‘Good One’ Review: Lily Collias Radiates In An Intimate Kelly Reichardt-Esque Of Girlhood & Overbearing Fathers [Sundance]

Bob Marley is a figure in music who has transcended his genre to become a global icon, a face and voice known by many, even if reggae isn’t quite their jam. A biopic of the artist, who sadly died at just 36 in 1981 was always inevitable – and it has come in the form of a family-approved (and produced) drama that casts Kingsley Ben-Adir in the role of the cultural icon.Having such a global appeal, and being so well-known, makes the task of a biopic an undeniable one – particularly for star Ben-Adir.

It looks like Joel Edgerton has another drama in the vein of “The Boys In The Boat” and “Thirteen Lives” up next. The actor will co-star with Felicity Jones in “Train Dreams,” Black Bear‘s adaptation of Denis Johnson‘s 2011 novella.

Accomplished filmmaker Bao Nguyen takes us on a trip back to 1985 and the historic recording of one of the biggest charity records of all time, ‘We Are The World’, which united dozens of A-list artists to raise money for the African famine.Produced by Lionel Richie, one of the iconic artists and co-writer of the original song, Nguyen’s film uses archive material and contemporary talking heads (some interviewed in the original studio in which the record was made), including Richie himself.Headed to Netflix one day off of the recording’s 39th anniversary, the film is a nostalgic trip back to the heyday of ’80s music, the year in which the likes of Cyndi Lauper, Prince, Michael Jackson, Huey Lewis, Billy Joel, Journey, Kenny Loggins and more were dominating the American and international charts, and all are included here in some form.

North West is very well known for her brutally honest opinions, often not holding back about what she really thinks about something.

Filmmaker Asmae El Moudir, making her feature directorial drama, starts her non-fiction film “The Mother Of All Lies” as a modest family chronicle—an elevated home video of sorts. It is soon clear, though, that she has much more on her mind because the actual subject of her inquiry is the collective amnesia around a seminal event that changed Morocco forever, the 1981 Casablanca bread riots.

PARK CITY – Movies that stick with you long after you watch them are nothing new. There are literally thousands of examples in the history of cinema.

Love Island star Chyna Mills and Strictly Come Dancing professional Neil Jones, 41, have shared adorable new snaps of them taking their baby girl swimming.The doting parents posted heart-warming pictures of their little one, Havana, splashing around in the pool as Chyna captioned the images: "Our little family." The 25-year-old was beaming as she stunned in a black swimsuit and cuddled her fiancé, Neil, and their daughter in the water.The TV couple welcomed their bundle of joy at the beginning of October 2023 and took to social media to share the exciting news. Posting a black and white image of her daughter's toes, Chyna, 24, penned: "Our hearts are so full." The couple then revealed that they called their baby girl Havana Jones, sharing the sweet reason why they named her after Cuba's capital.Talking to HELLO!, Neil explained: "Cuba is the home of dance and very multicultural, so it was perfect; it sums us up." Chyna and Neil also got engaged at the start of last year and revealed they were expecting their first baby together in April.The professional dancer recently shared that he's excited to finally tie the knot with Chyna, and they're even close to deciding on the date for the big day.

The first of many misdirects of perspective occurs in the opening shot of “In a Violent Nature.” The film opens with off-screen voices in discussion as the camera fixes its glance on what appears like a slipshod frame of a tree branch in the forest. It’s an image that feels haphazardly put together, and combined with the disembodied dialogue, filmmaker Chris Nash primes the audience to perceive the scene as something akin to a DIY YouTube video.

Angelique Jackson Lionel Richie has been very emotional lately, but he wants to reassure everyone that he’s okay. According to Richie, it’s just been a heady experience to look back nearly 40 years and relive all the wondrous and chaotic memories of writing and recording “We Are the World” for the new Netflix documentary “The Greatest Night in Pop.” “Every segment of this journey, I cry,” Richie said at the Variety Studio presented by Audible at Sundance Film Festival, where the film made its world premiere.

Oliver Stone has a lot of opinions about the current film industry and says movies like Barbie are contributing to the “infantilization of Hollywood.”

Guy Lodge Film Critic As teenagers go — and let us allow for some hormonal leeway here — 17-year-old Sam is what most would call a good one: smart, thoughtful, grounded, self-sufficient but not averse to advice, the kind of kid that parents can’t help bragging about, as their friends wish their own nightmare offspring were a little more like her. But such a reputation has its downside, as elders take the teen’s compliance and good humor for granted, and expect undue allowances for their own irresponsibilities.

Love Lies Bleeding is an intense, queer, unconventional love story between two unstable people. Directed and written by English filmmaker Rose Glass, and starring Kristen Stewart, Katy O’Brian, Ed Harris, Dave Franco, Jena Malone, and Anna Baryshinkov, the film explores the destructive nature of relationships marked by strong performances and a visually arresting narrative.

PARK CITY – There are multiple meanings to the title of Jesse Eisenberg’s latest directorial effort, “A Real Pain.” There is the pain that cousins Benji Kaplan (Eisenberg) and David Kaplan (Keiran Culkin) are experiencing over the passing of their beloved grandmother and there is the pain Benji is feeling over a horrifying incident in his cousin’s life. The most pressing example, however, is in David’s soul.

Peter Debruge Chief Film Critic The U.S. government decided to make an example of Reality Winner, giving the former NSA translator a five-year prison sentence. So it’s only fair that director Susanna Fogel should be able to make an example of her, too — only this time, to very different ends.

Owen Gleiberman Chief Film Critic There’s a moment in Titus Kaphar’s “Exhibiting Forgiveness” that speaks volumes about how trauma — racial, historical, personal — can destroy a person, even as the scene barely offers an explicit word about it. Tarrell (André Holland), an artist who paints dreamy neon-rainbow-hued suburban fantasias, has reconnected with La’Ron (John Earl Jelks), the estranged father he hasn’t seen in 15 years. La’Ron, now gray and grizzled and homeless, is a recovering addict who was rarely around and, when he was, treated his son with a ruthless indifference that edged into violence.

Sundance has a long history of screening films that tackle issues of race in the U.S. from every possible angle. Some are angry (Birth of a Nation, 2016), some satirical (Dear White People, 2014), and some quite gonzo (Sorry to Bother You, 2018).

Directed by Steven Soderbergh and penned by David Koepp, the haunting psychological thriller Presence follows a fractured family as a mysterious supernatural force infiltrates their new home that has taken interest in their daughter Chloe. The film is written by David Koepp and stars Lucy Liu, Chris Sullivan, Callina Liang, Eddy Maday, West Mulholland, and Julia Fox.An unsettling presence permeates the home of Chris (Sullivan) and Ruth (Liu)  before they even move in. This supernatural entity is a witness to the family’s most vulnerable moments. It has a particular focus on the couple’s young daughter Chloe (Liang), who is always at odds with her mother and Brother Tyler (Maday). However, the young girl is in mourning because of her two girls, one of them her best friend Nadia, died recently.  

PARK CITY – How do you critique a movie about recovery? It’s not new territory. The storylines are often similar.

PARK CITY – Whatever your thoughts on Sam and Andy Zuchero’s “Love Me” few will dispute that for an independently financed film it’s a unique and creative achievement. At least a third of the movie is CG animation, another third is motion capture animation, and the final portion is live action.

Ethan Shanfeld On Aug. 5, Green Day will play for more than 40,000 people at New York’s Citi Field. But before that, the alt-rock trio treated 1,200 fans in the city to an intimate gig at Irving Plaza, where they previewed songs off their new record, “Saviors,” and celebrated milestone anniversaries of their most famous albums: 2004’s “American Idiot” and 1994’s “Dookie.” The show was part of SiriusXM’s Small Stage Series, which has previously lassoed big acts like Ed Sheeran, John Mayer and Alicia Keys into tight venues.