Coco Gauff is soaking it all in. The 19 year old tennis player has just won her first Grand Slam. It’s a meaningful win, one that was achieved in her home turf of the US and that came after many years of hard work.
30.08.2023 - 18:29 / deadline.com
EXCLUSIVE: With the Venice Film Festival opening tonight, all eyes are on Italy to give us some early clues as to what some of the most anticipated movies of the season will be delivering in terms of their awards potential. Certainly one of the more eagerly awaited expected contenders is Bradley Cooper’s Leonard Bernstein movie, Maestro.
It comes with one of the most impressive pedigrees of the year — not only because it is Cooper’s second directorial effort, one in which he not only stars as Bernstein but also co-wrote (with Josh Singer) and was one of six producers along with such legends as Steven Spielberg and Martin Scorsese. Cooper’s hit first film as director, A Star Is Born with Lady Gaga also was chosen for Venice in 2018. a boost that gives a star-driven film worldwide attention in an instant. That was the hope when Netflix decided to bring Maestro to Venice, fully expecting to make a big splash with Cooper and co-star Carey Mulligan who plays his wife, Felicia Montealegre Cohn Bernstein on the red carpet.
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Alas the SAG and Writers strikes have dampened those initial plans. So when Maestro has its grand World Premiere in Venice on Saturday night, it will be without Cooper, without Mulligan, without any of the cast, without co-writer Singer, and without any of its celebrated producers. In what has to be an opportunity though that none of them expected, some of the key below the line artisans who helped make the movie what it is will be representing the film on the red carpet and in front of the world’s paparazzi, as well as inside the theatre. Its brilliant two-time Oscar winning Kazu Hiro who did the remarkable Leonard Bernstein
Coco Gauff is soaking it all in. The 19 year old tennis player has just won her first Grand Slam. It’s a meaningful win, one that was achieved in her home turf of the US and that came after many years of hard work.
Jessica Kiang For around half of the entire last century, there was a semi-official policy enacted by the Swiss state to forcibly separate the children of “itinerant” parents from their families. The program, known as “Kinder der Landstrasse” (“Children of the Road”), was ostensibly designed for the protection of such children from the perils of vagrancy and criminality which the state imagined rife among the traveller population.
Whatever was going on with Irina Shayk and Bradley Cooper in THOSE pics, it reportedly has not thrown Tom Brady off his game!
Carey Mulligan has welcomed her third child with husband Marcus Mumford, it has been reported. The 37 year old actress is already mum to Evelyn, seven, and Wilfred, five, who she shares with her Mumford & Sons musician husband, Marcus, 36. Carey is believed to have given birth after being spotted out and about in Portofino, Italy, wearing an orange patterned midi dress with a ruffled hem - with no hint of a baby bump to be seen.
Five years after his triumphant A Star is Born world premiered at the Venice Film Festival, Bradley Cooper is back on the Lido with Maestro. Except, the director and star is only here in spirit owing to the SAG-AFTRA strike.
The makeup artist behind Bradley Cooper‘s prosthetic nose in Maestro is speaking out following all of the backlash.
Maestro” — Bradley Cooper’s long-awaited second film as director — premiered at the Venice Film Festival to rapturous applause. The drama about the life of legendary stage composer Leonard Bernstein landed a seven-minute-standing ovation at its world premiere at the Sala Grande Theatre on Saturday night. Cooper, who also plays Bernstein in the Netflix film (with the help of nose prosthetics), and his co-star Carey Mulligan didn’t attend the night’s festivities due to the SAG-AFRTRA strike.
Owen Gleiberman Chief Film Critic In “Maestro,” playing the legendary American conductor and composer Leonard Bernstein, Bradley Cooper has a light in his eye — a glow of merriment and mischief, of gleeful cosmopolitan desire. His Lenny is a prodigy, a prankster, a seducer, a monk of creative devotion and, through it all, a man of epic contradiction. In public, he tends toward the proper and stentorian; in private, he’s recklessly exuberant enough to give new — or maybe old — meaning to the word gay.
Before “Maestro” plunges into the sharp monochrome of its first chapter, Bradley Cooper’s Leonard Bernstein relays to a camera crew how he can still feel the presence of his wife within the walls and gardens of their beautiful countryside manor. “I miss her so much,” he says, the passage of time denounced by the sprawling maze of wrinkles that frames his youthful blue eyes.
Despite its soft-sounding title, Stefano Sollima’s crime drama is a gripping call-back to the heyday of poliziotteschi movies, a peculiarly Italian genre that dealt with inter-gang wars in a country where the police were often more venal than the bad guys. Adagio, though, takes a unique tack, borrowing from Martin Scorsese’s fatalistic masterpiece The Irishman to portray to tell a story in which a trio of gangsters — one blind, one suffering early-onset dementia, and another with terminal cancer — are forced to reunite against a team of bent cops involved in an elaborate blackmail plan.
Ellise Shafer The stars were out in Venice for Variety and the Golden Globe Awards’ party on Thursday night, featuring Chase Stokes, Kelsea Ballerini, Lukas Gage and Pablo Larraín. Presented by Iervolino and Lady Bacardi Entertainment, the event celebrated breakthrough talent and excellence in Italian filmmaking, handing out several awards under the moonlight.
Venice Film Festival, Adam Driver and Michael Mann officially kicked off awards season with the world premiere of their racing drama “Ferrari,” which debuted in competition. The packed house at the Sala Grande Theatre showered Drive and Mann with a six-minute-standing ovation. Driver fought back tears at the tragic conclusion of the film.
Naman Ramachandran The 67th BFI London Film Festival has unveiled its full lineup, which includes galas and special presentations of films by contemporary masters. As previously announced, Emerald Fennell’s “Saltburn” will open the festival and Kibwe Tavares and Daniel Kaluuya’s “The Kitchen” will close it.
Irina Shayk and Tom Brady sparked rumors of romance earlier this month. Now, the pair seem to be apart, with Shayk spending time in Venice with her ex Bradley Cooper and their daughter, Lea.Tom Brady and Irina Shayk’s sleepover: Bradley Cooper reportedly unfazedTom Brady jokes that he’s ready to join BLACKPINK now that he’s retiredShayk and Cooper looked happy to be together. The two were seen with their daughter enjoying themselves.
Nick Vivarelli International Correspondent The 80th Venice Film Festival kicks off tomorrow with a robust roster of awards season hopefuls making their bows, such as Michael Mann’s “Ferrari,” Bradley Cooper’s “Maestro,” Sophia Coppola’s “Priscilla” and David Fincher’s “The Killer,” accompanied by a smattering of stars. As previously reported by Variety, the festival has confirmed that Adam Driver will be in Venice to promote “Ferrari” while Cailee Spaeny and Jacob Elordi, who play Priscilla and Elvis Presley in “Priscilla,” as well as Priscilla Presley herself, are also expected to be on the Lido.
with their six-year-old daughter Lea de Seine. Over the weekend, the pair—who —were photographed looking very cozy with one another on a boat ride in Venice, Italy.In photos exclusively obtained by , the actor-director can be seen helping the Russian model step on and off the boat, carrying her purse, and putting his arm around her chair at dinner. On Instagram, Shayk documented the trip by sharing a shirtless snap of Cooper on a kayak, not to mention several (topless) portraits of herself.This content can also be viewed on the site it from.Reportedly, Cooper made the trip to Venice to “check the vision and sound” of his new film, Maestro, ahead of its premiere next weekend.
Leonardo DiCaprio appeared to enjoy another date day in Santa Barbara, California earlier this week.
As Bradley Cooper‘s “Maestro” approaches its world premiere at the Venice Film Festival, some have criticized the actor-director’s use of prosthetics to adapt more of a likeness to Leonard Bernstein. Certain critics have gone as far as to call the prosthetic nose Cooper wears for the film as anti-semitic.
Bradley Cooper’s decision to use a prosthetic nose to portray Leonard Bernstein in his upcoming biopic Maestro.The Jewish organisation, which fights against antisemitism, released a statement on Monday (August 21) addressing the film after the actor was accused of performing in “Jewface”.In the statement (via Variety), the ADL said the use of prosthetics is not inherently tied to antisemitism. “Throughout history, Jews were often portrayed in antisemitic films and propaganda as evil caricatures with large hooked noses,” the organisation said.“This film, which is a biopic on the legendary conductor Leonard Bernstein, is not that.”Cooper, who also co-writes and directs the film, stars opposite Carey Mulligan in Maestro, which charts the relationship between Leonard Bernstein and his wife Felicia Montealegre.Bernstein, the son of Jewish-Ukrainian immigrants to the US, was a renowned composer and conductor perhaps best known for writing the music to West Side Story.Earlier this month, Bernstein’s family similarly defended Cooper’s decision to use prosthetics for the role.“It breaks our hearts to see any misrepresentations or misunderstandings of his efforts,” Bernstein’s children, Jamie, Alexander and Nina, said.
Ethan Shanfeld Bradley Cooper caught backlash for wearing a large prosthetic nose to portray Leonard Bernstein in “Maestro,” his upcoming biographical romance film about the late conductor. The controversy sparked the latest discourse about “Jewface,” Hollywood’s stereotypical or inauthentic portrayal of Jewish people. But the Anti-Defamation League, the notable Jewish organization fighting against bias and bigotry, has come to Cooper’s defense, stating that his depiction of Bernstein is not antisemitic.