Ando Momoko Set as Ambassador for Tokyo Film Festival – Global Bulletin

Patrick Frater Asia Bureau Chief The Busan International Film Festival put aside many of its recent internal and local political problems to Tuesday unveil a large selection ranging from bleeding edge art titles to international festival favorites. “The difficult times are not behind us, but hard work has made this year’s festival better than ever,” said programmer and interim festival chief Nam Dong-chul, speaking at an online press conference. International guests expected to attend the festival include Luc Besson, Chinese superstar Fan Bingbing, Japanese directors Hamaguchi Ryusuke and Kore-Eda Hirokazu, Iranian filmmaker Mohsen Makhmalbaf, and Korean Americans Justin Chon (“Gook”) and Lee Isaac Chung (“Minari”). Hong Kong-based superstar Chow Yun-fat has been named as Busan’s Asian Filmmaker of the Year and will be in person to receive the award.

Jacob Elordi is getting ready for the premiere of his new movie.

Despite its soft-sounding title, Stefano Sollima’s crime drama is a gripping call-back to the heyday of poliziotteschi movies, a peculiarly Italian genre that dealt with inter-gang wars in a country where the police were often more venal than the bad guys. Adagio, though, takes a unique tack, borrowing from Martin Scorsese’s fatalistic masterpiece The Irishman to portray to tell a story in which a trio of gangsters — one blind, one suffering early-onset dementia, and another with terminal cancer — are forced to reunite against a team of bent cops involved in an elaborate blackmail plan.

Naman Ramachandran The third edition of Fragments Festival (Sept. 28-Oct. 1) – set up as a platform for underrepresented filmmakers and as a showcase of films featuring unique individuals and minority groups – returns to London’s Genesis cinema and will open with Ken Loach‘s “The Old Oak.” The film centers on struggling pub The Old Oak, where tensions mount following the sudden arrival of Syrian refugees who have been housed in the area.

Patrick Frater Asia Bureau Chief Ten Korean independent films will have their world premiere in the Busan International Film Festival’s Korean Cinema Today section. Selectors said on Friday that this year’s crop are films that “delve into profound themes of life, agony, family affection, and personal introspection, inviting audiences to contemplate their meaning.” They add that, “the imaginative depiction of a diverse array of stories, free from the typical rules of genre, adds anticipation.” Delivery presents a “suspenseful irony” as an affluent couple deal with infertility and a young, financially struggling couple face an unplanned pregnancy. “FAQ” is a comic fantasy where an elementary schoolchild innocently picks up a bottle of Korean rice wine or makgeolli at a field camp and then gets to know the secrets of the world through alcohol.

Patrick Dempsey has landed in Italy.

Patrick Frater Asia Bureau Chief The main competition section of the Busan International Film Festival is set to showcase two new features from Bangladeshi directors, the feature debut of Japanese documentary maker Mori Tatsuya and ruminations on Hong Kong by mainland Chinese director Choi Ji. The festival on Wednesday unveiled its New Currents competition section, reserved for films by directors making their first or second works of fiction, as well as its Jiseok section, a showcase for somewhat more established Asian auteurs. In addition to the Bangladesh duo, New Currents includes two films from Japan, two from Korea and one each from China, Thailand, Malaysia and India. From Bangladesh, Iqbal H. Chowdhury’s “The Wrestler” sees an old fisherman challenge a wrestling champion to combat, and in “The Stranger” Biplob Sarkar tells a coming-of-age, gender-identity tale. From Japan, Mori recounts the events of the Great Kanto earthquake in “September 1923,” while Yamamoto Akira delves into profound and shocking love in “After the Fever.” New Currents’ Korean contributions come from Lee Jong-su, whose “Heritage” tracks a man who opts out of military service and his supervisor, and Sohn Hyun-lok, whose “That Summer’s Lie” blurs truth and fiction in memories of a past romance. India’s Rajesh S.

Wim Wenders’ Tokyo-based Cannes Competition title Perfect Days has been set as the opening film of this year’s Tokyo Film Festival while Godzilla Minus One, written and directed by Takashi Yamazaki, will close proceedings.

Patrick Frater Asia Bureau Chief Wim Wenders’ acclaimed “Perfect Days” will open the Tokyo International Film Festival in October. The event will close with “Godzilla Minus One,” the latest addition to Toho’s iconic monster movie franchise on Nov. 1. “Perfect Days” follows the routine and revelatory chance encounters of a simple toilet cleaner in Tokyo.

Patrick Frater Asia Bureau Chief “Lost in Perfection,” the second film by journalist-turned-filmmaker Sung Hsin-yin (“On Happiness Road”), has set Oct. 27 as the date of its commercial release in Sung’s native Taiwan. Ahead of the Taiwan release, the film is expected to have its world premiere at a major festival.

The stars of Vanderpump Rules are hard at work filming the show’s latest season.

EXCLUSIVE: There has been mystery for weeks over which Hollywood talent will attend the Venice Film Festival amid the two strikes but the clouds are finally starting to lift.

Naman Ramachandran The European premiere of Kristoffer Borgli‘s satire “Dream Scenario,” starring Nicolas Cage, will open the 19th Zurich Film Festival (Sept. 28-Oct. 8).

EXCLUSIVE: As Barbie approaches the end of a spectacularly successful first month in theaters, the Israel Film Festival has set one of the film’s great champions, Mattel Chairman and CEO Ynon Kreiz, to receive its 2023 IFF Industry Leadership Award.

Was Scandoval one big lie?!

Japan’s Tokyo Film Festival (TIFF) has revealed the official poster for its 2023 edition, which pays tribute to the country’s seminal filmmaker Yasujirō Ozu on the 120th anniversary of his birth. Check out the full poster below.

Naman Ramachandran James Hawes‘ Holocaust drama “One Life” will be the American Express Gala at the 67thBFI London Film Festival. The film tells the true story of Nicholas ‘Nicky’ Winton, a young London broker who, in the months leading up to WWII, rescued 669 children from the Nazis. Fifty years later, in 1988, Winton is haunted by the fate of the children he wasn’t able to bring to safety in England.

Patrick Frater Asia Bureau Chief “Evil Does Not Exist,” the new drama film by “Drive My Car” director Hamaguchi Ryusuke, has been picked up for North American release by Sideshow and Janus Films. The title will have its world premiere in competition at the Venice festival before playing as a special presentation in Toronto and the main slate of the New York Film Festival. Sideshow and Janus Films, which acquired all North American rights, expect to release the film in theaters after a run of top festivals.

K.J. Yossman Patty Jenkins Set to Appear at HollyShorts Film Festival For Q&A “Wonder Woman” director Patty Jenkins is set to open the Shorts on Film Program at the upcoming HollyShorts Film Festival with a Q&A. Jenkins, who is also know for films including “Monster” and television including “The Killing” finale, will appear in conversation with Steve Bellamy, president of Kodak Motion Picture, on August 11 at TLC Chinese 6 theatre.

Patrick Frater Asia Bureau Chief Ryu Seung-wan’s female-led crime caper “Smugglers” topped the South Korean box office for a second weekend, ahead of new release title “Ransomed.” “Smugglers” enjoyed a strong hold in its second weekend of release and commanded 42% market share. It delivered $7.09 million, a drop of only 20% on its opening weekend, giving a 12-day cumulative of $26.2 million, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).