Will Box Office Success Help ‘The Woman King,’ ‘Elvis’ and Other Studio Hits Stay in the Oscar Race?

Billy Eichner’s Universal-backed comedy “Bros” flopped at the box office during its opening weekend with a $4.8 million bow, about half of the $8 million to $10 million that the studio projected. Eichner, in a now viral tweet, claimed that straight people not showing up to an LGBTQ comedy was a driving force behind “Bros” underperformance. “Even with glowing reviews, great Rotten Tomatoes scores, an A CinemaScore, etc., straight people, especially in certain parts of the country, just didn’t show up for ‘Bros,'” Eichner wrote. “And that’s disappointing but it is what it is.” Eichner is certainly correct that some straight moviegoers weren’t interested in the material, while homophobia about two men falling in love also likely figured in. During a recent trip to a multiplex in Georgia, for instance, this writer saw a group of men being openly homophobic by mocking the “Bros” poster for featuring a guy putting his hand on another guy’s butt. However, the $4.8 million opening for “Bros” is so low that it also means many LGBTQ viewers didn’t show up to see the comedy in theaters either. So why did “Bros” disappoint?

Rebecca Rubin Film and Media Reporter Hold onto your bucket hats: Sony’s action-thriller “Bullet Train” crossed $100 million at the domestic box office. It’s an impressive milestone (in post-COVID times) for an original movie that doesn’t involve marquee comic book heroes or intergalactic adventures. It helps, of course, that a bankable actor like Brad Pitt stars in the film, as a heavily therapized assassin named Ladybug. “Bullet Train” reached $101 million in domestic ticket sales on Friday, making it only the 14th release this year to hit that benchmark. With another $130 million at the international box office, the film has now earned $231 million in global ticket sales to date.

won the Pulitzer Prize in Public Service in 2018 for breaking the story of Harvey Weinstein’s decades of sexual abuse allegations in their explosive reporting with the New York Times.Mulligan will play the role of Twohey in the upcoming “She Said” alongside Zoe Kazan, who will play Kantor. First breaking out in “An Education,” the twice Oscar-nominated Mulligan has starred in “Promising Young Woman” and “Spaceman,” and has been involved in initiatives like the Alzheimer’s Society, the Society’s Dementia Awareness Week and serves as an ambassador for War Child, an organization that aids children affected by conflict.

Woman In Film, Los Angeles said Thursday that that She Said producer Dede Gardner, star Carey Mulligan and New York Times reporters Jodi Kantor and Megan Twohey will be honored next month at the 2022 WIF Honors. They join a recipient list that already includes the bestowing the group’s Crystal Awards to Abbott Elementary creator Quinta Brunson, The Woman King director Gina Prince-Bythewood, and Don’t Worry Darling writer and director Katie Silberman and Olivia Wilde, respectively.

Rebecca Rubin Film and Media Reporter Despite 13 years passing since “Avatar” first hit theaters, moviegoers are apparently still dazzled by the striking world of Pandora. In anticipation of the sequel “The Way of Water,” which opens in December, Disney re-released James Cameron’s original science-fiction epic to promising returns. The film generated $10 million in North America and $20.5 million internationally over the weekend, a huge result for movie that opened more than a decade ago, even if that movie happens to be the highest-grossing global release in history. With this weekend’s returns, “Avatar” widens its lead as the biggest movie of all time with $2.85 billion worldwide.

The thriller directed by Olivia Wilde and starring Florence Pugh and Harry Styles was produced on a budget reported to be at around $35 million, so this opening puts the film on track to earn a modest theatrical profit if it gets some help from overseas theaters. The Venice premiere of “Don’t Worry Darling” was beset with constant rumors about animosity between Wilde and Pugh during the film’s production, and reviews from critics during and after the festival didn’t help matters with a 38% score on Rotten Tomatoes.

projections, the New Line Cinema film will earn $17 million from its opening weekend. Independent projections put that number at $18 million to $20 million. According to reports, its budget falls in the mid-$20 million range.The Florence Pugh and Harry Styles-starring psychological thriller premieres opposite Disney’s re-release of “Avatar” (2009), a few months before its sequel “The Way of Water” hits theaters.

Clayton Davis As the filmmaking team for “The Woman King” travels to Brazil to promote the historical epic, Viola Davis and her husband and producing partner Julius Tennon are celebrating the success of the film’s no. 1 debut at the box office, grossing $19 million domestically. The film had its world premiere at the Toronto Film Festival on Sept. 10, followed by opening in theaters one week later. It’s one of the rare films where critics and general audiences given it a similarly positive reception, with a 95% critics score and 99% audience score on Rotten Tomatoes. It even pulled off an “A+” Cinema Score. Davis emphasizes that the story of “The Woman King” can connect to all audiences, not only Black women.

Over the weekend, “The Woman King” easily won the box office battle. Better yet, the historical action film was a hit with fans who gave it an A+ CinemaScore.

Sheila Atim marveled that the top four actors listed on the call sheet during filming of Gina Prince-Bythewood’s hot epic The Woman King “are all dark-skinned Black women.”

Rebecca Rubin Film and Media Reporter “The Woman King,” a historical action epic starring Viola Davis, ruled over domestic box office charts in its opening weekend. Bolstered by stellar reviews and positive word-of-mouth, the movie collected $19 million from 3,765 North American cinemas over the weekend, arriving at the higher end of expectations. Independent tracking services projected “The Woman King” would kick off with $15 million to $18 million, while Sony estimated a debut closer to $12 million. Sony is lucky the film exceeded its ultra-conservative forecasts. “The Woman King” cost $50 million to produce, not including the tens of millions in marketing expenses, including a stop at the Toronto International Film Festival.

according to IMDB’s Box Office Mojo.Produced by and starring Viola Davis, The Washington Post called the film the actress’ “ultimate flex.” The drama, which cost $50 million to make, is projected to take in anywhere from $13.5 million to $22.5 million during its domestic debut, according to Forbes.Clubbing its way to second place was “Barbarian” which earned over $1.96 million. The horror-thriller, which Vogue said is one of “the best reasons to go to the movies right now,” tells the story of a young woman, played by Georgina Campbell, who discovers the remote home she booked on Airbnb was double-booked by a man, portrayed by Bill Skarsgård.

That opening weekend would be just a tad higher than the $17.2 million opening for fellow Sony release “Where the Crawdads Sing,” which legged out to an $86 million domestic run thanks to strong word-of-mouth from female audiences. For “The Woman King,” Sony is hoping for a similar long box office run during this sluggish box office period as audience buzz builds.So far, it looks like Sony’s hopes will be fulfilled.

J. Kim Murphy “The Woman King” has found its throne at the box office. The Sony release is drumming up a projected $18 million opening from 3,765 locations, in line with most analysts’ estimates heading into the weekend. The epic also benefited from landing some premium format auditoriums, such as Imax, lending an additional boost to revenue. Though that doesn’t necessarily qualify as a grand opening, it’s a solid start for the action film, which carries a $50 million production budget and has no ties to existing franchises. What’s more, it’s more than enough for “The Woman King” to top box office charts on a slow weekend with few rival releases.

Saturday AM Update: TriStar/eOne’s The Woman King is coming in higher than expected with a $18M opening boosted by lively word of mouth with an A+ CinemaScore and a massive 95% positive on Comscore/Screen Engine’s PostTrak. Friday, including $1.7M previews, came in at $6.8M.

“The Woman King,” the historical action epic starring Viola Davis, took in $1.7 million at the box office from its Thursday night preview screenings, which opened at 3 p.m. on 3,271 screens. The Sony and eOne film will launch at 3,765 locations this weekend.In its opening weekend, the studio projects “The Woman King” to earn $12 million against a $50 million budget.

Jordan Moreau Sony’s “The Woman King,” starring Viola Davis, has earned $1.7 million at the domestic box office, as theatergoers slowly embrace one of the first major studio releases in a few weeks. The historical epic is aiming for a $15 million opening this weekend, where it doesn’t face much competition from rival releases. Other projections see a launch as high as $18 million to $20 million, or as low as $12 million. “The Woman King” comes with a $50 million price tag, so results on the lower end would be less than royal for Sony. Directed by Gina Prince-Bythewood (“The Old Guard,” “Love & Basketball”), the movie premiered at the Toronto International Film Festival last week, where it had a warm reception from attendees. Set in the 1820s, the film stars Davis as a powerful general of the Agojie, an all-female military regiment that protected the West African kingdom of Dahomey. The cast includes John Boyega, Lashana Lynch, Thuso Mbedu and Sheila Atim.

Viola Davis is stepping out for a special screening of her new movie!