‘Another End’ Review: Piero Messina Wastes Gael García Bernal & Renate Reinsve In Apathetic Sci-Fi [Berlinale]

Aramide Tinubu Less than 72 hours before the premiere of Lifetime‘s two-part docuseries “Where Is Wendy Williams?,” the former talk show host’s team announced that she has been diagnosed with primary progressive aphasia and frontotemporal dementia (FTD), the same disease that Bruce Willis has. Amid the news of Williams’ health crisis — which is immediately evident on the show— this docuseries feels invasive at best and predatory at worst. “Where Is Wendy Williams?” is designed as a follow-up to her 2021 documentary “Wendy Williams: What A Mess,” which dove into Williams’ public divorce, apparent mental health crisis and other public mishaps.

Wendy Williams’ niece made a heartbreaking confession about her aunt…

Wendy Williams won’t be mounting a comeback, at least one person close to her feels.

diagnosed with progressive aphasia and frontotemporal dementia.Williams famously hosted her eponymous chat show that ran from 2008 to 2022.Now, Suzanne Bass, who was the co-executive producer of theprogram, spoke out about the star’s diagnosis and the seeming end of her TV career. “Since Wendy’s been off the air, there’s been a huge void in both daytime TV and pop culture,” she told People Saturday.

announced that she was diagnosed with frontotemporal dementia and aphasia last year. Per Lifetime, “the documentary provides a raw, honest and unfiltered reality of Wendy’s life after she was placed under financial guardianship, shedding light on the vulnerabilities that have turned Wendy into the Hot Topic herself. Suffering mental and physical issues, Wendy’s delicate state of mind, erratic behavior and declining health were all captured by the cameras.”“Where is Wendy Williams?” is already proving to be controversial, as a sealed lawsuit was filed by Williams’ temporary guardian, Sabrina Morrissey, with a request for a temporary restraining order — something that’s often filed when someone wants the release of a film or television series stopped.

A film that invokes its title in myriad ways, Levan Akin’s newest film, “Crossing,” is predominantly concerned with the differences that emerge across national and gendered identities. A plea for trans acceptance that never preaches to its audience, Akin’s film grounds the story of trans identity in Georgia and Turkey through the narrative of two disparate characters searching for someone in a city they don’t know.

EXCLUSIVE: Hit CBS comedy Ghosts came out of an interesting deal between BBC Studios, the production arm of the British public broadcaster, and Lionsgate.

Leo Barraclough International Features Editor Sebastian Stan, whose “A Different Man” screens in the Berlin Film Festival, Christoph Waltz and Tom Wlaschiha, the “Faceless Man” in “Game of Thrones,” were among the guests at Studio Babelsberg Night, the historic Berlin film studios’ party at Soho House Berlin held to celebrate the 74th edition of the festival. The event was supported by Mexican tequila brand Don Julio, the Motion Picture Assn. and Little Moons.

Ellise Shafer Martin Scorsese was lauded with the Berlin Film Festival‘s honorary Golden Bear on Tuesday night, celebrating a lifetime of achievement in cinema. As he accepted the award, Scorsese — whose most recent film, “Killers of the Flower Moon,” is currently up for 10 Oscars — reflected on his career thus far and even teased a return to the festival “in a couple years.” Scorsese was introduced by German director Wim Wenders, who is also Oscar-nominated for his latest feature, “Perfect Days.” Wenders told a hilarious story, complete with a photo slideshow, about one of his earliest interactions with Scorsese at the Telluride Film Festival in 1978, where he came upon the director and his then-girlfriend Isabella Rossellini on the side of the road with a flat tire.

Martin Scorsese was presented with the Berlin Film Festival’s Honorary Golden Bear for Lifetime Achievement on Tuesday evening, with old friend German director Wim Wenders paying a warm personal tribute to the director.

Warning: Spoilers aheadThe crime drama Deadwater Fell, starring David Tennant, has arrived on Netflix – but who killed Kate and the children? Read on to find out. The four-part drama was originally broadcast on Channel 4 in January 2020, but it is now available to stream on Netflix, with many choosing to binge through the episodes to find out how the story resolves. The tale revolves around a tragedy in a remote Scottish village in which a fire rages at the home of the Kendrick family.

Ahead of what looks to be a certain – at the time of writing – best actor win for his work on Christopher Nolan’s Oppenheimer, Cillian Murphy leads this absorbing drama from Belgian filmmaker Tim Mielants; a story about a working-class father who has questions about the local convent who has more than a hold on a small town in Ireland.Based upon the 2021 novel of the same name by Claire Keegan (whose previous work, Foster was adapted into The Quiet Girl to international acclaim), and from a screenplay by Enda Walsh, the film is set in the mid-eighties, specifically during the lead-up to Christmas. Murphy is Bill Furlong, owner of a small coal and fuel firm in the harbour town of Wexford on the southeastern coast of Ireland.

Guy Lodge Film Critic If any part of you has been curious as to how French filmmaker Olivier Assayas spent the early days of the global pandemic, along comes “Suspended Time” to answer your question, with very much the answer you might expect: pretty comfortably, thanks for asking. Alternating a thinly fictionalised portrait of the artist isolating at his family’s country home with fully autobiographical narration by the director himself, this mildly amusing but vastly indulgent bagatelle feels a tardy entry in the first wave of lockdown cinema — too late to feel fresh, but still too soon to have accumulated much meaningful perspective on an experience we all remember too well.

Nick Vivarelli International Correspondent Over the past few years Italian cinema has been making strides in the global arena and 2024 looks likely to bolster its international standing. New works by top auteurs Paolo Sorrentino and Luca Guadagnino will be launching from the festival circuit just as a fresh crop of directors comes to fore, starting with Margherita Vicario, whose first film “Gloria!” scored a Berlin competition slot.

What would you do if you could extend loved ones’ lives through their memories?

Jessica Kiang It’s ironic that memory is the central theme of Piero Messina‘s Berlin Competition title “Another End,” when so many of its twists and turns are so directly lifted from other films that it feels like you’ve seen them before; even watching it for the first time feels like rewatching. But if that makes this elegiac literalization of the timeless theme of “what is grief but love persevering?” a rather edgeless experience it’s not a wholly unpleasant one.

“This is a very, very romantic film,” Gael García Bernal said of his Berlin competition title, Another End. 

Nick Vivarelli International Correspondent Gael García Bernal and Renate Reinsve (“The Worst Person in the World”) star as lovers caught in an unusual bind in Italian director Piero Messina’s unconventional sci-fi film “Another End,” which is competing in Berlin. Set in a near-future when a new technology exists that can put the consciousness of a dead person back into a living body in an attempt to ease the grief of separation, the English-language film sees Bernal play Sal, a man who loses his wife. Reinsve plays Zoe, the woman who rents her body for the implantation of Bernal’s wife’s consciousness.

Nick Vivarelli International Correspondent Italy — which is the Country of Focus at this year’s European Film Market in Berlin — is flourishing in terms of production activity just as its box office grosses start to pick up. Yet there’s room for improvement in terms of the number of titles that are able to break out internationally. The Cinema Italiano output currently stands at over 350 movies a year, including co-productions, which is up compared with pre-pandemic levels.

J. Mascis has shared a rendition of Phoebe Bridgers’ song ‘Motion Sickness’.