‘Ant-Man And The Wasp: Quantumania’ Reaches $364M WW On Way To $500M+ Final; ‘Cocaine Bear’ Starts Sniffing Overseas & WB’s ‘Mummies’ Awakens – International Box Office

Angelique Jackson When “Creed III” punched its way to the top of the box office over the weekend with a massive $58.7 million domestic haul, it knocked out a host of records. Directed, produced by and starring Michael B. Jordan as Adonis Creed, the MGM movie notched a franchise-best opening and the biggest domestic opening for a sports movie. With an additional $41.1 million Internationally, the film has already totaled more than $100 million worldwide. “Creed III” is also expected to become MGM’s first non-“Bond” film to gross $100 million domestically since the hit 2019 animated movie “The Addams Family.” There were other impressive stats, including the film’s “A-“ CinemaScore and ticket buyers reported to be 63% male, with 55% between the ages of 18 and 34. The statistics also illustrated a racially diverse audience where 36% were Black, 28% were Latino, 23% were white, and 13% were Asian, according to PostTrak data. The film, which Jordan shot with Imax cameras, also posted an impressive turnout on premium large format screens, with a huge 38% of the box office coming from those ticket sales.

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Zack Sharf Digital News Director “Ant-Man and the Wasp: Quantumania” introduced Jonathan Majors into the Marvel Cinematic Universe as Kang the Conquerer, the franchise’s new Thanos-sized villain. While the actor received glowing reviews for his quietly menacing Kang, “Quantumania” itself was widely panned. The film is one of the worst-reviewed Marvel films in history with a 48% on Rotten Tomatoes, which nearly matches the record-low “Eternals” score of 47%. The film’s Metacritic score also stands at a paltry 48. Majors joined IndieWire’s “Screen Talk” podcast this week and confronted “Quantumania’s” low critic scores. “It doesn’t change how I see myself, period. It’s all data,” Majors said about bad reviews. “I’m a performance within a story. One thing I will say to my team as we’re leaving a premiere if they’re reading reviews, I’ll say, ‘How’s the movie doing?’ I try to clean my plate and take care of my part. The response is: ‘You’re straight. You’re good. They like you.’ And they tell me about the movie. Sometimes the movie is also on that level, and sometimes [it’s not].”

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Naman Ramachandran Disney’s “Ant-Man And The Wasp: Quantumania” continued atop the U.K. and Ireland box office for the second weekend in a row with £3.04 million ($3.6 million), according to numbers from Comscore. In its fourth weekend, Universal’s “Puss In Boots: The Last Wish” collected £1.7 million in second place for a total of £20.4 million. Another Universal title, Elizabeth Banks’ “Cocaine Bear,” debuted in third position with £1.5 million. Studiocanal’s “What’s Love Got to Do with It?” debuted in fourth place with £1.08 million. Rounding off the top five was Warner Bros.’ “Magic Mike’s Last Dance” that earned £470,020 in its third weekend for a total of £4.9 million.

“Ant-Man and the Wasp: Quantumania” star Corey Stoll is taking himself out of that particular discussion.Stoll first appeared in the MCU as Darren Cross, Hank Pym’s (Michael Douglas) protégé and Scott Lang’s (Paul Rudd) ultimate villain in “Ant-Man,” after stealing the Yellowjacket suit. And though he appeared to be killed at the end of that film, “Ant-Man and the Wasp: Quantumania” reveals that he actually wound up in the Quantum Realm, barely alive, but still there. When he was found by Kang the Conqueror (Jonathan Majors), he was turned into M.O.D.O.K.

“Batman v. Superman: Dawn of Justice” in 2016.With a 10-day total of $164 million, “Quantumania” should have enough momentum to cross the $200 million mark at the domestic box office, but with such a steep drop it is now questionable whether the film will have enough fuel against stiff March blockbuster competition to even pass the unadjusted $622 million global box office total of the last “Ant-Man and the Wasp” back in 2018.

Rebecca Rubin Film and Media Reporter Universal’s horror-comedy “Cocaine Bear” blew past box office projections, earning an impressive $23 million from 3,534 North American theaters in its opening weekend. The blood-splattered animal adventure landed in second place on domestic charts behind Disney’s “Ant-Man and the Wasp: Quantumania,” which all but collapsed in its sophomore outing. “Ant-Man 3” managed to remain in first place given its huge $106 million opening, but the comic book installment is suffering from negative word-of-mouth. It added $32.2 million from 4,345 venues in its second weekend of release, marking a brutal 69% decline from its debut. Now, “Quantumania” holds the ignominious distinction as the biggest week-to-week drop in the Marvel Cinematic Universe, including “Black Widow” (which plunged 67.8% while debuting simultaneously on Disney Plus) and “Eternals” (which fell 62% after equally bad reviews). Globally, the movie has generated $364 million, including $167 million domestically and $196 million internationally.

Ant-Man and the Wasp: Quantumania” is taking a greater toll on its box office than anticipated. The film grossed just $8.2 million on its second Friday — a colossal 82% drop from its $46.4 million opening day — and its weekend total is projected to drop 71% from $106 million last weekend to $30 million this weekend.

J. Kim Murphy The box office can be an institution of simple pleasures. Hollywood releases the story of a rampaging bear drugged out of its mind and — what do you know? — the people roll out. “Cocaine Bear” drew a solid $8.6 million opening day gross from 3,534 theaters, a figure that includes $2 million in previews on Thursday. That places the Universal release ahead of projections heading into the weekend, which had the gory comedy pegged at a debut between $15 million and $17 million. But a fun online marketing campaign and a killer premise have given the film a strong position, with a debut north of $21 million now in the cards. That would mark an auspicious kick-off for “Cocaine Bear,” which carries a production budget of $35 million. Reviews have been a bit all over the place; the film carries a 51% approval rating from top critics on review aggregate website Rotten Tomatoes. Audiences are also a bit lukewarm, as the comedy landed a “B-” grade through research firm Cinema Score, though a middling grade is fairly standard for a genre release with a horror slant. But, at the end of the day, “Cocaine Bear” is titled “Cocaine Bear”; the straightforward premise is now a proven winner and audiences can only see the film to believe it.

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EXCLUSIVE: Sony Pictures and 21 Laps have enlisted Andrew Barrer & Gabriel Ferrari (Ant-Man and the Wasp) as the screenwriters for their buzzy feature Gnomes, based on the breakout horror short from Dutch filmmakers Richard Raaphorst and Ruwan Heggelman, which remains in early development following Sony’s acquisition of film rights earlier this month, in a competitive situation.

Arguably an early contender for the wildest movie of 2023, Elizabeth Banks‘ “Cocaine Bear” is based on the true story of a 175-pound Black Bear who overdosed on cocaine after ingesting the drug in 1985. While the bear did not kill anyone and died shortly after consuming cocaine, Banks and screenwriter Jimmy Warden fictionalize a story where the bear goes on a killing spree while massively high on cocaine.

Marc Malkin Senior Film Awards, Events & Lifestyle Editor “Cocaine Bear” director Elizabeth Banks is worried about her mother seeing the horror comedy when it opens on Friday. “I’m going to be honest with you, no one knows what to make of it when I tell them about it,” Banks told Variety at the movie’s premiere Tuesday night at Regal LA Live. “My poor mother is the least informed. She’s going to go with my aunts and they’re going to lose their minds. I told her she’s going to be mad. She will laugh and she’s going to love Margo Martindale and Isiah Whitlock Jr. and the dog. Not enough people talk about the dog, Rosette. She’ll love those parts, but she’ll close her eyes for a lot of it.”

Naman Ramachandran Disney’s “Ant-Man And The Wasp: Quantumania” debuted in pole position at the U.K. and Ireland box office with £8.8 million ($10.6 million), according to numbers released by Comscore. In its third weekend, Universal’s “Puss In Boots: The Last Wish” collected £3.1 million in second place for a total of £17.1 million. In third place, Warner Bros.’ “Magic Mike’s Last Dance” earned £888,435 in its second weekend for a total of £3.8 million. Disney blockbuster“Avatar: The Way Of Water” continued to chart with £531,213 in its 10th weekend in fourth place for a mighty total of £75.5 million.

Patrick Frater Asia Bureau Chief “Ant-Man and the Wasp: Quantumania” topped the box office chart in mainland China on its opening weekend, with a $19.4 million start. But the much-discussed arrival of the Marvel movie was weak compared its franchise predecessor. And its debut was not enough to reignite the China box office market. The film arrived in a fashion that was adequately signalled for marketing purposes. And it opened on a date that was coordinated with the North American and other international debuts. In the context of the Chinese market, the film also had the advantage of landing at a time when the big, Chinese-made, Lunar New Year titles were losing their power.

“Ant-Man and The Wasp: Quantumania” is already getting fans buzzing at the box office.

Despite receiving some of the worst reviews of any Marvel Studios film, “Ant-Man and the Wasp: Quantumania” has become just the third film to earn a $100 million-plus opening in February with estimates projecting a $104 million 3-day launch from 4,345 theaters. That total is 37% higher than the $75.8 million opening earned by the last “Ant-Man and the Wasp” in July 2018 and is the ninth $100 million-plus opening since theaters reopened in spring 2021.

Even the charms of Hugh Jackman were not enough to convince Evangeline Lilly to become an X-Man (or woman, as the case may be). Doing the promotional rounds for her new film, Ant-Man and the Wasp: Quantumania, Lilly revealed that she once turned down Jackman’s pitch to have her join an X-men film.

Ant-Man and the Wasp: Quantumania is set to become the next blockbuster Marvel, and is set to be the longest in the Ant-Man series to date.The long-awaited start of the Marvel Cinematic Universe‘s fifth phase is released in the UK from Friday (February 17), and is expected to be one of the biggest films at the box office this year.How long is Ant-Man and the Wasp: Quantumania?The original Ant-Man, released in 2015, had a run-time just shy of two hours – clocking in at one hour and 58 minutes. The second film to star Paul Rudd as the size-changing superhero, Ant-Man and The Wasp, ran at exactly the same time.However, Ant-Man and the Wasp: Quantumania, is due to exceed its predecessors, and will clock in a run of two hours and five minutes – making it the longest Ant-Man film stand-alone film to date.NME‘s review hailed Quantumania as the perfect vehicle for the arrival of “a major new Marvel villain” in the form of Jonathan Major’s Kang the Conqueror.