‘Avatar: The Way Of Water’ Tops $850M WW, ‘Wakanda Forever’ Reaches $800M – International Box Office

Angela Bassett won her second Golden Globe in her second career nomination for her role as Ramonda in Black Panther: Wakanda Forever, the first major acting award recognition for a Marvel movie.

A flying ace, rampaging dinosaurs, Marvel, DC, Minions and battling blue aliens on a distant planet were among the highlights of 2022 for the Hollywood studios at the global and international box office. Still, it was yet another year of transition, with worldwide grosses reaching an estimated $26B — a 27% increase on 2021 but 35% off the pre-pandemic three-year average, according to Gower Street Analytics. The upward trajectory also occurred overseas as some markets came back strongly, while others struggled and exchange rates went wild.

Refresh for latest…: That was fast. Coming out of its fourth weekend of release, James Cameron’s Avatar: The Way of Water has topped $1.7B globally and become the No. 7 biggest movie of all time worldwide.

BAFTA has unveiled the longlists across all categories for its 2023 Film Awards, and Martin McDonagh’s tragicomedy The Banshees Of Inisherin and Netflix’s All Quiet on the Western Front lead. Scroll down for the lists in full.

James Cameron’s Avatar: The Way of Water has now officially, and as projected, crossed the $1 billion mark at the international box office with Tuesday’s grosses included. What’s more for this 20th Century Studios/Disney juggernaut, at $1,482.5M worldwide through Tuesday, the epic sci-fi sequel is next on its way to yet another milestone and will top $1.5B global when today’s numbers are factored. In doing so, it will become the No. 1 worldwide release of 2022, surpassing Top Gun: Maverick’s $1.489B.

No surprise here: Walt Disney is the No. 1 studio at the box office, not just worldwide with $4.9 billion, but also domestic with $2 billion and overseas with $2.9 billion. This comes after an initial New Year’s weekend which saw Avatar: The Way of Water overperforming, that pic contributing close to $1 billion abroad. It’s the 7th consecutive year that Disney ahs been No. 1 at the global box office, from 2016-2022.

French cinemas amassed nearly 152 million admissions in 2022, new data from the National Cinema Center (CNC) shows. That’s an estimated 26.9% off the pre-pandemic three-year average (2017-2019), and an estimated 59.2% hike on 2021 which endured 138 days of movie theater closures. France reports its box office in terms of admissions, however, the total for the year is expected to exceed $1 billion.

China’s box office in 2022 dropped 36% versus 2021, reaching approximately RMB 30B ($4.35B). According to China.org, citing figures from the China Film Administration, 85% of the 2022 revenue was generated by local movies, led by The Battle at Lake Changjin II with RMB 4.07B ($636M at historical rates, per comScore). This past weekend, James Cameron’s Avatar: The Way of Water became the highest-grossing studio import of the year, overtaking Jurassic World Dominion with an estimated $152.8M through Sunday.

Refresh for latest…: James Cameron’s Avatar: The Way of Water rang in the New Year with another $186.7M from 52 international markets for a $1.379B global cume to date. Excluding China, the film rose 4% from last weekend’s Christmas frame offshore (including China it was even with last session). The international box office now stands at an estimated $957M, meaning Way of Water will cross $1B overseas early this week. 

Refresh for latest…: James Cameron’s Avatar: The Way of Water is close on its way to the $1B global box office mark, having more than handily crossed $900M worldwide through its second Monday. This is the latest benchmark for the highly-anticipated sequel, and comes just 13 days after global rollout began. With $955.1M through Monday, The Way of Water has become the No. 3 highest-grosser of 2022 and the No. 4 biggest film of the pandemic era. What’s more, it is expected to hit the $1B worldwide milestone with today’s turnout. 

While theaters are still recovering from the pandemic directly impacting attendance and box office outcomes, there are still really great movies struggling to find audiences outside of streaming and VOD options when they are released in theaters. Some smaller to mid-range pictures, mainly horror, have done better than expected in the shadow of the $100-200 million-dollar budgeted blockbusters that seemingly come out round-year now.

Danai Gurira is this week’s guest in this special episode, taken from our AwardsLine magazine piece entitled ‘On My Screen‘.

For families of little ones, the tradition of Christmas Eve boxes has become fairly popular in recent years.

Indonesian movies had racked up close to 55 million admissions in their home market as of December 18, according to local box office analyst Bicara Box Office, overtaking the previous record of 51.9 million admissions set in the pre-pandemic year of 2019. 

With strong and consistent mid-weeks, James Cameron’s Avatar: The Way of Water has crested the $600M mark worldwide. This comes after it rapidly passed $500M global earlier this week, following its $441.6M opening weekend. The current worldwide total through Wednesday is $609.7M including $426.8M from the international box office.

The Scottish Highlands is the only part of the UK likely to see a white Christmas, according to the Met Office. Christmas is likely to be wet and cloudy for a lot of the country with the heavy snowfall coming two weeks too early to give most people a white Christmas.

Funny Girl broke a house record with more than $2 million in receipts at the August Wilson Theatre, A Beautiful Noise continued its $1 million-plus weekly take, and The Piano Lesson topped the list of highest-grossing non-musical productions with $914,752, each contributing to Broadway’s $37M box office tally for the week ending Dec. 18.

James Cameron’s Avatar: The Way of Water has grossed $497.1M globally through Monday, well on its way across the half a billion mark worldwide when Tuesday’s take is tallied. 

A24’s release of Darren Aronofsky’s The Whale had a strong holdover its second weekend out, grossing $168.5k on the same six screens in NYC and LA where it opened its first frame to the biggest per theater average of the year – beating the distributor’s March release of Everything Everywhere All At Once.