‘The Woman King’ reigns at box office on its opening night

Violent Night – check out the first trailer below.The actor, best known for roles in Stranger Things and Marvel’s Black Widow, takes on a weary, vengeful version of Saint Nick in the action-comedy directed by Tommy Wirkola (Dead Snow, Hansel & Gretel: Witch Hunters).A synopsis reads: “When a team of mercenaries breaks into a wealthy family compound on Christmas Eve, taking everyone inside hostage, the team isn’t prepared for a surprise combatant: Santa Claus is on the grounds, and he’s about to show why this Nick is no saint.”Violent Night is written by Patrick Casey and Josh Miller (Sonic The Hedgehog), and also stars John Leguizamo (Carlito’s Way) as leader of the mercenaries, Ben, and Beverly D’Angelo (American History X) as the matriarch, Gertrude.The film is produced by 87North, the production company founded by director David Leitch and Kelly McCormick, which has previously worked on action films Nobody and Bullet Train starring Brad Pitt.The film is set to have its world premiere at New York Comic Con on October 7. It will be released in cinemas worldwide on December 2, 2022.Harbour is set to star in a film adaptation of the PlayStation racing game series Gran Turismo, helmed by director Neill Blomkamp (District 9, Elysium).

King Charles is reportedly set be crowned on June 3 next year. His Majesty’s ceremony would be nearly 70 years to the day after his mother Queen Elizabeth’s coronation, which took place on June 2, 1953, when she was aged 25. Bloomberg has reported unnamed royal officials are aiming for June 3 for Charles to be crowned, and are in discussions about which days will be made national holidays to mark the occasion.

J. Kim Murphy Billy Eichner has shared his thoughts regarding the meager box office opening for his LGBTQ romantic comedy “Bros,” writing that “straight people, especially in certain parts of the country, just didn’t show up.” In a thread posted to his official Twitter, Eichner, who wrote, produced and stars in “Bros,” asserted that he is “very proud” of the movie, describing his experience covertly watching a sold out screening in Los Angeles during the weekend. “Last night I snuck in and sat in the back of a sold out theater playing ‘Bros’ in LA. The audience howled with laughter start to finish, burst into applause at the end and some were wiping away tears as they walked out,” Eichner wrote. “It was truly magical. Really. I am VERY proud of this movie.”

“Smile,” which was projected for an opening in the high teens against its $17 million production budget, actually saw a slight 4% increase in grosses from Friday to Saturday, beating industry estimates which had predicted a slight decrease after the film earned audience scores of B- on CinemaScore and a 69% positive rating on Comscore/Screen Engine’s PostTrak. While those scores could signal a more frontloaded box office run, the word-of-mouth among hardcore horror fans still seems to be running pretty strong and giving “Smile” a chance to match the $23.6 million opening of Universal/Blumhouse’s “The Black Phone” from earlier this year if Sunday numbers also beat projections.

Brent Lang Executive Editor Paramount’s “Smile” debuted to a sizzling $22 million, easily topping the domestic box office. The horror film beat out the weekend’s other new wide release, Universal’s LGBTQ romantic comedy “Bros,” which landed in fourth with a paltry $4.8 million debut. “Smile” ranks as one of the better original horror debuts of the year, beating out 20th Century Studios’ “Barbarian” ($10 million) and Sony’s “The Invitation” ($7 million). As the box office enters October, the horror genre will continue to take center stage with Universal’s “Halloween Ends” releasing in two weeks and hoping to cash in on the excitement for thrills and chills. The box office result for “Smile” is a frighteningly good haul, seeing as it cost Paramount a measly $17 million to produce. The company used some clever marketing tactics this week by strategically placing paid actors, with huge, creepy smiles plastered on their faces, behind home plate during televised Major League Baseball games. Social media users quickly noticed the unsettling fans, who wore “Smile” t-shirts, when the cameras zoomed in on batters stepping up to the plate.

Rebecca Rubin Film and Media Reporter Hold onto your bucket hats: Sony’s action-thriller “Bullet Train” crossed $100 million at the domestic box office. It’s an impressive milestone (in post-COVID times) for an original movie that doesn’t involve marquee comic book heroes or intergalactic adventures. It helps, of course, that a bankable actor like Brad Pitt stars in the film, as a heavily therapized assassin named Ladybug. “Bullet Train” reached $101 million in domestic ticket sales on Friday, making it only the 14th release this year to hit that benchmark. With another $130 million at the international box office, the film has now earned $231 million in global ticket sales to date.

SATURDAY AM:Paramount and other studios are calling Smile at a $19M opening. In a deja vu to last weekend with New Line’s Don’t Worry Darling, another genre pic, this R-rated horror film has received a B- CinemaScore and a severe 69%/53% definite recommend on Comscore/Screen Engine’s PostTrak; a standard audience reaction for such fare. We see one studio calling Smile at $20M, and frankly with this audience score, and the front-loaded nature of horror films, only tonight will determine if this goes up. Last weekend, everyone got excited about the initial numbers they were seeing for Don’t Worry Darling, got over their skis and called the weekend at $20M on Saturday AM before it eased to $19.3M by Monday. Smile‘s Friday is $8.2M, which includes Thursday’s $2M previews.

Angelique Jackson Russell Hornsby has signed onto Searchlight Pictures’ “The Supremes at Earl’s All-You-Can Eat,” joining the film’s starry lead trio of Uzo Aduba, Aunjanue Ellis and Sanaa Lathan. Based on Edward Kelsey Moore’s 2013 bestselling novel, “The Supremes at Earl’s All-You-Can-Eat” is set to be directed by Tina Mabry from a script by Gina Prince-Bythewood, with revisions by Mabry. Aduba, Ellis and Lathan play best friends dubbed “The Supremes,” who, according to the film’s synopsis, “have weathered life’s storms together for two generations through marriage and children, happiness and the blues,” and “find their paths at a crossroads that test their lifelong bond.” Hornsby has been cast in a key role in the project, specifics of which are being kept under wraps.

Patrick Frater Asia Bureau Chief China recorded an unchanged top five films and its weakest box office weekend since Chinese New Year. Nationwide gross box office was just $18.6 million. Comedy drama film “Give Me Five” held on to the top spot for the third week, with a weekend score of $6.3 million (RMB43.3 million), according to data from consultancy Artisan Gateway. It now has a cumulative of $46.4 million since release on Sept. 9, 2022. The film is the story of a young man who is helping his father rediscover his lost memories. As he does so, he is transported back in time and accidentally alters his parent’s pasts. That means he must reunite the pair or risk never being born. It stars Ma Li Chang Yuan and Wei Xiang and is directed by Zhang Luan.

Forty members of the crew and production team on Olivia Wilde’s new movie Don’t Worry Darling have spoken out to dispute “the absurd gossip” surrounding alleged on-set unrest during the production of the New Line Cinema pic starring Harry Styles, Olivia Pugh and Chris Pine.

The run-up to the release of “Don’t Worry Darling” has been filled with tabloid headlines about the filming of the movie, most notably over an alleged feud between Pugh and director Olivia Wilde. Meanwhile, critics have mostly panned the film with a 38% Rotten Tomatoes score.

according to IMDB’s Box Office Mojo. The flick, which The Post called “too obvious,” is predicted to enjoy a $75.4 million domestic run, according to Forbes.Long before its debut, it had already generated buzz because of rumors that Wilde, 38, is dating the film’s leading man, 28-year-old British megastar Harry Styles.Flying into second place was the 4K re-release of 2009 Oscar-winner “Avatar,” with an over $3.3 million take.

J. Kim Murphy It’s been a rambling, rocky odyssey to the release of “Don’t Worry Darling” — one involving canceled late-night appearances, rumors of production rivalries and conspiratorial frame-by-frame analysis of red carpet body language and an alleged loogie trajectory. But there was always going to be an opening weekend at the end of this road. And the numbers show that Olivia Wilde has directed a hit. “Don’t Worry Darling” should have no trouble topping the domestic box office, projecting a $21 million debut from 4,113 theaters. The film earned $9.4 million from opening day and Thursday previews — a more-than-solid figure for an original film that carries a modest $35 million production budget.

The thriller directed by Olivia Wilde and starring Florence Pugh and Harry Styles was produced on a budget reported to be at around $35 million, so this opening puts the film on track to earn a modest theatrical profit if it gets some help from overseas theaters. The Venice premiere of “Don’t Worry Darling” was beset with constant rumors about animosity between Wilde and Pugh during the film’s production, and reviews from critics during and after the festival didn’t help matters with a 38% score on Rotten Tomatoes.

Logan Lerman will star alongside Joey King in Hulu’s developing limited series “We Were the Lucky Ones,” based on Georgia Hunter’s best-selling novel, TheWrap has learned.Lerman will portray Addy, a Polish and Jewish 25-year-old who lives in Paris as an engineer, but who also builds his musical composing career. Addy is the middle child in his family, and he is able to mediate conflict between people with differences.

Patrick Frater Asia Bureau Chief Comedy drama film “Give Me Five” held on to the top spot at the mainland Chinese box office with a weekend score of just $7.4 million (RMB50.8 million). The film is the story of a young man who is helping his father rediscover his lost memories. As he does so, he is transported back in time and accidentally alters his parent’s pasts. That means he must reunite the pair or risk never being born. It stars Ma Li Chang Yuan and Wei Xiang and is directed by Zhang Luan.

The next three weekends are favorable for “The Woman King,” with upcoming releases including Warner Bros’ “Don’t Worry Darling,” which has received mixed reviews, Universal’s LGBT comedy “Bros,” and the Sony family film “Lyle Lyle Crocodile.” There won’t be a theatrical release with the sort of action and intensity that “Woman King” offers until “Halloween Ends” on October 14, so it will have plenty of time to build word-of-mouth both as a female-fronted historical film among Black and female audiences and potentially as an exciting action film among crossover demographics. It will need to do so as the film still has to turn a profit against its $50 million production budget, which was co-financed by TriStar and eOne.

J. Kim Murphy “The Woman King” has found its throne at the box office. The Sony release is drumming up a projected $18 million opening from 3,765 locations, in line with most analysts’ estimates heading into the weekend. The epic also benefited from landing some premium format auditoriums, such as Imax, lending an additional boost to revenue. Though that doesn’t necessarily qualify as a grand opening, it’s a solid start for the action film, which carries a $50 million production budget and has no ties to existing franchises. What’s more, it’s more than enough for “The Woman King” to top box office charts on a slow weekend with few rival releases.

Saturday AM Update: TriStar/eOne’s The Woman King is coming in higher than expected with a $18M opening boosted by lively word of mouth with an A+ CinemaScore and a massive 95% positive on Comscore/Screen Engine’s PostTrak. Friday, including $1.7M previews, came in at $6.8M.