ABS-CBN Launching Sales On ‘The Bagman’ Starring Arjo Atayde At Singapore’s ATF

Naman Ramachandran Pham Thien An’s “Inside the Yellow Cocoon Shell,” which previously won the Golden Camera at Cannes, has won the Asian Feature Film Competition at the 34th Singapore International Film Festival. Yoon Eun-Kyung won best director for “The Tenants,” which also won the FIPRESCI award. “Dreaming & Dying,” by Singaporean director Nelson Yeo earned a special mention.

Patrick Frater Asia Bureau Chief Australian streamer Stan has acquired rights to both seasons, totaling 20 episodes, of the Malaysian adaptation of Scandinavian crime series “The Bridge.” The agreement, brokered by Lyle Bettson-Barker, SVP Australia and New Zealand from Banijay Rights, represents the first time that Stan has acquired a Malaysian drama series. The Asian version of “The Bridge” was initially commissioned by Viu and HBO Asia in 2018, after Double Vision, part of the Vision New Media group, introduced Viu to the format. It broadcast to across 23 territories in the combined footprints of Viu and HBO Asia and was also shown on Viu in South Africa.The title has garnered more than 20 regional awards and nominations across its two seasons, making it the most awarded drama in Malaysian history. Season one faithfully follows the original show, and sees a dead body found on the border between Malaysia and Singapore, necessitating an investigator from each country to work together to solve the crime.

Naman Ramachandran The burgeoning ‘acquimissions’ model of co-productions was one of the points of discussion at Singapore’s Asia TV Forum and Market. Conceptually, acquimissions blend the worlds of acquisitions and commissioning where independent producers and production studios engineer co-productions between themselves and platforms and commissioners across territories and windows.

Vincent Rodriguez is making history on the Hallmark Channel!

Naman Ramachandran Singapore‘s Robot Playground Media (RPM) and Valencia-based co-producer TV ON Producciones (TOP) have commenced production on animated feature film “The Violinist,” it was revealed at the Asia TV Forum and Market. The film was unveiled at a presentation attended by the representatives of Singapore’s Infocomm Media Development Authority (IMDA) and the Spanish Embassy in Singapore.

Skull & Bones has received yet another release date at The Game Awards 2023. It’s the game’s sixth planned launch following a series of delays.Skull & Bones is set to release on February 16 on PC, PlayStation 5, and Xbox Series X|S.

Patrick Frater Asia Bureau Chief Thailand’s broadcast and streaming group Mono Next and Korea’s Studio Genie have struck a deal to collaborate on content creation and distribution. Production of a Thai remake of a Korean series is on the cards, but has not been finalized. The memorandum was announced on stage at the Asia Television Forum in Singapore on Wednesday, with streaming unit Mono Streaming signing on behalf of the Thai group.

Naman Ramachandran Singapore’s MediaCorp and Taiwanese production company Mission International have signed a memorandum of understanding for content development at the Asia TV Forum and Market (ATF). Mission International is led by producer Angie Chai, best known for hit teen idol drama “Meteor Garden” and forming successful boyband F4.

Patrick Frater Asia Bureau Chief The Korean-produced series “The Glory” won the best drama series award on Thursday at the Asian Academy Creative Awards Gala Final. Thai-produced TV movie “Hunger” was named best feature film. The awards are organized by the Asian Academy of Creative Arts (AACA) a.k.a Asian Academy Creative Awards (AAA) and are held alongside the Asia Television Forum and Market (ATF) in Singapore. The AACA “was established to honor creative excellence and serve as a peer judged pinnacle of achievement in content creation, performance and media production.” By the conclusion of the gala ceremony, Singapore, Japan and India had each claimed seven prize wins.

Patrick Frater Asia Bureau Chief China’s Linmon Media celebrated its tenth anniversary this week by unveiling 16 new shows for its 2024 production and release slate. The roster included seven Chinese period drama series, five contemporary shows and two more being made in Thailand. “We are not just a producer, we are a studio,” Zhou Yuan, co-founder and EVP of Linmon, told Variety on the sidelines of the company’s predominantly English-language presentation at the Asia Television Forum & Market in Singapore.

Hollywood dealmaking is becoming more reliant on the international market. That’s the word from production execs from Universal International Studios, Fremantle, Anonymous Content and Studiocanal talking on an Asia TV Forum & Market panel in Singapore today. 

Naman Ramachandran The second Asia TV Forum and Market IP Accelerator (AIPA) closed with four winners bagging prizes valued at more than S$80,000 ($59,700) from the three sponsors of the event. The 108 Media Development Award of S$15,000 towards project development went to Thailand’s “My Chef in Crime,” a crime-comedy series by producer Bo Rattanavich and director Cheewatun Pusitsuksa of My Shot Co.

Naman Ramachandran Action comedy film “Baby Hero” was launched at Singapore’s Asia TV Forum and Market on Thursday. The film is a co-production between Singapore’s Hong Pictures and Bangkok-based Hollywood (Thailand). Principal photography will commence in the first quarter of 2024 with a view to releasing the film in 2025.

Patrick Frater Asia Bureau Chief Hollywood’s role in Asian TV has changed in the streaming era and age of hyper-local content. A top-down sales and distribution position has eased into one of co-production, co-financing and acquisition. A high-powered array of western executives offered experienced views and discussed their current positions at a panel session Thursday within the Asia Television Forum & Market in Singapore. “We want to be an additive partner on shows that cannot be created locally, said Georgina Gonzalez, director of scripted series and global series at Universal Int’l Studios, NBCU.

Patrick Frater Asia Bureau Chief Something Special, the Seoul-based international format agency founded by format specialists Jin Woo Hwang (president and executive producer) and Kim In Soon (EVP & head of content) announce that ITV Studios has optioned the hit Korean celebrity format “Battle in the Box” for France, Australia, New Zealand, and Israel. The deal was unveiled on Wednewday, the first full day of the Asia Television Forum and Market (ATF) in Singapore. “Battle in the Box,” created by Korea’s NMedia and represented globally by Something Special, has previously seen deals announced with Fremantle for Denmark, Norway, Sweden, Finland, the Netherlands, Belgium and Portugal.

Naman Ramachandran Canadian conglomerate, Blue Ant Media has scored sales of some 550 hours of programming to Asia Pacific broadcasters, it was revealed at Singapore’s Asia TV Forum & Market (ATF). Content was sourced from across Blue Ant’s portfolio companies.

Naman Ramachandran Singapore‘s Mediacorp has begun introducing virtual sets into its scripted content, starting with two Chinese drama series, it was revealed during the ongoing Asia TV Forum & Market (ATF). “Strangers in the Dark” is about an outcast in school, who uses her vivid imagination to help solve various mysteries.

Naman Ramachandran Singapore’s Refinery Media has launched a global co-production fund that will allocate up to 50% of production budgets for projects exploring the use of virtual production in films, series and unscripted shows. The fund was revealed at Singapore’s Asia TV Forum and Market. “Asia’s Next Top Model,” “SupermodelMe Revolution” and “The Century Egg” are among Refinery’s previous credits.

Naman Ramachandran Shows featuring Stephen Fry are popular in Asia as sales from Abacus Media Rights and Passion Distribution demonstrate. Abacus has sold more than 70 hours of scripted and unscripted programming broadcasters across Asia, it was revealed at Singapore’s Asia TV Forum and Market.

Naman Ramachandran Chai Yee-Wei’s “Wonderland” comes to the Singapore International Film Festival after debuting at the San Diego Asian Film Festival where it won the audience award. Chai’s credits include “Blood Ties” (2009), “Twisted” (2011) and “That Girl in Pinafore” (2013), which premiered at the Shanghai International Film Festival. “Wonderland” is his fifth feature.