Animated Feature ‘The Peasants,’ Followup to Oscar Nominee ‘Loving Vincent,’ Sells to Several Further Territories (EXCLUSIVE)

Leo Barraclough International Features Editor Autlook Filmsales has sold “Smoke Sauna Sisterhood,” which won the directing award for Anna Hints in the World Cinema Documentary section at Sundance, to more than 20 territories in North America, Europe and Australia. Deals are confirmed with Neue Visionen in Germany, Trigon in Switzerland, Against Gravity in Poland, Fidalgo in Norway, Ost For Paradise in Denmark, Vedetta in Benelux, Filmtrade in Greece and Cyprus, FilmIn in Spain, Alambique in Portugal, Filmladen in Austria, Pasaka Films in Lithuania, Artcam in Czech Rep. and Slovak Rep., Best Film in Latvia, Mozinet in Hungary, and Madman in Australia and New Zealand. The rights in U.S. have been picked up by Greenwich Entertainment and in Canada by Sherry Media Group. The theatrical release in Estonia is by ACME Film.

Nick Vivarelli International Correspondent Italian star author Robert Saviano, whose mob exposé “Gomorrah” spawned both Matteo Garrone’s eponymous prizewinning movie and the groundbreaking crime series that plays stateside on HBO, is making his directorial debut. Saviano will direct “I’m Still Alive,” an animation adaptation of his graphic novel illustrated by Israeli artist Asaf Hanuka (“Waltz With Bashir”). “Still Alive” examines the anti-mob activist’s life under armed guard since being forced to live with police protection shortly after 2006 when Saviano’s account of the inner workings of the Neapolitan Camorra crime syndicate was published. Just like Saviano’s graphic novel, “I’m Still Alive” will feature illustration’s by Hanuka, an Eisner-winning cartoonist who is known, besides “Bashir,” for his autobiographical strips “The Realist” and for graphic novel “The Divine.”

Peter Debruge Chief Film Critic Of the 10 films up for best picture, no fewer than six run 199 minutes or more. On one extreme, James Cameron’s punishing “Avatar” sequel is long enough to require bathroom breaks. At the other, Daniels’ ADHD-styled “Everything Everywhere All at Once” proves equally exhausting, dedicating every hyperkinetic second to stimulating easily distracted audiences. It’s enough to make folks grateful for the lower-profile but still engaging live-action shorts category, where nominees are bound by a strict 40-minute time limit. This year’s crop — the so-so “2023 Oscar Nominated Short Films: Live Action” program — clocks in at under two hours. Available in theaters and on myriad streaming platforms, the international assembly may be a hit-and-miss affair, but never outstays its welcome.

After bringing home an Oscar in 2019 for her animated short Bao, Domee Shi returned to her well of childhood experiences for Turning Red. Due to a family blessing/curse, 13-year-old Chinese Canadian Meilin (Rosalie Chang) transforms into a red panda whenever she experiences strong emotions, which is less than ideal for a teenager. Using Mei as a surrogate character, Shi replicates her childhood experience of struggling to please her mother as she entered adolescence. The film’s portrayal of the mother-daughter relationship sparked dialogues between teens and parents going through the same experience and gave Shi a chance to become closer with her own mother.

Oscar voters scanning their final ballot may do a double-take when they get to Best Documentary Feature: the name Shane Boris really does appear twice in the same category. 

Clayton Davis Senior Awards Editor Brendan Fraser’s massive popularity has revitalized the 54-year-old actor’s career. It has brought him to his first-ever Oscar nomination for best actor for his towering performance in Darren Aronofsky’s “The Whale.” For this week’s video episode of the Variety Awards Circuit Podcast, we sat down with Brendan Fraser to discuss the “The Brenaissance” and what the past year has meant to him. We also played a game called “Who’s Babe Is It Anyway?” — where Fraser guesses which of his former co-stars said a particular line. How well do you think he did? Watch the full video above. The podcast, with added guest Cate Blanchett, the Oscar-nominated actress of “Tár,” will be released on Friday.

Sundance prize winner Sofia Alaoui, Yemeni-Scottish Oscar-nominee Sara Ishaq and Emmy-feted Egyptian cinematographer Muhammad Hamdy will be among filmmakers presenting projects at the Doha Film Institute’s Qumra event, unfolding in Qatar March 10-15.

NAACP Image Awards on Saturday evening. “The Woman King” director penned an essay in The Hollywood Reporter after her historical drama found itself completely shut out of the Academy Awards, despite landing several precursor noms across other awards bodies and craft institutions. Prince-Bythewood called the season “an eye-opener” and that “the Academy made a very loud statement, and for me to stay quiet is to accept that statement.” “We know the issues exist, but they felt amplified this year,” Prince-Bythewood told Variety senior entertainment writer Angelique Jackson on the red carpet, discussing her essay. “The responses have been really amazing. The number of people that have reached out and sharing it — whole companies are sharing it — and then going to the BAFTAs and having people reference it as well, there’s no denying some of the things I put in and people were able to see firsthand what happened.”

Leo Barraclough International Features Editor U.S. film financier Grandave Capital will invest in the documentary “Romano Artioli – The Last Great Dreamer,” about the one-time owner of the Bugatti and Lotus automobile brands, Romano Artioli. In 1952, Artioli, a 20-year-old technician in Italy watched in astonishment as Bugatti ceased production in Molsheim, France. Artioli studied mechanical engineering and went on to repair cars, before eventually setting up an automotive retail and import business. By the mid-1980s, this business became so successful that Artioli was able to begin discussions with the French government about buying the Bugatti brand. In 1987, his dream became a reality.

Leo Barraclough International Features Editor Berlinale competition film “Music” opens with gray clouds racing across the face of a Greek mountain as a storm prepares to break. It is a suitably dramatic prelude to the tumultuous events that will unfold, albeit rendered in an understated manner by German director Angela Schanelec, who won the Berlinale best director award in 2019 for “I Was at Home, But.” As the storm lifts, an abandoned baby boy is rescued a paramedic, who names him Jon. Years later, Jon, now a young man, kills another man, accidentally, and ends up in prison. Here, he is tended to by a female guard, Iro, as his eyesight begins to deteriorate. When he is released, the two get married and have a child. But several years later, his wife discovers a terrible secret.

Leo Barraclough International Features Editor Jan Naszewski’s Warsaw-based sales outlet New Europe Film Sales has sold North American distribution rights for its Berlinale-selected drama “Delegation” to Greenwich Entertainment. “Delegation” is a story of three Israeli high school friends who take part in a class trip visiting Holocaust sites in Poland – their last time together before going to the army. During the trip, shy boy Frisch, aspiring artist Nitzan and class heartthrob Ido deal with issues of love, friendship and politics against the backdrop of concentration camps and memorial sites. The journey will change them forever. The deal for the film, which had its premiere in the Generation 14Plus competition, was negotiated by Naszewski and Greenwich co-president Edward Arentz.

Leo Barraclough International Features Editor Arbelos, a Los Angeles-based boutique film distribution company, has acquired North American rights to the new 4K restoration of Béla Tarr collaborator György Fehér’s landmark but long unseen Hungarian masterpiece “Twilight” (“Szürkület”). The restored version of the film world premiered in the Berlinale’s Classics strand on Monday. Hungary’s National Film Institute handled the sale. Fehér, who made only two theatrical features, shot the black-and-white film at the end of the 1980s. Based on the crime novella “The Pledge” by Friedrich Dürrenmatt, it is the story of a retired detective who uses a girl as bait to try to catch a serial killer.

Elsa Keslassy International Correspondent “Lie With Me,” a romance drama headlined by French stars Guillaume de Tonquebec and Victor Belmondo, has lured a raft of theatrical distributors at the Berlinale’s EFM. Represented in international markets by Be For Films and directed by Olivier Peyon, the movie is based on Philippe Besson’s book “Arrête avec tes mensonges.” The autobiographical novel was originally published in France by Editions Julliard in 2017 and won pair of awards including the Maison de la Presse prize in 2017. After selling several key territories earlier this year, Be For Films has now closed deals for the U.S. (Cinephobia Realising), Germany/Austria (24 Bilder), Brazil (Imovision), Poland (Tongariro), Greece (Cinobo) and Turkey (Bir Films).

Leo Barraclough International Features Editor “Delegation,” a coming-of-age film about an Israeli school trip to Holocaust memorial sites in Poland, has debuted its trailer (below). Israeli writer-director Asaf Saban’s film world premiered at Berlinale Sunday in the Generation 14plus section. Jan Naszewski’s New Europe Film Sales is handling international sales. In the film, three Israeli high-school friends take part in a class trip visiting Holocaust sites in Poland – their last time together before going to the army. During the trip, shy boy Frisch, aspiring artist Nitzan and class heartthrob Ido deal with issues of love, friendship and politics against the backdrop of concentration camps and memorial sites. This journey will change them forever.

EO, the Sideshow/Janus films release told from the point of view of a donkey, is set to pass the $1 million mark in week 14. The Cannes-premiering film by Jerzy Skolimowski, Academy Award nominated for Best International Feature, will gross an estimated $27.6k for the four-day President’s weekend on 37 screens for a cume of just over $1M.

Leo Barraclough International Features Editor 101 Films Intl. has secured worldwide distribution rights for World War II adventure film “War Blade,” starring Joseph Millson (“Casino Royale,” “The Last Kingdom”), Paul Marlon (“Trigger Point”), Michael McKell (“Murder Investigation Team,” “Doctors”) and Rebecca Scott (“The Capture,” “Transhuman”). The sales company is presenting the film to buyers at the European Film Market in Berlin. The film was written and directed by Nicholas Winter (“Robin Hood: The Rebellion,” “Breathe,” “Bone Breaker”). “War Blade” follows Robert Banks, an agent of the British Special Operations Executive, who is tasked with rescuing a French resistance fighter from a hidden Nazi bunker. With the help of a German nurse and a ragtag group of allies, Banks must journey to the belly of the beast.

Leo Barraclough International Features Editor Russian documentary filmmaker Victor Kossakovsky and the production team behind his Oscar-shortlisted feature “Gunda” will follow up with the second instalment in his “Empathy Trilogy.” AC Independent will handle the North America sale and Cinephil will be selling international rights. They will be kicking off sales this week at the European Film Market in Berlin. The new film focuses on the health of the oceans and the effects of industrial fisheries. The “Empathy Trilogy,” of which “Gunda” formed the first part, looks at the sentience of non-human animals.

Fifty years ago, the sci-fi thriller “Soylent Green” warned viewers of a distant future—the year 2022—where environmental catastrophe and over-population would cause such dire resource scarcity that the bodies of those who ended their lives voluntarily and with the government’s assistance were transformed into edible wafers to feed the masses. In “White Plastic Sky,” a heady dystopian animated feature from Hungary, directors Tibor Bánóczki and Sarolta Szabó depart from nearly the exact same premise, a reality a century from now where crops and animals no longer exist, but the solution to ensure humanity’s survival is no longer a matter of personal agency but of mandated duty for all citizens.

Leo Barraclough International Features Editor Picture Tree Intl. has boarded Berlin Film Festival title “Measures of Men,” which focuses on the genocide committed by the German army against the Ovaherero and Nama tribes in Southwestern Africa. The trailer debuts (below). The film is written and directed by Lars Kraume, whose credits include Berlin’s “The Silent Revolution” and Toronto’s “The People vs. Fritz Bauer.” It stars Leonard Scheicher (“The Silent Revolution,” “Das Boot” TV series), Namibian actor Girley Charlene Jazama and “Toni Erdmann” star Peter Simonischek. The film has its world premiere on Feb. 22 in the Berlinale Special section, and will be released in Germany by Studiocanal in late March.

Elsa Keslassy International Correspondent Brazilian animated feature “Perlimps,” Alê Abreu’s follow up to Oscar-nominated “Boy and the World,” has been sold in key territories by Best Friend Forever ahead of the European Film Market. “Perlimps” has been picked up for Japan (Child Film and New Deer), China (DDDream), CIS and baltics (Kinologistica), Sweden (Njutafilm) and Portugal (Films4you). BFF is in advanced discussions to close German Speaking territories, Benelux, Spain, Italy and North America. As previously announced, UFO Distribution will release the feature in France. “Perlimps” was just released last week in Brazil by leading independent outfit Vitrine Filmes and Sony Pictures, which holds Latin American rights.