‘White Noise’ Film Review: Adam Driver Fears Death in Noah Baumbach’s Don DeLillo Adaptation

Foster Driver and Zoë Kent, through their production company Driver+Kent Media, have entered into a first look deal at A+E Studios.Under the pact, which was announced by Tana Jamieson, executive vice president, Creative Affairs at A+E Studios, Driver+Kent Media will develop and produce projects for sale on all global and domestic television platforms and services.Driver+Kent already have “Dead Eleven,” based on the book by Jimmy Juliano, and “Summerset,” created by George Northy, set up at the studio.“Foster and Zoë come to the table with an eye for stories that are relevant, speak to a global audience and showcase the complexities of the world we live in,” Jamieson said in a statement.  “Their eclectic film and television backgrounds combined with their passion for vibrant and inclusive storytelling make them ideal partners for us at A+E Studios. We’re excited to be in business with Driver+Kent Media and look forward to what’s ahead.”“We are thrilled to be deepening our relationship with the amazing team at A+E Studios through our new first look deal,” Driver and Kent said in a joint statement.

Brent Lang Executive Editor It was supposed to be all about the movies. But even here at the Toronto International Film Festival, an ocean away from the United Kingdom, the death of 96-year-old Queen Elizabeth II has loomed large. It has provided an opportunity for festival organizers, filmmakers and talent to reflect on the life and legacy of a monarch whose 70-year reign ranks as the longest in her country’s history. That’s partly due to Canada’s status as a member of the British Commonwealth, but it’s also because the festival is such an international A-list affair, one that attracts movie stars and directors who have often had personal encounters with the queen.

Meghan Markle has cancelled several of her upcoming appearances, following the death of Queen Elizabeth II. The 41 year old, who is currently in London with her husband Prince Harry, was scheduled to appear on The Tonight Show with Jimmy Fallon on 20 September, but she has now cancelled her appearance.

can judge a film by its title. Consider “Dead for a Dollar:” It certainly sounds like a Western, doesn’t it? The “dollar” might call to mind some of the classics of the genre, while the “dead” at least promises a few good shoot-outs, a bit of bloody fun.

If you’re a fan of a particular era of British rock ’n’ roll, this is the right year to be at the Telluride Film Festival. The festival’s opening day brought onetime photographer Anton Corbijn’s “Squaring the Circle,” which looked at the rock design company Hipgnosis through memories from Paul McCartney, Jimmy Page, Roger Waters, Noah Gallagher and many others.

th Century, haunted by unspeakable grief under the recent shadow of the Great Famine. As if to tell a bedtime story, a voiceover softly requests us to consider the complete devotion in which the dwellers of “The Wonder” believe in their own truths.

post-post-MeToo character study that premiered on Thursday at the Venice Film Festival – should be heralded for offering a neat corollary to Chekhov’s Gun, a theatrical theory that states that if you introduce a gun in Act 1, you’d better fire it by Act 3. Call this version Gopnik’s Speech.

Man, the 20th century really thought it was something, didn’t it? Thankfully, in the middle of the 1980s, just when Western (read: American) culture was fully losing the run of itself in a frenzy of gum-snapping consumerism and prescription narcotics, Don DeLillo‘s “White Noise” appeared — you might almost say manifested — as a mischievous, mindbending 326-page reminder to the century that it wasn’t, in fact, all that.

has officially kicked off, with stars including Adam Driver, Tessa Thompson, and even Hillary Clinton turning out for the opening gala. White Noise, starring Adam and Greta Gerwig and directed by Noah Baumbach, opened the annual festival, with celebs showing out in force on the red carpet. Adam suited up in a tuxedo, while co-star Greta stunned in a beautiful black gown.

Venice Film Festival got off to a quieter start on Wednesday night with the premiere of “White Noise.” Noah Baumbach’s Netflix-backed adaptation of the Don DeLillo novel starring Adam Driver and Greta Gerwig was met with a tepid 150-second standing ovation, a short smattering of applause on the Lido.“White Noise,” which is set in the ‘80s, features an array of Easter Eggs for movies of the era from “Back to the Future” to “E.T.” Some of these references might have gone over the head of the Venice crowd. The film, which was met with mixed reviews, is a twisty, talky family drama about the despair of a married couple (played by Adam Driver and Greta Gerwig) facing their own mortality.

Don DeLillo’s post modernist 1985 novel, White Noise has been long desired by filmmakers trying to crack the nut of how to bring the complex dark comedy to the screen. Barry Levinson made an attempt that didn’t come to fruition in 2004. Director Michael Almereyda was announced in 2016, also going nowhere. James L. Brooks’ Gracie Films had it optioned at one point. But it seems entirely appropriate that it should finally land into the hands of Noah Baumbach, a self-professed mega fan of the book he read first in college in the late 80’s  and saw it as a very satiric yet accurate account of the sad state of affairs of the world at that time. However by 2021 when he got around to adapting and directing the first of his own films he didn’t write as an original screenplay, the multiple themes running though the book not only were still relevant, they seem more of this time then the 37 years since the book’s publication.

Adam Driver and Greta Gerwig are stepping out to support their new movie.

Owen Gleiberman Chief Film Critic As a filmmaker, Noah Baumbach has always been a dyed-in-the-wool dramatic realist, talky coastal neurotic division. He hasn’t always been as good at it as he is today; “The Squid and The Whale” (2005), the divorce drama that established his reputation and is held in supremely high regard by many cinephiles, isn’t half the movie that “Marriage Story” is. The latter film was Baumbach’s culminating achievement after 25 years as a writer-director, and it brought his strengths to a new pitch of mastery: his ability to nail the dynamics of troubled relationships in all their frayed layers, his extraordinary skill with actors, and the nimble levity of his dialogue, which emerges from the human comedy as surely it did in the great films of Woody Allen and Paul Mazursky.

Manori Ravindran International Editor “Everything is extra!” blurts out Don Cheadle at the press conference for “White Noise” at the Venice Film Festival. The Noah Baumbach-directed film, an adaptation of the 1985 Don DeLillo novel, opens the Italian festival on Wednesday night, and is nothing if not theatrical, as its cast members explained at length before the screening. “When [Baumbach] started re-reading the book, I did too,” said Greta Gerwig, who is Baumbach’s real-life partner. “[The writing] has this quality that makes you want to say, ‘Listen to this!’ and read sections out loud. There’s a performative quality to it; you want to share with other people. It seemed to be both emotionally and intellectually exciting.”

Noah Baumbach passed through the Lido Wednesday afternoon where he broke down the origins of his Venice Film Festival opener White Noise, starring Adam Driver, Greta Gerwig, and Don Cheadle.

Here in its near entirety are the streaming and some theatrical dates for Netflix’s fall and holiday movie lineup.

Brace yourselves, Noah Baumbach fans: “White Noise” has its world premiere in just five days at the Venice Film Festival. Baumbach’s latest also opens up the New York Film Festival this year, too, before it hits Netflix later this year.

Netflix has shared the first teaser for White Noise, an upcoming black comedy film from writer and director Noah Baumbach.The film is based on Don DeLillo’s 1985 dystopian novel of the same name, and stars Adam Driver as a professor of Hitler studies who, alongside his wife Barbette — played by Greta Gerwig — must save his family from an apocalyptic event threatening his university town. Watch the teaser above.Lifting a quote from the source material, which earned DeLillo the U.S.