Adam Driver, Greta Gerwig & Noah Baumbach Arrive at the 'White Noise' Venice Photo Call

Ana de Armas and Adrien Brody pose with their Blonde co-star Julianne Nicholson and writer and director Andrew Dominik during the film’s Thursday (September 8) photo call at the 2022 Venice Film Festival.

Dead For A Dollar stars Christoph Waltz, Rachel Brosnahan, Willem Dafoe and Benjamin Bratt pose with director Walter Hill at the film’s photo call during the 2022 Venice Film Festival on Tuesday (September 6).

Timothée Chalamet stars in one of this year’s most anticipated films, shows up to the Venice red carpet premiere in style, and drops pearls of wisdom on the role social media. What can’t he do?Thank you, Timothée Chalamet - and to everyone else, on behalf of all men, our sincerest apologies for not being Timothée Chalamet. The 26-year-old Academy Award-nominee is in Italy right now, where the film Bones And All (one of our top picks for this year’s festival) has had its world premiere at the 79th Venice International Film Festival.

Ethan Shanfeld Barack Obama is officially three-fourths of the way to an EGOT, as the former president of the United States nabbed his first Emmy for outstanding narrator. Obama lent his voice to the Netflix docuseries “Our Great National Parks,” narrating its five episodes that span from Patagonia, Chile, to Tsavo, Kenya. Netflix submitted the first episode, “A World of Wonder,” for Emmy consideration. In 2020, both Barack and Michelle Obama took home Oscars for the documentary “American Factory,” which they produced under their banner, Higher Ground. The doc tells the story of what happens when a Chinese company opens an automotive glass plant at a former General Motors location in Ohio, facing intense community skepticism and cultural differences.

Manori Ravindran International Editor High-profile espionage cases in the post-war period often invoke the grisly fate of the Rosenbergs, the first U.S. citizens to be convicted and executed by electric chair for sharing atomic secrets with the Soviet Union in peace time. But in the new documentary “A Compassionate Spy,” filmmaker Steve James tells the incredible story of Manhattan Project scientist Ted Hall, who shared classified nuclear secrets with Russia — and got away with it. The Participant and Kartemquin Films-produced documentary, which has its world premiere in Venice on Sept. 2, is one of a number of films at this year’s festival that tackle the topic of nuclear disaster: Projects from Noah Baumbach’s feature adaptation of Don DeLillo’s “White Noise” through to Oliver Stone’s on-the-nose documentary “Nuclear” all contemplate some aspect of our nuclear past and future.

Dylan Sprouse and his girlfriend Barbara Palvin shared a sweet moment on the 79th Venice International Film Festival red carpet.  The couple walked on the red carpet in Venice, Italy for the premiere of Noah Baumbach's "White Noise," starring Adam Driver, Greta Gerwig, Don Cheadle and Jodie Turner-Smith, and took a moment to share a kiss.  Palvin, who is an ambassador for Armani Beauty wore a black sequence dress with her hair in a bun while her boyfriend wore a classy black tuxedo.  Dylan Sprouse shared a kiss with his girlfriend Barbara Palvin on the red carpet at the Venice Film Festival.  (Stephane Cardinale - Corbis/Corbis via Getty Images) The "Suite Life of Zack and Cody" actor started dating the model in 2018, and they took their relationship to the next level shortly after when they moved in together in 2019.  Dylan Sprouse and Barbara Palvin arrived together at Venice Airport ahead of the festival.

The 49th Telluride Film Festival opens Friday in a much-awaited edition that is set to feature world premieres of Searchlight’s Oscar hopeful Empire of Light from director Sam Mendes, starring Olivia Coleman and Colin Firth; Women Talking from director Sarah Polley, starring Rooney Mara and Frances McDormand in the ensemble; Sebastian Lelio’s The Wonder, starring Florence Pugh; and Sony/Netflix’s sizzling new version of D.H. Lawrence’s Lady Chatterley’s Lover with Emma Corrin and Jack O’Connell; among other films.

Man, the 20th century really thought it was something, didn’t it? Thankfully, in the middle of the 1980s, just when Western (read: American) culture was fully losing the run of itself in a frenzy of gum-snapping consumerism and prescription narcotics, Don DeLillo‘s “White Noise” appeared — you might almost say manifested — as a mischievous, mindbending 326-page reminder to the century that it wasn’t, in fact, all that.

The BFI London Film Festival has unveiled its full list of titles, with the program comprised of 164 features and 23 world premieres across film and TV.

Manori Ravindran International Editor Don DeLillo’s debut novel, “Americana,” is set to be adapted 51 years after it was first published. “White Noise” producer Uri Singer (“Tesla,” “The King of Oil”) has bought the rights to the 1971 novel, continuing his streak of adapting a string of DeLillo works that have been deemed “unadaptable.” “Americana” tells the story of David Bell, an out-of-touch television executive who sets off on a road trip with his female colleague, Sullivan, to make an avant-garde film. The book explores the intricacies of corporate culture and examines how we create realities, whether they are true or not.

Venice Film Festival on Wednesday.  The model, 41, made sure to show off her endless pins in the hot pink number with very daring thigh-high splits and a chiffon cape.  She wowed the crowds as she walked the red carpet at the historic Palazzo del Cinema on the Lungomare Marconi.

has started to look unsustainable, and it was widely reported in June that the days of blank cheques had come to an end. Do the streamer’s offerings at Venice this year represent that era’s last, loopy hurrah? White Noise, which opened the 78th edition of the festival this evening, certainly has a “last days of Rome” feel about it.

Hillary Clinton made a rare red carpet appearance at the 79th annual Venice Film Festival on Wednesday for Noah Baumbach's "White Noise" premiere. The 74-year-old former secretary of state sported a powder blue kaftan with a turquoise collar at the opening ceremony in Italy. Just the day before, her husband, former president Bill Clinton, was spotted enjoying watching tennis matches at the U.S.

Jodie Turner-Smith has a major fashion moment on the red carpet at the premiere of White Noise during the 2022 Venice Film Festival on Wednesday (August 31) in Venice, Italy.

Venice Film Festival got off to a quieter start on Wednesday night with the premiere of “White Noise.” Noah Baumbach’s Netflix-backed adaptation of the Don DeLillo novel starring Adam Driver and Greta Gerwig was met with a tepid 150-second standing ovation, a short smattering of applause on the Lido.“White Noise,” which is set in the ‘80s, features an array of Easter Eggs for movies of the era from “Back to the Future” to “E.T.” Some of these references might have gone over the head of the Venice crowd. The film, which was met with mixed reviews, is a twisty, talky family drama about the despair of a married couple (played by Adam Driver and Greta Gerwig) facing their own mortality.

Venice Film Festival, but Alessandra Ambrosio's appearance in the city was no less welcome on Wednesday afternoon.    The Victoria's Secret model, 41, commanded attention in a bright orange mini dress as she posed for photographs by the famous canals.  The glamorous garment boasted a V-neckline and stylish flared sleeves and showed off the star's model legs.

and knockabout laughs — are the trickiest to make breathe onscreen.But it moves with purpose from the get-go as composer Danny Elfman’s Coplandesque strains herald a new school year coming to life for Jack, a protective husband/father in a bustling family with kind, attentive fitness instructor Babette (a crispy-permed Greta Gerwig) and their hyperaware brood: contrarian know-it-all adolescent Heinrich (Sam Nivola); observant tweener and eating-health monitor Denise (Raffey Cassidy); and littler ones Steffie (May Nivola) and Wilder (Jodie Turner-Smith). At his college, Jack’s popular Hitler Studies class has a rock-worship tinge, and at the orderly supermarket gleaming with candy-colored name brands, shopping is the family’s regenerative power source (while news footage of calamities are their favorite home entertainment). In private, though, Jack and Babette can barely manage their palpable everyday dread — Lol Crawley’s textured suburbia cinematography turning one imaginatively directed bedroom nightmare of Jack’s into something out of an existentialist “Poltergeist.” And Babette’s private popping of a mysterious white pill hasn’t gone unnoticed by Jack or Denise.But when a semi crashes into a train carrying toxic chemicals, creating a black cloud and a mass evacuation to a crowded highway and a cramped scout camp, mortality comes front and center, bonding everyone in fear, conspiracies, and speculation.

Owen Gleiberman Chief Film Critic As a filmmaker, Noah Baumbach has always been a dyed-in-the-wool dramatic realist, talky coastal neurotic division. He hasn’t always been as good at it as he is today; “The Squid and The Whale” (2005), the divorce drama that established his reputation and is held in supremely high regard by many cinephiles, isn’t half the movie that “Marriage Story” is. The latter film was Baumbach’s culminating achievement after 25 years as a writer-director, and it brought his strengths to a new pitch of mastery: his ability to nail the dynamics of troubled relationships in all their frayed layers, his extraordinary skill with actors, and the nimble levity of his dialogue, which emerges from the human comedy as surely it did in the great films of Woody Allen and Paul Mazursky.

Manori Ravindran International Editor “Everything is extra!” blurts out Don Cheadle at the press conference for “White Noise” at the Venice Film Festival. The Noah Baumbach-directed film, an adaptation of the 1985 Don DeLillo novel, opens the Italian festival on Wednesday night, and is nothing if not theatrical, as its cast members explained at length before the screening. “When [Baumbach] started re-reading the book, I did too,” said Greta Gerwig, who is Baumbach’s real-life partner. “[The writing] has this quality that makes you want to say, ‘Listen to this!’ and read sections out loud. There’s a performative quality to it; you want to share with other people. It seemed to be both emotionally and intellectually exciting.”