Why Director Carla Gutierrez Wanted Frida Kahlo to Tell Her Own Story in the Sundance Doc ‘Frida’

By If you’re a Bravo fan who hasn’t yet recovered from the eye-popping drama of the finale episode of the Real Housewives of Salt Lake City last month, you’re not alone. Lisa Barlow gets it.“It was overwhelming, the weight of it all,” she tells Glamour.

Christopher Nolan has praised TV series The Curse, calling it “unlike anything [he’s] ever seen on television before”.The Oppenheimer director shared his enthusiasm at a recent screening for the Showtime series, which stars Emma Stone and Nathan Fielder and made its debut last year.While moderating a discussion with co-creators Fielder and Benny Safdie – the latter of whom starred in Oppenheimer – Nolan said: “Congratulations on an incredible show that’s unlike anything I’ve ever seen on television before.“There are so few shows that come along that genuinely have no precedents,” the director added. “I mean, you’re going back to things like Twin Peaks or The Prisoner or Dennis Potter’s Singing Detective — things like that.

EXCLUSIVE: Netflix has landed the Sundance Film Festival buzz title documentary Skywalkers: A Love Story. The film premiered January 18 at The Ray Theatre.

The phrase in the clutch represents an ability to pull off something crucial during an important moment, widely used in the world of sports. These words can be applied to any Hail Mary football pass, any home run while the bases are loaded, or a three-point buzzer beater; it’s the latter with which athletes like Sue Bird are acutely familiar and can be seen several times over the course of “Sue Bird: In The Clutch, “ an aptly named documentary telling the story of one of the finest players the WNBA has ever seen.

Since helming the Academy Award-nominated “Winter’s Bone” in 2010, Debra Granik has enjoyed shifting between a further dabble into feature-length filmmaking (“Leave No Trace”) in addition to documentary work (“Stray Dog”), which, when coupled with her eclectic decades-strong filmography clearly showcases an overabundance of ability and flair for skillfully adapting to any subject that comes her way. Another comfortable entry on her resume exists in “Conbody VS Everybody, “a six-part docu-series with a concept unlike anything she’s tackled prior while continuing to demonstrate her knack for creating something compelling while also supremely relevant to this day and age.

“We Are the World” was a once-in-a-generation meeting of musical giants when it was recorded Jan. 28, 1985 — and released two months later on March 7 — to benefit African famine relief.Anyone who was anyone in music at that moment — a who’s who of legends, including everyone from Stevie Wonder, Diana Ross and Bob Dylan to Billy Joel, Tina Turner and Bruce Springsteen — showed up to support the cause.Written by Michael Jackson and Lionel Richie and produced by Quincy Jones and ’80s hitmaker Michael Omartian, the single sold a whopping 20 million copies.

Nick Holdsworth There is a certain inevitability about a film inspired by Hermann Hesse’s novel “Steppenwolf,” first published in German in 1927, and two famous Westerns of the 1950s — John Ford’s “The Searchers,” and Howard Hawks’ “Red River.” In acclaimed Kazakh director Adilkhan Yerzhanov’s latest film — also called “Steppenwolf” — two characters who are essentially loners existing outside of the usual moral boundaries of the world come together united in a common task: to save a small boy who has gone missing. The world premiere of “Steppenwolf” is slated for International Film Festival Rotterdam’s Big Screen Competition.

SNP ministers insisted on adopting a "more cautious" approach to easing lockdown restrictions than in England, the UK Covid Inquiry has heard.

EXCLUSIVE: A two-part Netflix documentary from Louis Theroux‘s production biz will tell the story of the victims of a prolific UK cyberstalker and how they ultimately helped bring him to justice.

Ozzy was having an affair.The couple had been married for more than 30 years when the Black Sabbath frontman reportedly began an affair with a celebrity hairdresser, which went on for four years between 2012-2016.The revelation was followed by the pair temporarily separating after 33 years together.Speaking on stage at her Cut The Crap show at London’s Fortune Theatre on Sunday night (January 21) with friend Jane Moore (per The Mirror), Sharon said she was “used to” her husband “always” having groupies.“But when he knows the name of the person, where they live and where they work… it is a whole different thing as you are emotionally invested. I took, I don’t know how many pills,” she said.“I just thought, ‘My kids are older, they are fine and can take care of themselves’.

Angelique Jackson When basketball legend Sue Bird decided to let a team of filmmakers capture her final season after playing 21 years in the WNBA, she wasn’t entirely sure what to expect from watching her career be contextualized on film, but it turned out to be wonderful. “You play such a long time — so many different moments, so many different memories — and to have it now, in this one film is amazing,” Bird said, visiting the Variety Studio presented by Audible at the Sundance Film Festival.

EXCLUSIVE: Imagine Entertainment co-chairmen Brian Grazer and Ron Howard have entered into a multi-year co-financing and production partnership with Fifth Season and their co-CEOs Graham Taylor and Chris Rice.

Dancing on Ice fans have jumped to the defence of one of the show's professional skaters following her first performance of the series. The hit ITV skating competition returned to screens on Sunday night (January 21) for week two.

Todd Gilchrist editor Although it isn’t structured any differently from dozens of other cradle-to-grave documentaries about artistic luminaries, “Luther: Never Too Much” sheds light on much more than just the life and career of R&B singer Luther Vandross. Drawn largely from interview and performance footage of Vandross over his almost 40 years in entertainment, and bolstered and contextualized by retrospective talks will collaborators and confidantes, director Dawn Porter’s film exposes some uneasy truths about the music industry and the media we may now know, but whose seeming ubiquitousness at the time he was alive may be difficult to fully comprehend.

Men can be overbearing. Some of us know this firsthand because, with a bit of self-awareness, we can recognize we have, at least at some point, been the pompous bloviating jackass while more introverted people, sometimes women, silently sit and endure our blowhard monologues.

Chris Willman Senior Music Writer and Chief Music Critic Devo is headed to Sundance, not just for the festival premiere of the Chris Smith-directed documentary film that share’s the band’s name, but a Jan. 21 performance by the group at the just-opened Marquis on Main Street.

Addie Morfoot Contributor In 2013, Angela Patton gave a TEDWomen talk that described a father-daughter dance for incarcerated dads and their daughters. That talk was viewed over a million times and inspired the documentary “Daughters,” which has its world premiere Monday at the Sundance Film Festival. In the film, Patton, who in the past decade has helped arrange approximately 15 Daddy Daughter Dances across the nation, and co-director Natalie Rae follow four young girls preparing for the event with their fathers in a prison in Washington, D.C.

Carlos Aguilar The image of Frida Kahlo, the prominent Mexican painter of the early 20 century, is one of the most replicated and commercialized of any artist in the history of the world. From T-shirts to houseware, merchandise of all sorts emblazoned with her face has turned Kahlo into a kitschy, mainstream, decontextualized emblem for Mexican identity.

Gregg Goldstein In an election year when civil rights are being threatened, authoritarianism is spreading around the globe and minorities are a popular political target, it’s no wonder that films exploring the U.S. criminal justice system are everywhere you look in the Sundance Film Festival lineup. “There’s so much inequality and injustice in the justice system,” says “God Save Texas: Hometown Prison” director Richard Linklater.

“It’s a quarter of a century later, and I’m still f*cking being discovered by Sundance,” beamed Christopher Nolan tonight at the Sundance Film Festival Opening Night Gala as he received the inaugural Trailblazer award.