‘Turning Red’ Writer-Director Domee Shi On Dipping Into The Well Of Her Own Childhood For Her Oscar-Nominated Animated Feature

“Tár” director Todd Field says he may never make another feature film — despite rave reviews for the recent Cate Blanchett drama, which he also penned and produced. Field, 59, got candid about the next stage of his career in a recent interview with Cinema Scope, revealing that it’s “highly likely” he’s done with directing. “There’s a real challenge in making a film of any size,” he explained.

Djimon Hounsou got very real about his treatment in Hollywood.

Pedro Pascal is a very proud brother.

The Oscars’ annual In Memoriam segment on Sunday included a live performance of the song “Calling All Angels” by Lenny Kravitz.

London-based PR maven Matthew Freud, joined by fellow Brit and collaborator Charlie Mackesy, offered his apologies for winning the Oscar for Short Film (Animated) for The Boy, The Mole, The Fox and the Horse.

Sandra Oh has arrived!

Peter Debruge Chief Film Critic How long does a documentary need to be? Frederick Wiseman frequently goes long, and Oscar-winning “OJ: Made in America” ran nearly eight hours. Lately, with “Bill Russell: Legend” and “Boom! Boom! The World vs. Boris Becker,” streamers have embraced the so-called “two-part documentary” — a fancy term for what used to be called a miniseries. So, while there are no limits on how much longer docs can get, it’s refreshing to see a compelling subject covered in 40 minutes or less, and doubly rewarding to realize that four of the five packaged in ShortsTV’s “2023 Oscar Nominated Short Films: Documentary” found audiences on their own merits, even without theatrical distribution.

, the Indian film starring Ram Charan and Jr NTR as two revolutionaries fighting against the British colonialists in the 1920s, has not only enjoyed crossover success in the United States, but it made history when the breakout musical number, «Naatu Naatu,» was nominated for Best Original Song at the 95th Academy Awards. " is about friendship. It's celebrating friendship," NTR says. While speaking to ET's Ash Crosson, both actors reacted to all the accolades for the film, which is now streaming on Netflix, and what it was like filming the epic dance number for the Indian Telugu-language song written by the now-Oscar nominees, M.

In the Oscar-nominated documentary A House Made of Splinters, Eva, a girl living in an orphanage in Eastern Ukraine, plays “catch” with a friend, tossing soap bubbles back and forth. As light seeps through a curtained window, Eva cradles the filmy orbs, her hands lathered in soap to keep the bubbles from bursting.

Jenelle Riley Deputy Awards and Features Editor This article first appeared as part of Jenelle Riley’s Acting Up newsletter – to subscribe for early content and weekly updates on all things acting, visit the Acting Up signup page. Sometimes due to article lengths or just time, there are some fun tales from interviews and Q&As that don’t make their way into stories. So I’ve decided to include a round-up here. Enjoy! The Accent in “Tár” Has Surprising Origins If you’re not already aware, the SAG-AFTRA Foundation is a non-profit org that provides several resources and emergency assistance to SAG-AFTRA artists. It also hosts fantastic Q&As that really dive deep into the acting process and for the recent SAG Awards, organizers hosted several panels with contenders in different categories. I was honored to moderate a few, including one for the lead female actor in a film with nominees Ana de Armas (“Blonde”), Cate Blanchett (“Tár”), Danielle Deadwyler (“Till”) and Michelle Yeoh (“Everything Everywhere All at Once).”

“Turning Red” that the filmmakers are most proud of is the movie’s depiction of Toronto’s Chinatown. Not a Chinatown full of offensive cliches or dangerous stereotypes, but the type of Chinatown that feels real and lived in and true to its real-world counterpart.

Marc Malkin Senior Film Awards, Events & Lifestyle Editor “Close” director Lukas Dhont’s discovery of one of his film’s stars, Eden Dambrine, is straight out of a book of Hollywood legends. Dhont approached Dambrine on a train in their native Belgium and asked if he’d like to audition for his movie. “I was a bit worried,” Dambrine, 16, recalls. “I asked my friends to search on Google to see if it was really Lukas Dhont who was talking to me. It was so I felt a bit more safe.” Fast forward to 2023, and “Close” is up for best international feature at the Oscars. The A24 film is a drama about 13-year-old best friends Leo, played by Eden, and Rémi (Gustav De Waele). Tragedy occurs when Leo begins to distance himself from Rémi after they become the target of school bullies who believe the boys are a couple.  

Peter Debruge Chief Film Critic Of the 10 films up for best picture, no fewer than six run 199 minutes or more. On one extreme, James Cameron’s punishing “Avatar” sequel is long enough to require bathroom breaks. At the other, Daniels’ ADHD-styled “Everything Everywhere All at Once” proves equally exhausting, dedicating every hyperkinetic second to stimulating easily distracted audiences. It’s enough to make folks grateful for the lower-profile but still engaging live-action shorts category, where nominees are bound by a strict 40-minute time limit. This year’s crop — the so-so “2023 Oscar Nominated Short Films: Live Action” program — clocks in at under two hours. Available in theaters and on myriad streaming platforms, the international assembly may be a hit-and-miss affair, but never outstays its welcome.

The Oscar-nominated documentary “Fire of Love” is getting the narrative remake treatment. The acclaimed non-fiction movie, concerning the scientific research and on-the-job romance of French volcanologist filmmakers Katia and Maurice Krafft, will become a live-action narrative feature film.

EXCLUSIVE: Searchlight Pictures is making a deal to turn Fire of Love into a narrative feature. The film, which tells the story of the scientific research and romance of preeminent French volcanologist filmmakers Katia and Maurice Krafft, is a frontrunner in the Oscar race for Best Documentary after premiering at 2022 Sundance, winning a Jury Prize and being acquired by National Geographic Documentary Films.  

Peter Debruge Chief Film Critic On Oscar night, “Guillermo del Toro’s Pinocchio” will almost certainly win the Academy Award for feature animation. For many of those following along at home, it will look as though the director of “Pan’s Labyrinth” and “The Shape of Water” is being rewarded for some kind of secondary passion, as if del Toro had scaled Everest and then set his sights on a smaller peak on which to plant his flag. But that’s not how it happened at all. Way back in Mexico, del Toro started his filmmaking career doing animated shorts: Obsessed with Ray Harryhausen, the amateur future auteur built rudimentary armatures, painstakingly repositioning the puppets one frame at a time. Decades later, once established in Hollywood, del Toro accepted a side gig at DreamWorks Animation, serving as a story consultant on films such as “Megamind” and “Kung Fu Panda 2” as a pretext for teaching himself the trade. With “Pinocchio,” he put those lessons to work on a stop-motion passion project that’s every bit as challenging as his most impressive films.

EXCLUSIVE: HBO Documentary Films has acquired worldwide and television streaming rights to the Oscar-nominated short How Do You Measure a Year?, a film director Jay Rosenblatt shot over the course of 17 years with his daughter Ella. 

own memoir for the 26-minute film and was also on the call, offered this tidbit: “I sent a link to Dick’s Sporting Goods. It’s not a lie. I slid into their DM’s and was like, ‘Hey.

this year he’s the only previous nominee in the category.Chatting from London, Nielsen discussed his repeat trip to the Oscars, the difficulty of mixing comedy and tragic tones in the cutting room, and his personal opinion about the running time of movies. When you won the Oscar two years ago for “Sound of Metal,” the ceremony was held in a train station. So this year will be a different experience for you.It will.