporter Queen Bey is the new box office queen. “Renaissance,” a concert film written, directed and produced by Beyoncé, topped the domestic box office with $21 million in its opening weekend, slightly ahead of expectations. These ticket sales rank as one of the best debuts for a concert film, joining the company of Taylor Swift’s “The Eras Tour” (far and away the biggest with $92.9 million), 2008’s “Hannah Montana & Miley Cyrus: Best of Both Worlds Concert” ($31.1 million), 2011’s “Justin Bieber: Never Say Never” and 2009’s “Michael Jackson: This Is It” ($23.2 million).
Beyoncé‘s Renaissance concert film has been estimated to make over $22million (£17million) at its box office opening.The highly-anticipated film, which was released November 25 in the US, has already been praised in its first reviews. Deadline said “the intimate insight into her life at this stage in her career is a special treat,” whilst Today called Renaissance “unlike any films she’s done before, the singer’s latest production stands apart in its breathtaking visuals”.The Hollywood Reporter are now reporting that the film could earn between $21-24million in its domestic debut.
according to IMDB’s Box Office Mojo.The documentary concert film written, directed and produced by Beyoncé Knowles-Carter, is expected to enjoy as much as a $24-million-dollar opening, according to Deadline.Variety said the movie, which chronicles her 2023 tour, “highlights the pursuit of perfection with dazzling results.”Japanese adventure “Godzilla Minus One,” which also debuted Friday, landed in second, with earnings of $4.72 million. The Hollywood Reporter called the flick, the 37th in the Godzilla franchise “one of the best Godzilla films ever.“The Hunger Games: The Ballad of Songbirds & Snakes,” which was in the No.
Disney CEO Bob Iger blames the pandemic effect as part of the reason for the dismal box office results on The Marvels.
Renaissance: A Film by Beyoncé” is taking over the box office after grossing $11.5 million on its opening day from 2,539 locations, a figure that includes a strong $5.1 million in Thursday previews. Putting that next to the massive October debut of “Taylor Swift: The Eras Tour,” it’s shaping up to be the first year on record that two concert documentaries have opened at the top of domestic charts.
Disney CEO Bob Iger is sharing his thoughts on the box-office performance of The Marvels.
AMC Entertainment’s second concert film theatrical release, Renaissance: A Film by Beyonce, fired up last night with $5M previews from showtimes that began at 7PM. While that figure is higher than the Thursday night previews for AMC’s Taylor Swift: The Eras Tour which did $2.8M, you’ll remember that previews for that Sam Wrench-directed movie were announced literally two days before its release.
Brent Lang Executive Editor Queen Bey got the weekend off to a hot start. “Renaissance,” a concert film written, directed and produced by Beyoncé, earned $5.1 million in previews on Thursday. The film is expected to earn between $17 million to $20 million in its opening weekend from approximately 2,539 domestic locations.
Patrick Frater Asia Bureau Chief Multi-territory European cinema operator, Pathe Cinemas has expanded its existing deal with premium large format technology company Imax. The new agreement sees the addition of five new Imax With Laser systems in Europe, including four in France.
“The Hunger Games: The Ballad of Songbirds and Snakes” stayed at No. 1 at the box office on Black Friday, retaining the top spot in its second week on the screens.
Brent Lang Executive Editor There’s a good old fashioned box office battle brewing. Disney’s “Wish,” an animated adventure that had been expected to dominate the Thanksgiving holiday is facing off against Lionsgate’s “The Hunger Games: The Ballad of Songbirds and Snakes” for the top spot over the five-day stretch. And the dystopian prequel, which is currently in its second week of release, is showing impressive resilience against the family flick.
Broadway box office took a 7% slide in the week before the Thanksgiving holiday, with the 29 shows settling in at a total $27,060,113 in receipts.
Patrick Frater Asia Bureau Chief Mystery-horror film “Five Nights at Freddy’s” landed on top of the South Korean cinema box office. But fellow new release title “The Hunger Games: The Ballad of Songs and Snakes” managed only a fourth placed start. “Five Nights” earned $1.78 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council.
Patrick Frater Asia Bureau Chief Local crime drama film “Last Suspect” returned to the top spot at the mainland China box office over the latest weekend, as “The Hunger Games: The Ballad of Songbirds and Snakes” opened quietly in third place. Narrowly beaten last week by “The Marvels,” “Last Suspect” climbed one place while “The Marvels” fell out of the top five in China. In its third weekend of release, “Last Suspect” recorded $10.1 million (RMB76 million), according to data from consultancy Artisan Gateway.
Rebecca Rubin Film and Media Reporter The odds were ever in favor of “The Hunger Games” prequel “The Ballad of Songbirds and Snakes,” which emerged victorious in a busy box office weekend despite opening slightly behind expectations. The film, which brings audiences back to the dystopia of Panem for the first time in nearly a decade, collected $44 million from 3,776 North American theaters in its first weekend of release.
Patrick Frater Asia Bureau Chief Alibaba, China’s e-commerce and entertainment giant, revealed a 9% revenue improvement and a return to profits in the three months to the end of September, the second quarter of its financial year. The group, which is in the process of breaking itself up into six separate businesses, had revenue of RMB225 billion ($30.8 billion). Net income of RMB26.7 billion ($3.66 billion) compared with a net loss of RMB22.5 billion in the same period last year.