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Venice Winner ‘Full Time’ With ‘Call My Agent!’ Star Laure Calamy Bought by Music Box for U.S. (EXCLUSIVE) - variety.com - France
variety.com
21.09.2022 / 14:33

Venice Winner ‘Full Time’ With ‘Call My Agent!’ Star Laure Calamy Bought by Music Box for U.S. (EXCLUSIVE)

Elsa Keslassy International Correspondent Music Box Films has acquired U.S. rights to “Full Time,” Eric Gravel’s visceral social thriller which is one of the five finalists for France’s official submission to the 95th Academy Awards. Represented in international markets by Be For Films, “Full Time” world premiered at last year’s Venice festival in the Horizons sections and won a pair of awards for Laure Calamy (“Call My Agent!”) and Gravel. The critically acclaimed film went on to made its U.S. debut at New Directors/New Films. Music Box Films will release “Full Time” in cinemas and on home entertainment platforms in 2023.

Laura Poitras Announced As Guest Of Honor At Doc Fest IDFA - deadline.com - New York - USA - city Amsterdam - city Venice
deadline.com
20.09.2022 / 14:53

Laura Poitras Announced As Guest Of Honor At Doc Fest IDFA

Oscar-winning director Laura Poitras will be guest of honor at the 35th International Documentary Film Festival Amsterdam (IDFA), running from November 9 to 20.

Steven Spielberg’s ‘The Fabelmans’ Wins Toronto Film Festival People’s Choice Award - deadline.com - USA - Canada - state Missouri
deadline.com
18.09.2022 / 18:35

Steven Spielberg’s ‘The Fabelmans’ Wins Toronto Film Festival People’s Choice Award

The People’s Choice Award from the just wrapped 2022 Toronto International Film Festival has gone to Steven Spielberg’s The Fabelmans.  First Runner Up is Canada’s own Sarah Polley’s Women Talking. And Second Runner Up was Rian Johnson’s Glass Onion: A Knives Out Mystery. The Documentary Award went to Black Ice, and the Midnight Madness winner was Weird: The Al Yankovich Story             .

Alice Diop’s Venice Prize-Winner ‘Saint Omer’ Acquired By Neon’s Boutique Label Super - variety.com - France - New York - Berlin - city Venice
variety.com
16.09.2022 / 20:07

Alice Diop’s Venice Prize-Winner ‘Saint Omer’ Acquired By Neon’s Boutique Label Super

Pat Saperstein Deputy Editor Super, the boutique distribution label from Neon, has acquired U.S. rights to Alice Diop’s “Saint Omer” after it won the Silver Lion Grand Jury prize in Venice along with the Luigi De Laurentiis Lion of the Future award. “Saint Omer” was recently shortlisted for France’s submission to the Academy Awards and will premiere at the New York Film Festival and play the BFI London Festival. Neon plans a theatrical release. “Saint Omer” is Diop’s debut fiction feature, which she co-wrote with Amrita David and Marie NDiaye, and it stars Kayije Kagame, Guslagie Malanda, Valérie Dréville and Aurélia Petit. Toufik Ayadi and Christophe Barral of Srab Films produced alongside Arte France Cinéma and Pictanovo Hauts-de-France.

Super Takes U.S. Rights To Alice Diop’s Venice Prize Winner ‘Saint Omer’ - deadline.com - France - New York - Berlin - city Venice
deadline.com
16.09.2022 / 19:35

Super Takes U.S. Rights To Alice Diop’s Venice Prize Winner ‘Saint Omer’

Neon’s boutique label Super has secured U.S. rights to Alice Diop’s acclaimed drama Saint Omer, following its world premiere earlier this month at the Venice Film Festival, where the film won the Silver Lion Grand Jury Prize, as well as the Luigi De Laurentiis Lion of the Future Award for Best Debut Feature.

Oscar Winner Laura Poitras Bashes Toronto, Venice For Programming Hillary Clinton Docs, Accuses Festivals Of “Kind Of Whitewashing” Clinton’s Record - deadline.com - USA - Iraq - Afghanistan - county Clinton
deadline.com
14.09.2022 / 02:35

Oscar Winner Laura Poitras Bashes Toronto, Venice For Programming Hillary Clinton Docs, Accuses Festivals Of “Kind Of Whitewashing” Clinton’s Record

Oscar-winning filmmaker Laura Poitras sharply criticized the Toronto and Venice film festivals today for programming documentaries connected with former Secretary of State Hillary Clinton, suggesting the decision bordered on a “whitewashing” of history.

Laura Poitras Slams TIFF, Venice for Supporting Clinton ‘Whitewashing’ - variety.com - New York - Iraq - Afghanistan - county Clinton
variety.com
13.09.2022 / 23:01

Laura Poitras Slams TIFF, Venice for Supporting Clinton ‘Whitewashing’

Adam Benzine Guest Contributor Oscar-winning documentarian Laura Poitras slammed the heads of the Venice and Toronto film festivals for “engaging in a kind of whitewashing” by programming glossy documentaries from the Clinton family. Her comments come as TIFF this week hosted the Canadian premiere of Poitras’s “All the Beauty and the Bloodshed,” a documentary about the artist and activist Nan Goldin, and just days after the film won Venice’s top prize, the Golden Lion. It is the rare doc to land slots at the superfecta of Venice, Telluride, Toronto and New York, and Poitras said she thought “long and hard” about whether or not to voice criticism at the same venues feting her latest work. Nevertheless, she said, “journalists need to ask hard questions.”

Venice Winner ‘Full Time,’ Starring ‘Call My Agent’s’ Laure Calamy, Snapped Up by Parkland Entertainment For U.K., Ireland (EXCLUSIVE) - variety.com - Australia - Spain - France - New Zealand - China - Italy - Ireland
variety.com
13.09.2022 / 17:25

Venice Winner ‘Full Time,’ Starring ‘Call My Agent’s’ Laure Calamy, Snapped Up by Parkland Entertainment For U.K., Ireland (EXCLUSIVE)

K.J. Yossman After triumphing at last year’s Venice Film Festival, the U.K. and Irish rights to Eric Gravel’s race-against-time social drama “Full Time” (À plein temps) have been snapped up by Parkland Entertainment. It is set to be released in the U.K. and Ireland in early 2023. The film, which stars “Call My Agent’s” Laure Calamy, had its world premiere at last year’s festival in the Orizzonti section before going on to win prizes for both Calamy, for best actress, and Gravel, for best director. In “Full Time,” Calamy stars as Julie, a maid in a luxury Parisian hotel while simultaneously carting for her two children in the French countryside. One day, she finally gets a break when she is offered an interview for a long-hoped for job. But, as luck would have it, the interview is on the same day as a national strike, which shuts down the city’s transport.

‘All The Beauty And The Bloodshed’ Wins Venice 2022 Golden Lion [Full List Of Winners] - theplaylist.net
theplaylist.net
10.09.2022 / 23:18

‘All The Beauty And The Bloodshed’ Wins Venice 2022 Golden Lion [Full List Of Winners]

For critics and audiences alike, the Venice Film Festival is an important first look at the films that will shape the award season and year-end conversations. That puts added emphasis on the Venice Film Festival awards – including the Golden Lion, the festival’s top prize – as the first step towards canon-building for the rest of the year.

Julianne Moore and Venice Jury Stand in Quiet Solidarity With Imprisoned ‘No Bears’ Director Jafar Panahi - variety.com - Iran - Turkey - county Moore - Burma - city Venice
variety.com
09.09.2022 / 21:03

Julianne Moore and Venice Jury Stand in Quiet Solidarity With Imprisoned ‘No Bears’ Director Jafar Panahi

Ben Croll Venice’s red carpet became a stage for quiet protest on Friday, as festival director Alberto Barbera and jury president Julianne Moore, among many more, held a somber walk-out to stand in solidarity with imprisoned filmmaker Jafar Panahi. Traffic on the red carpet flowed normally as attendees made their way into Venice’s Palazzo del Cinema for the world premiere of Panahi’s latest film, “No Bears.” And then, at 4:30 pm sharp, the doors to the theater swung open and a sea of people filed out. Moore stood with a delegation that also included fellow juror Audrey Diwan, Horizons jury president Isabel Coixet, and filmmakers Laura Bispuri and Sally Potter.

HBO Lands Streaming Rights to Laura Poitras’ ‘All the Beauty and the Bloodshed’ - thewrap.com - New York - New York
thewrap.com
08.09.2022 / 19:21

HBO Lands Streaming Rights to Laura Poitras’ ‘All the Beauty and the Bloodshed’

Neon snapped up theatrical rights on Aug. 18 prior to the documentary’s world premiere at Venice Film Festival.

HBO Documentary Films Acquires Laura Poitras Oscar Contender ‘All The Beauty And The Bloodshed’ Ahead Of TIFF North American Premiere - deadline.com - New York - USA
deadline.com
08.09.2022 / 19:09

HBO Documentary Films Acquires Laura Poitras Oscar Contender ‘All The Beauty And The Bloodshed’ Ahead Of TIFF North American Premiere

HBO Documentary Films has acquired U.S. television and streaming rights to Oscar winner Laura Poitras’s film All the Beauty and the Bloodshed, fresh from its world premiere at the Venice Film Festival and sneak preview at Telluride.

Hugh Jackman, Laura Dern & Vanessa Kirby Get 10 Minute Standing Ovation For 'The Son' at Venice Film Festival - www.justjared.com - Italy - Washington - county Nicholas
justjared.com
08.09.2022 / 01:10

Hugh Jackman, Laura Dern & Vanessa Kirby Get 10 Minute Standing Ovation For 'The Son' at Venice Film Festival

Hugh Jackman and Laura Dern hit the red carpet together for the premiere of their new movie, The Son, during the 2022 Venice Film Festival on Wednesday (September 7) in Venice, Italy.

Hugh Jackman, Laura Dern Give Venice an Emotional Gut Punch as ‘The Son’ Earns 10-Minute Standing Ovation - variety.com - city Venice
variety.com
07.09.2022 / 23:37

Hugh Jackman, Laura Dern Give Venice an Emotional Gut Punch as ‘The Son’ Earns 10-Minute Standing Ovation

Hugh Jackman and Laura Dern devastated the Venice Film Festival with the world premiere of Florian Zeller’s “The Son,” which earned a 10-minute standing ovation. Jackman appeared visibly moved during the  film’s reception, as did the audience. Jackman hugged his young co-star Zen McGrath amid the ovation. The film, which centers on a gut-wrenching family tragedy, led to audible gasps from viewers during one dramatic scene. Based on this rapturous reception, Zeller might be back for more Oscar glory with “The Son.”“The Son” centers on “a family as it falls apart and tries to come back together again,” according to Sony Pictures Classics’ official synopsis. Jackman stars as a father whose 17-year-old son comes to live with him after deciding he can no longer stay with his mother (Dern) years after his parents’ divorce. Jackson’s character, Peter, has a new partner, Kirby’s Beth. As Peter overextends himself to give his son a better life. 

Neon Reunites With ‘The Worst Person in the World’ Star Renata Reinsve on Horror Film ‘Handling the Undead’ - thewrap.com - USA - Sweden - Norway - city Oslo - county Person
thewrap.com
07.09.2022 / 21:37

Neon Reunites With ‘The Worst Person in the World’ Star Renata Reinsve on Horror Film ‘Handling the Undead’

On an abnormally hot summer day in Oslo, a strange electric field surrounds the city as a collective migraine spreads across town. TVs, lightbulbs, and electronics go haywire, the chaos reaching a debilitating crescendo when suddenly, it’s over.

Neon Boards Thea Hvistendahl’s Horror-Drama ‘Handling The Undead’ Starring ‘The Worst Person In The World’ Breakout Renate Reinsve - deadline.com - Britain - USA - Sweden - South Korea - Norway - city Oslo - county Person
deadline.com
07.09.2022 / 21:17

Neon Boards Thea Hvistendahl’s Horror-Drama ‘Handling The Undead’ Starring ‘The Worst Person In The World’ Breakout Renate Reinsve

Neon has acquired North American and UK rights to the horror-drama Handling the Undead, marking the narrative feature debut of Thea Hvistendahl, who previously directed the documentary Adjø Montebello and several short films, including the SXSW Grand Jury Award-nominated Virgins4lyfe. The project reteams the distributor with Renate Reinsve and Anders Danielsen Lie, who starred in its Oscar-nominated romantic drama The Worst Person in the World, directed by Joachim Trier.

‘The Son’ Review: Hugh Jackman Ably Anchors A Devastating, But Ultimately Dull Domestic Drama [Venice] - theplaylist.net - city Venice
theplaylist.net
07.09.2022 / 20:33

‘The Son’ Review: Hugh Jackman Ably Anchors A Devastating, But Ultimately Dull Domestic Drama [Venice]

Writer/director Florian Zeller cannot manage to reproduce the magic of “The Father” with his latest film, “The Son.” This latest screen adaptation of Zeller’s trilogy of stage plays about families falling apart, co-written with Englishman Christopher Hampton, expands its setting outside the limited confines of a single apartment – yet somehow manages to feel less cinematic. Without a clever conceit to elevate the material, this domestic drama is a mostly middling piece of maudlin manipulation.

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