HBO Lands Streaming Rights to Laura Poitras’ ‘All the Beauty and the Bloodshed’

Christopher Vourlias Production is underway in Romania and Hungary on the new HBO Max Original “Spy/Master,” a spy drama series set during the height of the Cold War that will star British Independent Film Award-nominated actor Alec Secăreanu (“God’s Own Country,” “RUXX”). The 6 x 50’ series, which was the winner of HBO’s national screenwriting competition in Romania, marks one of the streaming service’s final productions from Central and Eastern Europe. As Variety first reported in July, parent company Warner Bros. Discovery will no longer produce originals for HBO Max in the Nordics (Denmark, Sweden, Norway, Finland), Central Europe, the Netherlands and Turkey, and will also remove some content from its platform in order to free up licensing deals elsewhere.

Oscar-winner Ahmir “Questlove” Thompson has lined up his next project – a documentary on the late groundbreaking hip hop producer J Dilla (James Dewitt Yancey).

Leo Barraclough International Features Editor U.S. director-producer Laura Poitras, who won an Oscar and an Emmy with Edward Snowden film “Citizenfour,” and recently took the Golden Lion at Venice with opioid epidemic pic “All the Beauty and the Bloodshed,” will be the Guest of Honor at the International Documentary Film Festival Amsterdam. The 35th edition of the festival takes place from Nov. 9 to 20. Poitras will be honored at IDFA with the Retrospective and Top 10 programs, in which she curates 10 films. The Top 10 program includes reflections on political imprisonment (“Hunger” by Steve McQueen; “This Is Not a Film” by Jafar Panahi and Mojtaba Mirtahmasb), incarceration and psychiatry (Frederick Wiseman’s “Titicut Follies”), and genocide (Claude Lanzmann’s “Shoah”). As part of the Top 10, Poitras will be in conversation with several of her selected filmmakers during the festival’s public talks program.

Oscar-winning director Laura Poitras will be guest of honor at the 35th International Documentary Film Festival Amsterdam (IDFA), running from November 9 to 20.

The Oscar race came into sharper focus at this year’s Toronto International Film Festival, with actors like Brendan Fraser and Michelle Yeoh cementing their lead contender status, and big-budget studio efforts like The Fablemans and Glass Onion premiering to raves.

Diane Garrett On Friday, during the 18th edition of the Camden Intl. Film Festival, organizers unveiled a Diane Weyermann Fellowship at Points North Institute.Weyermann, the former chief content officer at Participant and former director of the Sundance Institute’s documentary film program, died last October of cancer.

NewFest said Thursday that HBO’s upcoming Mama’s Boy, the documentary about the life of Oscar-winning Milk screenwriter Dustin Lance Black, will be the opening-night film for the New York LGBTQ+ Film Festival. The fest, which also announced its full lineup, kicks off its 34th edition October 13.

Oscar-winning filmmaker Laura Poitras sharply criticized the Toronto and Venice film festivals today for programming documentaries connected with former Secretary of State Hillary Clinton, suggesting the decision bordered on a “whitewashing” of history.

Adam Benzine Guest Contributor Oscar-winning documentarian Laura Poitras slammed the heads of the Venice and Toronto film festivals for “engaging in a kind of whitewashing” by programming glossy documentaries from the Clinton family. Her comments come as TIFF this week hosted the Canadian premiere of Poitras’s “All the Beauty and the Bloodshed,” a documentary about the artist and activist Nan Goldin, and just days after the film won Venice’s top prize, the Golden Lion. It is the rare doc to land slots at the superfecta of Venice, Telluride, Toronto and New York, and Poitras said she thought “long and hard” about whether or not to voice criticism at the same venues feting her latest work. Nevertheless, she said, “journalists need to ask hard questions.”

Joe Otterson TV Reporter HBO roared back to the top of the Emmy Awards, with the premium cabler and its streaming counterpart, HBO Max, topping the total awards haul for 2022. HBO/HBO Max picked up 38 Emmys in total, doubling their 19 wins in 2021. HBO took home multiple awards in the limited series category thanks to “The White Lotus'” 10 wins, with Mike White winning for both best writing and directing. Those wins were coupled with “The White Lotus” stars Jennifer Coolidge and Murray Bartlett’s wins for best supporting actress and actor in a limited series. To close out the night, “The White Lotus” ultimately won best limited series while “Succession” won best drama series.

For critics and audiences alike, the Venice Film Festival is an important first look at the films that will shape the award season and year-end conversations. That puts added emphasis on the Venice Film Festival awards – including the Golden Lion, the festival’s top prize – as the first step towards canon-building for the rest of the year.

Going to his grandmother’s side. Prince Harry was seen landing in Aberdeen, Scotland, after Queen Elizabeth II‘s death at the age of 96 was announced on Thursday, September 8.

HBO Documentary Films has acquired U.S. television and streaming rights to Oscar winner Laura Poitras’s film All the Beauty and the Bloodshed, fresh from its world premiere at the Venice Film Festival and sneak preview at Telluride.

's latest episode will be reworked by HBO after eagle eyed fans spotted a significant visual effects error, sharing the moment far and wide on social media. In the prequel's third episode, titled «Second of His Name,» King Viserys (Paddy Considine) — who is missing two fingers on his left hand — is seen wearing highly visible green tape around those digits to have them digitally removed in post production. The mistake will be corrected, according to, with an edited version of the episode going to streaming platforms this week. Not the green screen glove on Viserys’s missing fingers

Tom Hopper stars in the new Netflix romantic comedy Love in the Villa and his real-life wife Laura Hopper plays his fiancee in the movie!

“Photography was always a way to walk through fear,” says Nan Goldin in her raspy voice as photos fill the screen. Nuzzled within the textures of the snapshots live friends, lovers, and drifters, all eternally preserved through the eyes of the consecrated artist who rose to prominence in the 80s thanks to her visual chronicling of queer life and culture in New York at the height of the AIDS epidemic.

The scourge of the opioid crisis has been documented in the press and in government reports; the culpability of the Sacklers, the multi-billionaire pharmaceutical family whose former company Purdue made the painkiller Oxycontin, has been successfully dramatized. The Sacklers are everywhere in Laura Poitras’ gripping documentary All the Beauty and the Bloodshed, but they are supporting players.

Owen Gleiberman Chief Film Critic In “All the Beauty and the Bloodshed,” the photographer Nan Goldin tells a woeful, revealing, and in its way rather funny anecdote about how in the 1980s, when she first gathered up her photographs — casually transgressive images of her and her friends, who were often drag queens and addicts, along with shots of the assorted other people and situations she experienced as part of the hummingly squalid East Village New York subculture — and tried to shop them around to galleries and museums, they were roundly rejected, because the arbiters of taste, who were inevitably men, favored photographs that were black-and-white and composed in elegant meticulous ways. Goldin’s photographs were in garish verité color, set in environments that were so scruffy (messy bohemian apartments, ordinary people just lolling around) that it looked, to the gallery mavens, like there was no visual organization to them, no art.

Neon has acquired the U.S. distribution rights to Park Chan-wook’s award-winning title Oldboy. Neon is planning a theatrical release in celebration of the pic’s 20th anniversary.