Italian Film Business Bounces Back With Production Percolating as Box Office Picks Up

Nick Vivarelli International Correspondent Toronto-based sales agent Syndicado Film Sales has acquired international rights to German director Caroline von der Tann’s Naples-set doc “The Gospel According to Ciretta” ahead of its world premiere at the Thessaloniki Intl. Documentary Film Festival.

Nick Vivarelli International Correspondent Kevin Spacey will appear as a character named “The Devil” in Italian director Massimo Paolucci’s psychological thriller “The Contract,” which just wrapped principal photography in Rome. The English-language film, described in a statement as having a similar storyline as Alan Parker’s “Angel Heart” and Taylor Hackford’s “The Devil’s Advocate,” also stars Eric Roberts and Vincent Spano, Italian production company TM Entertainment said. Spacey arrived in Rome last December to shoot “The Contract.” Reps for Spacey, Roberts and Spano did not immediately respond to a request for comment.

After a successful return as a physical event last year, Hong Kong International Film & TV Market (Filmart, March 11-14) is taking place again this year against a complicated backdrop, both in terms of market realities and the shifting geopolitics of the region. 

Emiliano De Pablos Brand new sales agency Neo Art International has picked up worldwide sales rights outside Italy to Claudio Amendola’s black comedy film trilogy “Cassamortari” (“Funeral Family”). The film trilogy narrates the story of The Pasti Family, a Roman family who work in the funeral business. The three titles of the saga are set up at Rome-based company Paco Cinematografica, and co-produced with Antonia Nava’s Neo Art Producciones in Barcelona.

Leo Barraclough International Features Editor Following its world premiere in the competition section of the Berlin Film Festival, Beta Cinema has revealed first sales across Europe and to Australia and New Zealand for Andreas Dresen’s “From Hilde, With Love.” The drama about anti-Nazi activists in Berlin, which is led by “Babylon Berlin’s” Liv Lisa Fries and introduces Johannes Hegemann in his first big screen appearance, will be released in France by Haut et Court, in Italy by Teodora and throughout Scandinavia by Angel Films. Beta Cinema also closed deals for Benelux (September Film), Portugal (Outsider), former Yugoslavia (Discovery), Hungary (Cirko) and Czech Republic (Film Europe). Palace Film picked up the film for Australia and New Zealand.

Nick Vivarelli International Correspondent Italian director Paolo Taviani, who with his late brother Vittorio formed the revered filmmaking duo that in 1977 won the Cannes Palme d’Or for “Padre Padrone,” has died at 92. Taviani died on Thursday in a Rome clinic after suffering from a short illness, according to Italian media reports. “Paolo Taviani, a great maestro of Italian cinema, leaves us,” Rome Mayor Roberto Gualtieri said on X, formerly known as Twitter.

Nick Vivarelli International Correspondent The Doha Film Institute’s unique Qumra incubator kicks off Friday with six days of master classes, labs and mentoring sessions and some 200 industry professionals – including programmers from Cannes, Venice, Toronto, Berlin and many other major festivals – expected to make the trek to the Qatari capital. Qumra, which is an Arab word believed to be the origin of the word “camera,” is dedicated to supporting and shepherding first and second works by Arab directors but also supports some projects from other parts of the world.

Leo Barraclough International Features Editor The Playmaker has closed a raft of pre-sales deals on “Ploey 2 – The Legend of the Winds,” which was presented to international buyers for the first time at the European Film Market this month. The Playmaker screened an exclusive first-look teaser at its booth in Berlin as well as a promo for attending buyers.

John Hopewell Chief International Correspondent European giant Beta Film, known for ambitious titles such as “Babylon Berlin” and “The Swarm,” has shared with Variety in exclusivity a first-look picture of 1o-part series “Rise of the Raven,” which it hails as “one of the most epic European TV productions of all time.” “Rise of the Raven” weighs in as a passion project of Hungarian-born and Canada-based producer Robert Lantos, behind “Sunshine,” “The Sweet Hereafter,” “Barney’s Version,” “Eastern Promises” and “Crimes of the Future.” A highlight at Beta Film’s showcase this Tuesday at the London TV Screenings, “Rise of the Raven” turns on the extraordinary feat of Hungarian army commander Janos Hunyadi, played by discovery Gellért L. Kádár, who in 1456 won a bloody, brutal Battle of Belgrade against a vast Ottoman force twice the size of his troops who were often farm labourers armed with just slings and patriotic fervor. Hunyadi largely halted a full Ottoman expansion in Europe for the next 70 years, allowing its Renaissance to lift off in Italy.

Christopher Vourlias Following on the heels of a successful post-pandemic reboot one year ago, the Joburg Film Festival kicks off its sixth edition on Feb. 27, with the glitzy capital of South Africa’s media and entertainment industry showcasing a selection of top talents from the host country and across the African continent.

Refresh for latest…: Paramount’s Bob Marley: One Love continued to sing sweet tunes in its sophomore session, adding $15M from 59 international box office markets for a drop of 37% from its above-expectations stellar opening. The overseas cume is now $49.4M for $120.6M worldwide.

Winners have been announced at the 74th Berlin Film Festival, with Dahomey by French-Senegalese filmmaker Mati Diop scooping the coveted Golden Bear prize as the best film of the festival’s International Competition. Scroll down for the full list of winners, which were revealed Saturday evening at the Berlinale Palast.

Anatomy of a Fall French producer Marie-Ange Luciani put in a flying appearance at the Berlinale this week with Claire Burger’s coming-of-age drama Langue Étrangère which received a warm reception in competition.

Leo Barraclough International Features Editor German filmmaker Nele Wohlatz‘s “Sleep With Your Eyes Open,” which had its world premiere on Saturday in the Encounters section of the Berlin Film Festival, tells a story about the search for a sense of belonging in a foreign country. It starts with Kai, a young Taiwanese woman with a broken heart, arriving at a Brazilian beach resort for a holiday. Here, her life crosses paths with a group of Chinese migrants living in a luxury tower block, and in particular a young woman called Xiaoxin, who accepts her fate, and Fu Ang, who is working in an umbrella store when we meet him but harbors ambitions to become wealthy.

Patrick Frater Asia Bureau Chief Two Taiwan-based production companies with features in this week’s Berlin Film Festival have joined forces to launch new venture, Long Hu Bao × An Attitude. Taiwan’s Yi Tiao Long Hu Bao International Entertainment, is one of eight co-producers on main competition film “Shambhala,” from Nepal’s Min Bahadur Bham.

Nick Vivarelli International Correspondent Saudi Arabia’s General Entertainment Authority (GEA) has launched a new film fund called Big Time Investment to boost production of quality Arabic movies and announced a slate of Egyptian feature films toplined by a biopic of Egyptian icon Umm Kulthum who is considered the Arab world’s greatest singer. Prominent Egyptian director Marwan Hamed, whose epic “Kira and El Gen” about local resistance to British occupation, is recent hit, will direct the film titled “El Set.” Egyptian star Mona Zaki will play Kulthum who from the late 1920s onwards became the first prominent Arab singer to disseminate her work to the masses via the new technologies of the times: radio, the phonograph, cinema and television.

Leo Barraclough International Features Editor Kirsten Niehuus, head of German film fund Medienboard Berlin-Brandenburg, is confident that the changes to film funding proposed by the German government recently will have a “very positive effect on the production scene in Berlin-Brandenburg.” The proposed changes to the funding system were presented last week to German lawmakers in the Bundestag by commissioner for culture and media Claudia Roth (see here). Speaking to Variety Saturday at a party Medienboard hosted at Berlin’s Holzmarkt, Niehuus said the changes “will mean that we would have a tax system in place that could compete, for instance, with Budapest or Prague, so that not so many German productions would go and shoot somewhere else, and more foreign productions would come and shoot in Germany.” Looking at the media landscape across Germany she notes that one major challenge is the decision by high-end outlets such as Paramount+, HBO and Sky to cancel local productions, and she noted “the streamers are not such reliable partners anymore.” She added: “So I think producers are having a really hard time at the moment.” On a happier note, the Berlin government raised Medienboard’s budget by Euros 6 million over the next two years, which will be targeted at the exhibition sector in the region, allowing for the upgrading of facilities at movie theaters.

Refresh for latest…: Paramount’s Bob Marley: One Love brought folks together around the world in its opening frame, singing up a sweet estimated $80M global bow. After coming on strong in early overseas play this week, and as audiences turned a deaf ear to critics, the international box office portion of that is $29M, landing well ahead of expectations.

Nick Vivarelli International Correspondent Over the past few years Italian cinema has been making strides in the global arena and 2024 looks likely to bolster its international standing. New works by top auteurs Paolo Sorrentino and Luca Guadagnino will be launching from the festival circuit just as a fresh crop of directors comes to fore, starting with Margherita Vicario, whose first film “Gloria!” scored a Berlin competition slot.

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