‘Inside the Yellow Cocoon Shell’ Wins Asian Feature Film Competition at SGIFF

Patrick Frater Asia Bureau Chief Really, a company that creates augmented reality content for theatrical release movies has hired veteran media executive Peter Gaida as its chief commercial officer in Asia Pacific. The appointment is part of a wider expansion into Asia by the AR company. Founded by media entrepreneur James Andrew Felts in 2017, Really creates “highly functional, large-scale AR content” that it delivers weekly.

Jessica Jung has opened up about her state of mind when she left K-pop girl group Girls’ Generation in 2014.On December 20, Jessica Jung made an appearance on the Singaporean podcast series The Daily Ketchup Podcast, which coincided with her recent ‘Diamond Dreams’ concert in the city state.During her time on the podcast, one of the hosts asked the singer what “went through your head” during the time when she left K-pop girl group Girls’ Generation. “I try to put the past behind me, and I always try to look at the brighter things, brighter side,” she responded.“Of course, that time was one of the darkest times of my life, darkest periods of my life.

SHINee member and soloist Taemin has released a music video for his song ‘The Rizzness’.The new video feature SHINee’s Taemin with a team of backup dancers as they perform in a cave-inspired set, with the scenes flitting between light and darkness. “You know I got the rizz / The rizzness / Swallows you up / My rizzness / Sit down and listen up, ooh / Sit down and listen up,” he sings in the chorus.The new clip came shortly after Taemin held the second day of his ‘Metamorph’ solo concert at the Inspire Arena in Seoul, South Korea over the weekend.

Tomorrow X Together, STAYC and more have been added to the line-up of ‘Music Bank in Antwerp’.Over the weekend, popular South Korean music chart show Music Bank announced the line-up of artists that will appear at its upcoming ‘Music Bank in Antwerp’ event.The concert will feature performances by K-pop groups Tomorrow X Together, STAYC, ONEUS, RIIZE and ZEROBASEONE, along with one more as-yet-unannounced act.‘Music Bank in Antwerp’ will take place on April 20, 2024 at the Sportpaleis, located in Antwerp, Belgium. Tickets to the event will go on sale this Wednesday (December 20) via the official Sportpaleis website.A post shared by VERYSHOW (@veryshow_prod)The upcoming ‘Music Bank in Antwerp’ concert will be the first Interational Music Bank show of 2024.

Dial M for Murder, which had already extended its run before playing previews to sold-out houses.“It’s so exciting to know that there’s a hunger out there for people to see this play,” says Lancisi, who is directing Jeffrey Hatcher’s new adaptation of the 1952 stage play by Frederick Knott.Most people know Dial M for Murder from Alfred Hitchcock’s famous film adaptation, its images of Grace Kelly struggling against her strangler ingrained in their heads. But, as Lancisi points out, it was written in the ’50s, set in the ’50s, and society has evolved since Knott’s original story of a jealous husband plotting to kill his adulterous, wealthy wife.

Patrick Frater Asia Bureau Chief Australian streamer Stan has acquired rights to both seasons, totaling 20 episodes, of the Malaysian adaptation of Scandinavian crime series “The Bridge.” The agreement, brokered by Lyle Bettson-Barker, SVP Australia and New Zealand from Banijay Rights, represents the first time that Stan has acquired a Malaysian drama series. The Asian version of “The Bridge” was initially commissioned by Viu and HBO Asia in 2018, after Double Vision, part of the Vision New Media group, introduced Viu to the format. It broadcast to across 23 territories in the combined footprints of Viu and HBO Asia and was also shown on Viu in South Africa.The title has garnered more than 20 regional awards and nominations across its two seasons, making it the most awarded drama in Malaysian history. Season one faithfully follows the original show, and sees a dead body found on the border between Malaysia and Singapore, necessitating an investigator from each country to work together to solve the crime.

Naman Ramachandran The Singapore Film Commission (SFC) celebrated its 25th anniversary during the 34th Singapore International Film Festival (SGIFF) with a lavish party attended by the great and the good of the industry. Though the local box office for Singaporean films has yet to regain its pre-pandemic heights, they are doing well internationally with 2023 alone seeing selections at all the top festivals, including Sundance, Berlin, Cannes, Locarno, Busan and San Sebastian.

Naman Ramachandran One of the most popular events at the 34th Singapore International Film Festival (SGIFF) was a panorama event where six of the country’s leading indie film lights shared a panel to discuss opportunities and challenges. Opportunities are plentiful, with the festival world embracing Singaporean films and filmmakers warmly. Hong Kong-based Anthony Chen has had a stellar year with his directorial efforts “Drift” and “The Breaking Ice” which premiered at Sundance and Cannes, respectively.

Naman Ramachandran Singapore‘s Robot Playground Media (RPM) and Valencia-based co-producer TV ON Producciones (TOP) have commenced production on animated feature film “The Violinist,” it was revealed at the Asia TV Forum and Market. The film was unveiled at a presentation attended by the representatives of Singapore’s Infocomm Media Development Authority (IMDA) and the Spanish Embassy in Singapore.

Skull & Bones has received yet another release date at The Game Awards 2023. It’s the game’s sixth planned launch following a series of delays.Skull & Bones is set to release on February 16 on PC, PlayStation 5, and Xbox Series X|S.

Patrick Frater Asia Bureau Chief The Korean-produced series “The Glory” won the best drama series award on Thursday at the Asian Academy Creative Awards Gala Final. Thai-produced TV movie “Hunger” was named best feature film. The awards are organized by the Asian Academy of Creative Arts (AACA) a.k.a Asian Academy Creative Awards (AAA) and are held alongside the Asia Television Forum and Market (ATF) in Singapore. The AACA “was established to honor creative excellence and serve as a peer judged pinnacle of achievement in content creation, performance and media production.” By the conclusion of the gala ceremony, Singapore, Japan and India had each claimed seven prize wins.

Patrick Frater Asia Bureau Chief China’s Linmon Media celebrated its tenth anniversary this week by unveiling 16 new shows for its 2024 production and release slate. The roster included seven Chinese period drama series, five contemporary shows and two more being made in Thailand. “We are not just a producer, we are a studio,” Zhou Yuan, co-founder and EVP of Linmon, told Variety on the sidelines of the company’s predominantly English-language presentation at the Asia Television Forum & Market in Singapore.

Patrick Frater Asia Bureau Chief Something Special, the Seoul-based international format agency founded by format specialists Jin Woo Hwang (president and executive producer) and Kim In Soon (EVP & head of content) announce that ITV Studios has optioned the hit Korean celebrity format “Battle in the Box” for France, Australia, New Zealand, and Israel. The deal was unveiled on Wednewday, the first full day of the Asia Television Forum and Market (ATF) in Singapore. “Battle in the Box,” created by Korea’s NMedia and represented globally by Something Special, has previously seen deals announced with Fremantle for Denmark, Norway, Sweden, Finland, the Netherlands, Belgium and Portugal.

Naman Ramachandran Singapore‘s Mediacorp has begun introducing virtual sets into its scripted content, starting with two Chinese drama series, it was revealed during the ongoing Asia TV Forum & Market (ATF). “Strangers in the Dark” is about an outcast in school, who uses her vivid imagination to help solve various mysteries.

Naman Ramachandran “Sunday,” which has its world premiere at the Singapore International Film Festival, marks the feature directorial debut of Sean Ng. Ng previously directed a few shorts and his producing credits include feature documentary “André and His Olive Tree” (2020), which was Taiwan’s highest-grossing documentary that year. “Sunday” was developed at TorinoFilmLab.

Naman Ramachandran Chai Yee-Wei’s “Wonderland” comes to the Singapore International Film Festival after debuting at the San Diego Asian Film Festival where it won the audience award. Chai’s credits include “Blood Ties” (2009), “Twisted” (2011) and “That Girl in Pinafore” (2013), which premiered at the Shanghai International Film Festival. “Wonderland” is his fifth feature.

Naman Ramachandran Shaun Neo’s feature debut “My Endless Numbered Days,” a study of urban alienation, has its world premiere at the Singapore International Film Festival. Neo’s directorial short debut “Happily Ever After” (2015) screened at the 26th SGIFF and was nominated for best screenplay at the National Youth Film Awards 2016. “My Endless Numbered Days” follows Mitsue who returns to Japan after the disillusionment of a work opportunity in Singapore.

Patrick Frater Asia Bureau Chief Webtoons, the vertical-scrolling iteration of digital comics that emerged some twenty years ago in Korea, along with the smartphone, are now a global medium. But they are only at the beginning of their global journey, says Charlie Park, CEO of Kakao Entertainment-owned Tapas. Park was speaking Tuesday at the Asia Television Forum in Singapore in a session moderated by industry consultant Jimmy Kim. Park explained that the webtoon segment was for several years a niche fan-driven activity with few opportunities for monetization.

Naman Ramachandran Singapore’s Infocomm Media Development Authority (IMDA) is teaming with AI Singapore and the Agency for Science, Technology and Research to launch the S$70 million ($52.3 million) National Multimodal LLM Program (NMLP). The initiative, funded by Singapore’s National Research Foundation, will develop the country’s research and engineering capabilities in multi-modal large language (LLM) models. It will help to plug a critical gap because current LLM models are heavily Western originated.

Patrick Frater Asia Bureau Chief Donovan Chan, co-chief and creative director of Singapore-based Beach House Pictures has operations that span scripted, unscripted and branded TV as well as film, across the width of the Asia region. That gives him a unique perspective on a trying last year and where the upsides appear to be. He sat down with Variety on the eve of the Asian Television Forum.