Bradley Cooper’s ‘Maestro’ Set As Spotlight Gala At New York Film Festival

Daddio is a knockout, the sort of breakthrough by a virtual unknown that many might dream about but only rarely takes place. Entirely set in a taxi stuck for a long time at night on a jammed highway heading from New York City’s JFK airport to Manhattan, debuting writer-director Christy Hall has created a marvelous two-hander between a veteran New York cabbie who’s seen it all and a young woman trying to figure things out.

Ellise Shafer Woody Allen got a warm ovation from journalists at the press conference for “Coup de Chance” at the Venice Film Festival, where he managed to avoid any controversial questions about his stalled career and the sexual abuse allegations made against him by his daughter, Dylan Farrow. That was in large part thanks to his longtime cinematographer, Italian superstar Vittorio Storaro, who spoke for nearly a third of the press conference, while answering a single question.

Five years after his triumphant A Star is Born world premiered at the Venice Film Festival, Bradley Cooper is back on the Lido with Maestro. Except, the director and star is only here in spirit owing to the SAG-AFTRA strike.

Owen Gleiberman Chief Film Critic In “Maestro,” playing the legendary American conductor and composer Leonard Bernstein, Bradley Cooper has a light in his eye — a glow of merriment and mischief, of gleeful cosmopolitan desire. His Lenny is a prodigy, a prankster, a seducer, a monk of creative devotion and, through it all, a man of epic contradiction. In public, he tends toward the proper and stentorian; in private, he’s recklessly exuberant enough to give new — or maybe old — meaning to the word gay.

Before “Maestro” plunges into the sharp monochrome of its first chapter, Bradley Cooper’s Leonard Bernstein relays to a camera crew how he can still feel the presence of his wife within the walls and gardens of their beautiful countryside manor. “I miss her so much,” he says, the passage of time denounced by the sprawling maze of wrinkles that frames his youthful blue eyes.

Thursday night’s audience at Broadway’s Here Lies Love got a surprise bonus performance when DJ Fatboy Slim, who co-wrote the musical with David Byrne, took to the stage and spun a one-night-only set following the show.

Irina Shayk and Tom Brady sparked rumors of romance earlier this month. Now, the pair seem to be apart, with Shayk spending time in Venice with her ex Bradley Cooper and their daughter, Lea.Tom Brady and Irina Shayk’s sleepover: Bradley Cooper reportedly unfazedTom Brady jokes that he’s ready to join BLACKPINK now that he’s retiredShayk and Cooper looked happy to be together. The two were seen with their daughter enjoying themselves.

EXCLUSIVE: With the Venice Film Festival opening tonight, all eyes are on Italy to give us some early clues as to what some of the most anticipated movies of the season will be delivering in terms of their awards potential. Certainly one of the more eagerly awaited expected contenders is Bradley Cooper’s Leonard Bernstein movie, Maestro.

Nick Vivarelli International Correspondent The 80th Venice Film Festival kicks off tomorrow with a robust roster of awards season hopefuls making their bows, such as Michael Mann’s “Ferrari,” Bradley Cooper’s “Maestro,” Sophia Coppola’s “Priscilla” and David Fincher’s “The Killer,” accompanied by a smattering of stars. As previously reported by Variety, the festival has confirmed that Adam Driver will be in Venice to promote “Ferrari” while Cailee Spaeny and Jacob Elordi, who play Priscilla and Elvis Presley in “Priscilla,” as well as Priscilla Presley herself, are also expected to be on the Lido.

Addie Morfoot Contributor The upcoming Woodstock Film Festival will kick off with Chloe Domont’s “Fair Play” and present a lifetime achievement award to James Ivory. The 24th edition of the fest, which runs from Sept.

How well does a couple know each other? That’s the question behind the upcoming drama “Foe,” which chronicles a marriage’s disintegration with a sci-fi twist. And director Garth Davis has two of the UK’s great young acting talents as his stars: Saoirse Ronan and Paul Mescal.

As Bradley Cooper‘s “Maestro” approaches its world premiere at the Venice Film Festival, some have criticized the actor-director’s use of prosthetics to adapt more of a likeness to Leonard Bernstein. Certain critics have gone as far as to call the prosthetic nose Cooper wears for the film as anti-semitic.

Bradley Cooper’s decision to use a prosthetic nose to portray Leonard Bernstein in his upcoming biopic Maestro.The Jewish organisation, which fights against antisemitism, released a statement on Monday (August 21) addressing the film after the actor was accused of performing in “Jewface”.In the statement (via Variety), the ADL said the use of prosthetics is not inherently tied to antisemitism. “Throughout history, Jews were often portrayed in antisemitic films and propaganda as evil caricatures with large hooked noses,” the organisation said.“This film, which is a biopic on the legendary conductor Leonard Bernstein, is not that.”Cooper, who also co-writes and directs the film, stars opposite Carey Mulligan in Maestro, which charts the relationship between Leonard Bernstein and his wife Felicia Montealegre.Bernstein, the son of Jewish-Ukrainian immigrants to the US, was a renowned composer and conductor perhaps best known for writing the music to West Side Story.Earlier this month, Bernstein’s family similarly defended Cooper’s decision to use prosthetics for the role.“It breaks our hearts to see any misrepresentations or misunderstandings of his efforts,” Bernstein’s children, Jamie, Alexander and Nina, said.

Sylvester Stallone will be making more than one appearance at the Toronto International Film Festival next month.

Naman Ramachandran The work of pioneering Black British filmmaker Horace Ové will be celebrated this fall with a BFI Southbank retrospective season titled Power to the People: Horace Ové’s Radical Vision. A 4K restored version of “Pressure” (1976), the first full-length Black British film, which is an exploration of the concerns faced by emerging second-generation West Indians in Britain, will receive a joint restoration world premiere at the BFI London Film Festival and the New York Film Festival on Oct. 11.

Some of the biggest Jewish organizations have no issues with Bradley Cooper’s portrayal of Leonard Bernstein in “Maestro”, despite some recent criticism.

Conan O’Brien will bring his podcast Conan O’Brien Needs A Friend to this year’s New York Comedy Festival, with a taping of the live episode later airing on Team Coco’s SiriusXM Channel.

Rebecca Rubin Film and Media Reporter New York Film Festival will serve as the world premiere of Nathan Fielder and Benny Safdie’s genre-defying series “The Curse,” led by Emma Stone; and Garth Davis’s science-fiction drama “Foe,” starring Saoirse Ronan and Paul Mescal. They will screen as part of Spotlight, which Film at Lincoln Center describes as a selection of “significant and surprising films, one-of-a-kind presentations including adventurous portraits of creative minds, one-night only events with live musical accompaniment, bold short films by acclaimed directors, and probing documentaries.” As previously announced, Bradley Cooper’s “Maestro” will hold its North American premiere on Oct.

Garth Davis’s science-fiction sci-fi drama Foe, directed by Garth Davis (Lion) and starring Saoirse Ronan and Paul Mescal, will have its world premiere at the New York Film Festival.

Patrick Frater Asia Bureau Chief Noted Japanese director Ando Momoko (“Kakera: Pieces of Our Life,” “0.5mm”) has been named as the ambassador for this year’s Tokyo International Film Festival. She also features, alongside her father Okuda Eiji in the festival’s newly-released poster, which recreates a scene from Ozu Yasujiro’s “Tokyo Story” and in which Okuda and Ando represent the classic film’s Ryu Chishu and Hara Setsuko characters. The poster image, shot at the rooftop garden of Kitte Marunouchi Building, with Tokyo Station in the background, was designed by Koshino Junko, who has created the festival’s key visuals for the past three years.