‘Aftersun’ Becomes Mubi’s Most Streamed Movie Ever & Crosses Box Office Milestones

The Quiet Girl, an Oscar contender for Best International Feature, opened to a robust $60k on six screens this weekend for a per-theater average of $10k. The film by Colm Bairead presented by SUPER LTD is based on the short story by Claire Keegan of a shy nine-year-old girl in rural Ireland. It led debuts in a specialty market that’s showing consistent signs of recovery amid a wider slate of films. Emily from Bleecker Street expanded to solid numbers and this year’s program of Oscar Nominated Short Films blew past last year with a $1.6 million cume in week two.

Refresh for latest…: Coming out of its second weekend, Disney/Marvel’s Ant-Man and The Wasp: Quantumania has grossed $363.6M globally. Of that, $167.3M is from domestic and $196.3M from the international box office.

Lisandro Martinez cannot find the word but actions speak louder than words. He points to the Manchester United badge and pats it.

While Prince William and wife Kate Middleton have been referred to as the Prince and Princess of Wales after his father assumed the title of King Charles III upon the death of Queen Elizabeth II, those titles haven’t actually been official — until now.

EXCLUSIVE: Trinity Media Financing is consolidating its presence in the market, segueing to a new moniker, Trinity Media Films, with a look to fully finance English-language movies with budgets ranging from $2M-$60M.

Britain’s Got Talent star Ashley Glazebrook has become a first time dad with his partner, after the couple welcomed a daughter via surrogate.The dancer, who performed on BGT as part of dance duo Twist and Pulse, welcomed the baby girl with his fiancé Liam Durbidge last month, with the couple spending several days in hospital with her after she was born prematurely. Ashely and Liam have been sharing adorable photos of their new arrival to Instagram as they settle into their new lives as parents.

John Hopewell Chief International Correspondent Casey Bloys, chairman and CEO, HBO and HBO Max Content will deliver a keynote at Series Mania’s Lille Dialogues whose one-day summit looks set to take the pulse on a global content industry as content investment flattens and ask how to build a more responsible industry in the future. Marking an early opportunity to hear from streaming platforms after both Warner Bros. Discovery and Disney have announced multi-billion dollar cuts in content investment, the Lille Dialogues also count on a keynote from James Farrell, head of local originals, Prime Video. Further keynotes will be delivered by top execs at France’s biggest free-to-air service, TF1, as well as its energetic public broadcaster France Télévisions and Europe’s biggest pay TV operator, Sky. Jan Mojto, CEO, Beta Film, can be expected to deliver a wide-angled vision of how stories made in Europe can find a market worldwide.

Naman Ramachandran Disney’s “Ant-Man And The Wasp: Quantumania” debuted in pole position at the U.K. and Ireland box office with £8.8 million ($10.6 million), according to numbers released by Comscore. In its third weekend, Universal’s “Puss In Boots: The Last Wish” collected £3.1 million in second place for a total of £17.1 million. In third place, Warner Bros.’ “Magic Mike’s Last Dance” earned £888,435 in its second weekend for a total of £3.8 million. Disney blockbuster“Avatar: The Way Of Water” continued to chart with £531,213 in its 10th weekend in fourth place for a mighty total of £75.5 million.

Irish actor Paul Mescal had fans in a spin after speaking Irish on the BAFTA's red carpet.The Normal People star, 27, who has reportedly called time on his romance with musician Phoebe Bridgers, was nominated for Leading Actor at the 76th edition of the awards for his portrayal of single father Calum in independent film, Aftersun. Before the ceremony, he spoke to an interviewer for Irish language channel TG4, where he commended the amount of Irish talent being recognised at this year's BAFTAs.

She’s a prolific actress of both stage and screen, with a career rivalled by very few – we could only be talking about a legend like Dame Judi Dench. From James Bond to William Shakespeare, the British icon has appeared in some of the biggest franchises in history, earning an Academy Award, a Tony Award, two Golden Globe Awards, four British Academy Television Awards, six British Academy Film Awards and seven Olivier Awards along the way. But we might be seeing less of her in the near future, as she revealed acting has become “impossible” due to health complications.

An ovarian cancer survivor has become the world's first "turbine bagger" after walking thousands of steps to tick off all the turbines at one of the UK's largest windfarms. Michele Lennox, 55, from Giffnock in East Renfrewshire, set herself the challenge of walking to all 215 turbines at Whitelee Windfarm in Eaglesham after she was diagnosed in January 2020.

Ant-Man and the Wasp: Quantumania,” Disney/20th Century’s “Avatar: The Way of Water” has reached one last box office milestone in its tenth weekend in theaters by passing the lifetime gross of “Titanic” with a global total of $2.24 billion. This means that the Best Picture Oscar-nominated sequel sits only behind the first “Avatar” and “Avengers: Endgame” in third on the all-time global box office list before inflation adjustment.

EO, the Sideshow/Janus films release told from the point of view of a donkey, is set to pass the $1 million mark in week 14. The Cannes-premiering film by Jerzy Skolimowski, Academy Award nominated for Best International Feature, will gross an estimated $27.6k for the four-day President’s weekend on 37 screens for a cume of just over $1M.

Patrick Frater Asia Bureau Chief “Ant-Man and the Wasp: Quantumania” dominated the Korean box office charts over the latest weekend with a $4.91 million opening weekend. Nationwide box office rose to $9.78 million, up from $7.85 million a week earlier. The film played on over 2,000 screens and enjoyed a 50.1% market share between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council. The film earned $7.1 million in its full five day run since opening on Wednesday. “Quantumania” landed ahead of “The First Slam Dunk,” the Japanese animation that opened at the beginning of the year and had taken the top spot for the previous two weeks. “Slam Dunk” earned $2.17 million, another strong hold, and down from $2.67 million the previous weekend. Its cumulative total since Jan. 4 stands at $26 million.

Emiliano De Pablos Spain has proved ever more successful in luring some of the biggest movies and series, and although 2020 saw a large rise in tax breaks, the big hike came in December. New record tax advantages raised relief for international productions to up to €20 million ($21.4 million) per movie and $10.7 million for any single series episode. In the Canary Islands — operating a special tax regime — the film tax break ceiling is now an extraordinary $38.6 million, one of the highest in Europe. Effective Jan. 1, deduction rates for foreign productions are set at 30% for the first $1.1 million of deductible expenses and 25% for the rest in the Peninsula, and 50%- 45% in the Canaries.

Marvel Studios’ “Ant-Man and the Wasp: Quantumania” has earned $17.5 million in previews at the domestic box office. Internationally, “Ant-Man and the Wasp: Quantumania” has opened in more than 40 international markets, earning an estimated $23.8 million in its first two days of release. The superhero sequel is currently playing in such major territories as Mexico, South Korea, Germany, Brazil, and Australia. It debuts in China on Friday. Paul Rudd’s latest Marvel adventure is expected to bring in $95 million to $100 million domestically in its opening weekend. With the Presidents’ Day holiday on Monday, that figure could grow to $110 million. It’s a smaller haul than previous Marvel openings, such as “Doctor Strange in the Multiverse of Madness” ($185 million), “Thor: Love and Thunder” ($144 million) and “Black Panther: Wakanda Forever” ($181 million), but the “Ant-Man” movies, like his name suggests, have pulled smaller box-office receipts than his Avengers teammates.

Universal/DreamWorks Animation’s Puss in Boots: The Last Wish had a happy Valentine’s Day, swashbuckling to a new global milestone. The spinoff sequel crossed $400M with Tuesday’s numbers bringing the worldwide kitty to $401.5M. The split is $160.1M domestic and $241.4M at the international box office. 

Holly Jones “Championext”(“Campeonex”), the anticipated follow-up to Javier Fesser’s Spanish comedy triumph “Champions” (“Campeones”) which scooped Forqué, Goya, and Feroz awards for best picture and delighted audiences to the tune of a stellar €18.5 million ($21.4 million) box office grab, has been acquired for international sales by Latido Films (“The Beasts”).  Written by Fesser (“Camino”) and Athenea Mata (“El Secreto de Lilith”) in collaboration with David Marqués, the film follows nearly the same cast of beloved characters two years after they’ve left the fierce competition behind. A Los Amigos reunion will see “the landscape move from the world of basketball to the world of athletics for people with disabilities while making room to explore the fascinating world of metaverses and virtual reality,” Fesser revealed in a statement. 

The tentpole drought, created by the pandemic’s post-production logjam, is officially over this weekend as Disney and Marvel Studios’ Ant-Man and the Wasp: Quantumania opens the flood gates on what is a consisted flow of event movies from this Friday until early September.

Refresh for latest…: The latest rerelease of James Cameron’s Titanic 3D has buoyed the big boat movie to $2.217B globally, meaning it still stands as the No. 3 worldwide release of all time. Right up in its wake, Cameron’s Avatar: The Way of Water has now reached $2,213.5M, still the fourth biggest movie ever and less than $4M from Titanic through Sunday. It will overtake Titanic, it’s just a matter of when.