Hollywood Dealmakers Learn to Be Flexible in Asia – ATF

Marc Malkin Senior Editor, Culture and Events After diving in to play Diana Nyad’s best friend and swim coach in the real-life Netflix sports drama, “Nyad,” Jodie Foster is ready for her next cinematic adventure. “I really like doing things where I learn stuff,” Foster tells me. “I don’t know how to play any musical instruments.

Patrick Frater Asia Bureau Chief Really, a company that creates augmented reality content for theatrical release movies has hired veteran media executive Peter Gaida as its chief commercial officer in Asia Pacific. The appointment is part of a wider expansion into Asia by the AR company. Founded by media entrepreneur James Andrew Felts in 2017, Really creates “highly functional, large-scale AR content” that it delivers weekly.

SiriusXM interview with Gayle King, claiming she’s “being paid a fraction of the cost” of what she should be making in Hollywood. The 53-year-old star of “The Color Purple” appeared on the episode alongside the film’s director Blitz Bazawule and co-star Danielle Brooks to promote the upcoming flick, which is produced by King’s pal Oprah Winfrey.King asked the “Empire” star if she was serious in previous statements about being done with acting, to which Henson replied by taking a deep breath and putting her head in her hand before responding. “I’m just tired of working so hard, being gracious at what I do [and] getting paid a fraction of the cost,” she said, becoming emotional.

Patrick Frater Asia Bureau Chief Australian streamer Stan has acquired rights to both seasons, totaling 20 episodes, of the Malaysian adaptation of Scandinavian crime series “The Bridge.” The agreement, brokered by Lyle Bettson-Barker, SVP Australia and New Zealand from Banijay Rights, represents the first time that Stan has acquired a Malaysian drama series. The Asian version of “The Bridge” was initially commissioned by Viu and HBO Asia in 2018, after Double Vision, part of the Vision New Media group, introduced Viu to the format. It broadcast to across 23 territories in the combined footprints of Viu and HBO Asia and was also shown on Viu in South Africa.The title has garnered more than 20 regional awards and nominations across its two seasons, making it the most awarded drama in Malaysian history. Season one faithfully follows the original show, and sees a dead body found on the border between Malaysia and Singapore, necessitating an investigator from each country to work together to solve the crime.

Patrick Frater Asia Bureau Chief Thailand’s broadcast and streaming group Mono Next and Korea’s Studio Genie have struck a deal to collaborate on content creation and distribution. Production of a Thai remake of a Korean series is on the cards, but has not been finalized. The memorandum was announced on stage at the Asia Television Forum in Singapore on Wednesday, with streaming unit Mono Streaming signing on behalf of the Thai group.

Patrick Frater Asia Bureau Chief The Korean-produced series “The Glory” won the best drama series award on Thursday at the Asian Academy Creative Awards Gala Final. Thai-produced TV movie “Hunger” was named best feature film. The awards are organized by the Asian Academy of Creative Arts (AACA) a.k.a Asian Academy Creative Awards (AAA) and are held alongside the Asia Television Forum and Market (ATF) in Singapore. The AACA “was established to honor creative excellence and serve as a peer judged pinnacle of achievement in content creation, performance and media production.” By the conclusion of the gala ceremony, Singapore, Japan and India had each claimed seven prize wins.

Patrick Frater Asia Bureau Chief China’s Linmon Media celebrated its tenth anniversary this week by unveiling 16 new shows for its 2024 production and release slate. The roster included seven Chinese period drama series, five contemporary shows and two more being made in Thailand. “We are not just a producer, we are a studio,” Zhou Yuan, co-founder and EVP of Linmon, told Variety on the sidelines of the company’s predominantly English-language presentation at the Asia Television Forum & Market in Singapore.

Hollywood dealmaking is becoming more reliant on the international market. That’s the word from production execs from Universal International Studios, Fremantle, Anonymous Content and Studiocanal talking on an Asia TV Forum & Market panel in Singapore today. 

Patrick Frater Asia Bureau Chief Wang Jianlin, the Chinese billionaire who previously sought to buy a controlling position in Hollywood, is preparing to complete his imminent exit from the film industry. The troubled conglomerate is facing debt repayment pressure.Wanda Film, which remains China’s largest cinema operator, Wednesday said in a regulatory filing to the Shenzhen Stock Exchange that Wang and his Wanda Investment vehicle expect to sell their remaining stake 51% in the company to China Ruyi Holdings. Ruyi, which operates across film, TV and online games, counts games, social media and streaming giant Tencent among its largest shareholders.

Patrick Frater Asia Bureau Chief Something Special, the Seoul-based international format agency founded by format specialists Jin Woo Hwang (president and executive producer) and Kim In Soon (EVP & head of content) announce that ITV Studios has optioned the hit Korean celebrity format “Battle in the Box” for France, Australia, New Zealand, and Israel. The deal was unveiled on Wednewday, the first full day of the Asia Television Forum and Market (ATF) in Singapore. “Battle in the Box,” created by Korea’s NMedia and represented globally by Something Special, has previously seen deals announced with Fremantle for Denmark, Norway, Sweden, Finland, the Netherlands, Belgium and Portugal.

Naman Ramachandran Shows featuring Stephen Fry are popular in Asia as sales from Abacus Media Rights and Passion Distribution demonstrate. Abacus has sold more than 70 hours of scripted and unscripted programming broadcasters across Asia, it was revealed at Singapore’s Asia TV Forum and Market.

Patrick Frater Asia Bureau Chief Singapore is launching a new fund to support international coproduction of TV series. It will also expand government investment into virtual production (VP). The two moves were announced on Wednesday by senior minister of state for communications and information Tan Kiat How at the opening ceremony of the Asia Television Forum and Market (ATF).

Patrick Frater Asia Bureau Chief Webtoons, the vertical-scrolling iteration of digital comics that emerged some twenty years ago in Korea, along with the smartphone, are now a global medium. But they are only at the beginning of their global journey, says Charlie Park, CEO of Kakao Entertainment-owned Tapas. Park was speaking Tuesday at the Asia Television Forum in Singapore in a session moderated by industry consultant Jimmy Kim. Park explained that the webtoon segment was for several years a niche fan-driven activity with few opportunities for monetization.

Patrick Frater Asia Bureau Chief Donovan Chan, co-chief and creative director of Singapore-based Beach House Pictures has operations that span scripted, unscripted and branded TV as well as film, across the width of the Asia region. That gives him a unique perspective on a trying last year and where the upsides appear to be. He sat down with Variety on the eve of the Asian Television Forum.

Patrick Frater Asia Bureau Chief Singapore actor and filmmaker Alaric Tay (“Zombiepura”), through his Very Tay Media company has joined forces with two Philippines companies Black Ops Studios Asia and PsyOps Studios to produce a slate of films aimed at international markets. The venture, that was facilitated by Hong Kong-based producer Mike Leeder, was announced on the eve of the Asia Television Forum (ATF) in Singapore. They aim to put together a combined slate across diverse genres, including action, sci-fi, horror and comedy and have suggested a timeline extending to the fourth quarter of 2026. The joint venture also includes partnerships with other Asian companies including Screen Ops (HK), Fly Entertainment, Causeway Media Productions and IAmCasting. “Singapore and the Philippines have the individual potential to execute projects with commercial appeal,” said Tay. “But by building stories together with like-minded visionaries beyond our own shores, we can elevate the types of projects that are being produced in our collective countries.” Tay was the star and executive producer of 2018 Singapore zombie movie “Zombiepura.” He was also co-producer and director of HBO Asia’s first comedy drama series “SeNT” and is best known for playing multiple characters on Mediacorp satirical series “The Noose.” Headed by director Pedring Lopez and producer Rex Lopez, Black Ops Studios Asia and PsyOps Studios focus on action films and series.

Patrick Frater Asia Bureau Chief France-based multinational Studiocanal has launched Cultivator Films to facilitate local co-productions in Australia and will kick off with book-to-film adaptation “Kangaroo.” “Kangaroo” is scripted by Harry Cripps (“The Dry,” “Penguin Bloom”) and directed by Kate Woods (“The Lincoln Lawyer,” “The Umbrella Academy,” “The Good Lord Bird,” “Looking for Alibrandi”). Eastern Arrernte emerging director Samantha Laughton is set as a director’s attachment. Slated to start production in Alice Springs in the first half of 2024, “Kangaroo” is a Northern Territory-inspired story based on Chris Barnes, aka ‘Brolga,’ who is the founder of the Kangaroo Sanctuary in Alice Springs. Cultivator Films Australia is led by Studiocanal’s Australia and New Zealand CEO Elizabeth Trotman.

Patrick Frater Asia Bureau Chief Ridley Scott’s historical epic “Napoleon” was cruelly defeated at the mainland Chinese box office, where it opened in only fifth place on its opening weekend. Chinese crime thriller “Across the Furious Sea” headed the mainland China charts for a second weekend, earning $20.0 million (RMB142 million), according to data from consultancy Artisan Gateway. “Napoleon” earned just $2.8 million ($19.6 million) in China, according to the firm whose figures are generally considered as final, not estimates. The film earned generally mixed to positive reviews, but only a middling score of 6.6 out of 10 from users of the Douban movie fan site. But it appears that Chinese audiences found the travails of an ancient French emperor to be too much of a specialist topic.

Patrick Frater Asia Bureau Chief I.E. Entertainment, the global distribution outfit founded and run by industry veterans Indra and Erlina Suharjono, has come on board to handle worldwide sales for Cathay Film Company’s “Coolie.” The TV miniseries is inspired by the little-known history of enslaved Chinese ‘coolies’ in Cuba in the 1860s.

Universal International Studios is fasting getting back into business following the end of the U.S. labor action, its bosses say.

Patrick Frater Asia Bureau Chief CJ ENM (Hong Kong), a channels and content distributor that is part of the Korean CJ ENM conglomerate, has picked up pay-TV rights in parts of Asia to a handful of Korean series that were co-financed by streaming platform Tving and Paramount+. The deal was struck with Paramount Global Content Distribution. The productions are part of a global strategic partnership between CJ ENM and Paramount Global that was announced in December 2021. The deal was announced on the eve of the Asian TV Forum (ATF), which kicks off next week in Singapore. The series debut first on Tving in Korea and on Paramount+ in the U.S., Canada, U.K., Australia, Latin America, Brazil, Italy, France, Germany, Switzerland and Austria.