‘Another End’ Review: Gael García Bernal and Renate Reinsve Illuminate a Pensive, Familiar Story of Love After Death

Imagine a movie akin to a sad David Bowie song about an astronaut drifting alone into the dark abyss of space, contemplating his life, his lost love, his past, and an uncertain, perhaps soon-to-be-shortly doomed future. Sing the wistfully estranged and reflective “Space Odyssey” tune and the lamenting iconic line, “Tell my wife I love her very much, she knows!” That’s Swedish filmmaker Johan Renck’s “Spaceman” in a nutshell, which makes for possibly the weirdest, most existentially lonely movie Adam Sandler has ever starred in.

“Please make me a good wife to Wolf,” murmurs Agnes (Anja Plaschg) on her marriage night, head bowed in front of the crucifix she has already set up in the conjugal bedroom of the tumbledown stone farmhouse where she will live from now on. Wolf (David Scheid) is meanwhile carousing with his fellow villagers at the wedding celebration, in no hurry to join her. We are deep in the Austrian forest in the 1750s, where life is governed by the cruelties of each season and everything has its place. The point of a woman is to work and have children; anyone who fails in these conjoined vocations is simply a dead weight. Agnes will do her best, but her airy spirits are soon sinking.

For a time, it seemed like an auteur war was about to break out over Adam Sandler, with some of America’s most revered directors vying to find the right role for the comedian. It was rumored, but never confirmed, that Quentin Tarantino imagined him a key role while writing Inglourious Basterds, although this might have been wishful thinking from critics who saw the talented Sandler heading in the same direction as John Travolta until Pulp Fiction saved him from a lifetime of Look Who’s Talking movies. In the end, Paul Thomas Anderson got there first, with Punch Drunk Love (2002), although the glow of a bona fide arthouse hit didn’t last long, and Jack and Jill still happened less than ten years later.

EXCLUSIVE: Ahead of its world premiere today at the Berlin Film Festival, Cohen Media Group has secured all North American distribution rights to Made In England: The Films Of Powell And Pressburger.

Ellise Shafer Adam Sandler was faced with a new challenge on the set of his upcoming Netflix film “Spaceman“: using wires to appear like an astronaut floating in space. At the film’s Berlin Film Festival press conference on Wednesday, Sandler cheekily reflected on the experience, saying the “wires hurt me.” “The wires were tough because my body’s not the most flexible body. The wires hurt me, they dug into me.

The Berlin Film Festival was rocking Wednesday afternoon as Adam Sandler rolled into town with Spaceman, his latest feature for Netflix. 

Mubi has snapped up rights across multiple territories on Made In England: The Films Of Powell And Pressburger, the Martin Scorsese-narrated doc set to debut this week at the Berlin Film Festival. 

Alex Ritman ‘Made in England: The Films of Powell and Pressburger,’ the documentary produced and narrated by Matin Scorsese, has been acquired by Mubi ahead of the film’s world premiere at the Berlin Film Festival. The arthouse streamer, distributor and production company has bought all rights for Germany, Austria, Switzerland, Italy, France, Belgium, Netherlands, Luxembourg, Latin America, Turkey and India.

Callum McLennan Chile’s Storyboard Media brings its latest documentary venture to Berlin, a project centered on Jorge González, a Latin American music legend frontman of Los Prisioneros. Set to be shown at the EFM, the doc feature charts the life and legacy of a musician whose songs became anthems of resistance during Pinochet’s dictatorship in Chile, and are still played loud when protests flare.

Alex Ritman It’s been five years since “Chernobyl,” HBO’s phenomenally successful miniseries about the catastrophic 1986 disaster and a show that garnered both widespread acclaim and a whole host of Emmys, Golden Globes and BAFTA TV awards. Its creator Craig Mazin has since brought us zombies galore in the video game adaptation “The Last of Us,” but now “Chernobyl’s” BAFTA and Emmy-winning director Johan Renck is about to unleash his next project.

Sal (Gael García Bernal) exists in a limbo — not the religious notion of a space between life and death, but a nonspace. He lives in a large apartment but appears to have no job or vocation.

When Australian writer Lily Brett published her novel Too Many Men in 2001, critics marvelled at the light, comic tone she had managed to strike in a novel about the lasting impact of the Holocaust, passed down from one generation to the next. Families have their customary jokes; they squabble over the dinner table; they may be funny characters but, underneath it all, there is a consciousness of pain. That’s not an easy balance to strike, as a writer or as an actor.

What would you do if you could extend loved ones’ lives through their memories?

Lena Dunham and Stephen Fry joined filmmaker Julia von Heinz for a press conference for new tragic comedy Treasure, which debuts this weekend in the Special Gala section at the Berlin Film Festival.

Something eerie is afoot in the small Irish town of Wexford, where coal merchant Bill Furlong (Cillian Murphy) raises five young daughters alongside his wife, Eileen (Eileen Walsh). It’s Christmastime 1985, the busiest time of the year for the Furlong family business, but Bill is not feeling like himself.

Ellise Shafer When Lena Dunham first read the script for Julia von Heinz’s “Treasure,” it hit home. The “Girls” creator’s grandmother had just died at 96, and Dunham found herself thinking a lot about her heritage. “Treasure,” based on the 1999 novel “Too Many Men” by Lily Brett, follows Ruth (Dunham), a journalist who travels to Poland with her Holocaust survivor father (Stephen Fry) to confront their family’s tragic past.

“This is a very, very romantic film,” Gael García Bernal said of his Berlin competition title, Another End. 

Nick Vivarelli International Correspondent Gael García Bernal and Renate Reinsve (“The Worst Person in the World”) star as lovers caught in an unusual bind in Italian director Piero Messina’s unconventional sci-fi film “Another End,” which is competing in Berlin. Set in a near-future when a new technology exists that can put the consciousness of a dead person back into a living body in an attempt to ease the grief of separation, the English-language film sees Bernal play Sal, a man who loses his wife. Reinsve plays Zoe, the woman who rents her body for the implantation of Bernal’s wife’s consciousness.

Elsa Keslassy International Correspondent Highland Film Group has locked key territory deals for sci-fi thriller “The Astronaut” from “A Quiet Place” producer Brad Fuller Pic stars Kate Mara (“A Teacher”), Laurence Fishburne (“John Wick” films) and Gabriel Luna (“Terminator: Dark Fate”). The film wrapped shooting late last year in Ireland. “The Astronaut” has sold to Signature Entertainment for the U.K., Capelight Pictures for Germany, Blue Swan Entertainment for Italy, Nos Lusomundo Audiovisuais for Portugal, DeAPlaneta for Spain, Spentzos Film for Greece, Cinemania Group for former Yugoslavia, Shoval Film Production for Israel, Falcon Films for the Middle East, Filmfinity for South Africa and Roadshow Films for Australia and New Zealand.

K.J. Yossman Stephen Fry has been described as a “quintessential Englishman” and, thanks to his Cambridge University degree and roles in films such as “Gosford Park” and “Wilde,” he’s got a resumé to prove it. But it turns out his latest role, as Polish Holocaust survivor Edek in the upcoming feature “Treasure,” is closer to home.