‘Ant-Man And The Wasp: Quantumania’ Debuts Atop U.K. Box Office

Angelique Jackson When “Creed III” punched its way to the top of the box office over the weekend with a massive $58.7 million domestic haul, it knocked out a host of records. Directed, produced by and starring Michael B. Jordan as Adonis Creed, the MGM movie notched a franchise-best opening and the biggest domestic opening for a sports movie. With an additional $41.1 million Internationally, the film has already totaled more than $100 million worldwide. “Creed III” is also expected to become MGM’s first non-“Bond” film to gross $100 million domestically since the hit 2019 animated movie “The Addams Family.” There were other impressive stats, including the film’s “A-“ CinemaScore and ticket buyers reported to be 63% male, with 55% between the ages of 18 and 34. The statistics also illustrated a racially diverse audience where 36% were Black, 28% were Latino, 23% were white, and 13% were Asian, according to PostTrak data. The film, which Jordan shot with Imax cameras, also posted an impressive turnout on premium large format screens, with a huge 38% of the box office coming from those ticket sales.

Rebecca Rubin Film and Media Reporter It’s the battle of the threequels at the weekend box office. Michael B. Jordan’s sports drama “Creed III” is taking on two-time champ “Ant-Man and the Wasp: Quantumania” at the movies, though the heavyweight boxer is expected to emerge victorious over Marvel’s tiniest Avenger. “Creed III,” which Jordan directed in his feature filmmaking debut, is projected to earn a trilogy-best $36 million to $40 million from 4,007 North American theaters in its opening weekend. Those ticket sales will easily be enough to defeat Disney’s superhero tentpole “Ant-Man 3,” which looks to add $16 million to $19 million in its third weekend of release. So far, the comic book adventure has grossed $170 million domestically and $366 million globally.

Naman Ramachandran Disney’s “Ant-Man And The Wasp: Quantumania” continued atop the U.K. and Ireland box office for the second weekend in a row with £3.04 million ($3.6 million), according to numbers from Comscore. In its fourth weekend, Universal’s “Puss In Boots: The Last Wish” collected £1.7 million in second place for a total of £20.4 million. Another Universal title, Elizabeth Banks’ “Cocaine Bear,” debuted in third position with £1.5 million. Studiocanal’s “What’s Love Got to Do with It?” debuted in fourth place with £1.08 million. Rounding off the top five was Warner Bros.’ “Magic Mike’s Last Dance” that earned £470,020 in its third weekend for a total of £4.9 million.

Rebecca Rubin Film and Media Reporter “Ant-Man and the Wasp: Quantumania” took a sizable hit in its sophomore outing at the box office. Ticket sales for the third Marvel movie starring Paul Rudd’s subatomic hero were down 69% from its $105 million debut, resulting in the biggest second-weekend drop in the franchise’s history. That fall has inspired plenty of debate among analysts and experts: Is the film’s performance a blip or an inflection point in Hollywood’s biggest property? The answer is likely somewhere in between, according to senior Comscore analyst Paul Dergarabedian. “As second weekend drops go, anything in the 70% realm is pretty significant,” says Dergarabedian. “But movies that open with over $100 million are generally front-loaded. In some cases, ‘the bigger they are, the harder they fall’ comes into play.”

Refresh for latest…: Coming out of its second weekend, Disney/Marvel’s Ant-Man and The Wasp: Quantumania has grossed $363.6M globally. Of that, $167.3M is from domestic and $196.3M from the international box office.

“Batman v. Superman: Dawn of Justice” in 2016.With a 10-day total of $164 million, “Quantumania” should have enough momentum to cross the $200 million mark at the domestic box office, but with such a steep drop it is now questionable whether the film will have enough fuel against stiff March blockbuster competition to even pass the unadjusted $622 million global box office total of the last “Ant-Man and the Wasp” back in 2018.

Rebecca Rubin Film and Media Reporter Universal’s horror-comedy “Cocaine Bear” blew past box office projections, earning an impressive $23 million from 3,534 North American theaters in its opening weekend. The blood-splattered animal adventure landed in second place on domestic charts behind Disney’s “Ant-Man and the Wasp: Quantumania,” which all but collapsed in its sophomore outing. “Ant-Man 3” managed to remain in first place given its huge $106 million opening, but the comic book installment is suffering from negative word-of-mouth. It added $32.2 million from 4,345 venues in its second weekend of release, marking a brutal 69% decline from its debut. Now, “Quantumania” holds the ignominious distinction as the biggest week-to-week drop in the Marvel Cinematic Universe, including “Black Widow” (which plunged 67.8% while debuting simultaneously on Disney Plus) and “Eternals” (which fell 62% after equally bad reviews). Globally, the movie has generated $364 million, including $167 million domestically and $196 million internationally.

Ant-Man and the Wasp: Quantumania” is taking a greater toll on its box office than anticipated. The film grossed just $8.2 million on its second Friday — a colossal 82% drop from its $46.4 million opening day — and its weekend total is projected to drop 71% from $106 million last weekend to $30 million this weekend.

J. Kim Murphy The box office can be an institution of simple pleasures. Hollywood releases the story of a rampaging bear drugged out of its mind and — what do you know? — the people roll out. “Cocaine Bear” drew a solid $8.6 million opening day gross from 3,534 theaters, a figure that includes $2 million in previews on Thursday. That places the Universal release ahead of projections heading into the weekend, which had the gory comedy pegged at a debut between $15 million and $17 million. But a fun online marketing campaign and a killer premise have given the film a strong position, with a debut north of $21 million now in the cards. That would mark an auspicious kick-off for “Cocaine Bear,” which carries a production budget of $35 million. Reviews have been a bit all over the place; the film carries a 51% approval rating from top critics on review aggregate website Rotten Tomatoes. Audiences are also a bit lukewarm, as the comedy landed a “B-” grade through research firm Cinema Score, though a middling grade is fairly standard for a genre release with a horror slant. But, at the end of the day, “Cocaine Bear” is titled “Cocaine Bear”; the straightforward premise is now a proven winner and audiences can only see the film to believe it.

slated to open somewhere in the mid-teens, with the possibility of hitting $20 million in ticket sales this weekend. For a comparison, the Christmas action comedy “Violent Night” made $1.1 million in Thursday preview showings to kick off a $13 million opening weekend. Directed by Elizabeth Banks, Jimmy Warden’s stranger-than-fiction screenplay tells the story of Cokey the Bear, a Black bear who in 1985 consumed a large amount of cocaine a drug runner had dropped into a Georgia forest.

Jordan Moreau “Cocaine Bear” is snorting up a solid opening weekend. The R-rated action-comedy earned $2 million in Thursday previews at the domestic box office. It opened in 3,000 North American theaters Thursday night and will expand to 3,534 on Friday. Universal’s bloody, real-life tale about a black bear on a cocaine-fueled rampage is projected to open with $15 million to $17 million this weekend. Some predictions have it opening with as much as $20 million, thanks to its positive word-of-mouth (or word-of-snout) and memeability online. The mid-budget film cost roughly $35 million, with much of it used on the CGI bear, so a launch in the upper teens would be a good sign.

Marc Malkin Senior Film Awards, Events & Lifestyle Editor “Cocaine Bear” director Elizabeth Banks is worried about her mother seeing the horror comedy when it opens on Friday. “I’m going to be honest with you, no one knows what to make of it when I tell them about it,” Banks told Variety at the movie’s premiere Tuesday night at Regal LA Live. “My poor mother is the least informed. She’s going to go with my aunts and they’re going to lose their minds. I told her she’s going to be mad. She will laugh and she’s going to love Margo Martindale and Isiah Whitlock Jr. and the dog. Not enough people talk about the dog, Rosette. She’ll love those parts, but she’ll close her eyes for a lot of it.”

Rebecca Rubin Film and Media Reporter Paul Rudd’s Ant-Man is taking on his scariest adversary yet: a 500-pound black bear on cocaine. Universal’s gruesome action-comedy “Cocaine Bear” won’t come close to “Ant-Man and the Wasp: Quantumania” in terms of weekend ticket sales, but the drugged-up animal adventure is expected to start strong at the domestic box office. “Cocaine Bear” hopes to take in $15 million to $17 million from 3,500 North American theaters, with a chance that positive buzz could propel initial returns to $20 million. The wild R-rated movie was budgeted at roughly $35 million, which was mostly dedicated to the CGI used to bring to life the coked-out grizzly alongside the human cast of Keri Russell, O’Shea Jackson Jr., Alden Ehrenreich, Jesse Tyler Ferguson and Brooklynn Prince. Elizabeth Banks directed “Cocaine Bear,” which is one of today’s rare original theatrical comedies. (But viewers, beware, it’s not exactly a laugh-a-minute romp… unless you’re tickled by blood, blood and more blood.) Inspired by a stranger-than-fiction story about a drug runner’s plane crash, the film imagines the events that would have transpired if the American black bear that ingested a duffle bag full of blow had lived to tell the tale.

Patrick Frater Asia Bureau Chief “Ant-Man and the Wasp: Quantumania” topped the box office chart in mainland China on its opening weekend, with a $19.4 million start. But the much-discussed arrival of the Marvel movie was weak compared its franchise predecessor. And its debut was not enough to reignite the China box office market. The film arrived in a fashion that was adequately signalled for marketing purposes. And it opened on a date that was coordinated with the North American and other international debuts. In the context of the Chinese market, the film also had the advantage of landing at a time when the big, Chinese-made, Lunar New Year titles were losing their power.

Rebecca Rubin Film and Media Reporter Disney’s box office domination has started early in 2023. Six weeks into the new year, the studio has already cleared $1 billion globally, with ticket sales at $1.283 billion to date. It can take other major studios up to 12 months to hit that benchmark. Thanks to the combined turnout for “Avatar: The Way of Water,” Marvel’s “Ant-Man and the Wasp: Quantumania,” and the international re-release of “Titanic,” Disney’s 2023 box office tally stands at $383 domestically and $900 million internationally. James Cameron’s enduring “Avatar” sequel is the main reason that Disney has surpassed $1 billion faster than its rivals. Over the weekend, “The Way of Water” reached a staggering $2.2433 billion worldwide, enough to overtake “Titanic” ($2.2428 billion) as the third-highest grossing movie of all time. Also during the President’s Day holiday frame, the third “Ant-Man” adventure opened across the globe, performing above expectations with $225 million worldwide.

The Ant-Man numbers are in!

Rebecca Rubin Film and Media Reporter Disney’s “Ant-Man and the Wasp: Quantumania” buzzed to $110 million at the domestic box office, beating expectations and scoring by far the biggest opening weekend in the pint-sized Marvel trilogy. The superhero adventure, starring Paul Rudd and Evangeline Lilly as the titular Ant-Man and the Wasp, is expected to bring in $118 million or $120 million from 4,345 North American theaters by President’s Day on Monday. It’s the first $100 million domestic debut of 2023. The film added $121 million at the international box office, bringing its global tally to $225 million. “’Ant-Man’ is the first new Hollywood blockbuster out of the gate in 2023,” says Imax’s CEO Rich Gelfond, noting that $24 million came from the company’s premium-format screens.

Despite receiving some of the worst reviews of any Marvel Studios film, “Ant-Man and the Wasp: Quantumania” has become just the third film to earn a $100 million-plus opening in February with estimates projecting a $104 million 3-day launch from 4,345 theaters. That total is 37% higher than the $75.8 million opening earned by the last “Ant-Man and the Wasp” in July 2018 and is the ninth $100 million-plus opening since theaters reopened in spring 2021.

Patrick Frater Asia Bureau Chief “Ant-Man and the Wasp: Quantumania” dominated the Korean box office charts over the latest weekend with a $4.91 million opening weekend. Nationwide box office rose to $9.78 million, up from $7.85 million a week earlier. The film played on over 2,000 screens and enjoyed a 50.1% market share between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council. The film earned $7.1 million in its full five day run since opening on Wednesday. “Quantumania” landed ahead of “The First Slam Dunk,” the Japanese animation that opened at the beginning of the year and had taken the top spot for the previous two weeks. “Slam Dunk” earned $2.17 million, another strong hold, and down from $2.67 million the previous weekend. Its cumulative total since Jan. 4 stands at $26 million.

which The Post called “a pile of dirt,” took home a staggering $63.5 million, according to IMDB’s Box Office Mojo.It scored as the third-highest opening day in February after “Black Panther” and “Deadpool,” as per Deadline.“Magic Mike’s Last Dance,” the final installment of the Channing Tatum stripper series, undressed its way to second place, with a $1.66 million-dollar take.Released on Feb. 9, the comedy-drama is “so long and repetitive that you would gladly tip the guys to stop and put some pants on,” said The Post.“Avatar: The Way of Water” remained in third, earning close to $1.36 million.