What to Watch the Week of October 15: The Golden Bachelor Gets Heated, and An Oscar Front-Runner Hits Theaters

Martin Scorsese’s Killers of the Flower Moon, from Apple, Paramount and Imperative Entertainment, has set a milestone, crossing the $100M mark at the global box office through Thursday. As it heads into its third frame, the epic western crime saga is at $102.1M worldwide, including $45.3M domestic and $56.8M from the international box office. 

Killers of the Flower Moon with an intermission are “in violation” and argued that it “is not right”.The three-times Oscar winner is concerned by reports that several cinemas have decided to break up Martin Scorsese’s latest with an intermission, cutting up the film’s three and a half hour-long run time.Killers of the Flower Moon is based on the true story of the murder of more than 60 Native Americans in 1920s Oklahoma and stars Robert De Niro and Leonardo DiCaprio as an uncle and nephew plotting to steal the oil underneath the tribe’s land. Previously, Scorsese has defended the film’s lengthy runtime.Speaking to The Standard, Schoonmaker, who has worked on every Scorsese film since 1980’s Raging Bull, voiced her concern at the news.Schoonmaker said: “I understand that somebody’s running it with an intermission which is not right.

A handful of theaters across the globe have imposed their own intermission on Martin Scorsese’s Killers of the Flower Moon, Deadline has confirmed, leading to intervention on the part of the Apple pic’s theatrical distributor, Paramount.

Killers of the Flower Moon.” But that hasn’t stopped a handful of movie theaters around the world from inserting one themselves, with intervals ranging from between six minutes and 15 minutes. As of Friday morning, two European cinema chains and one independent theater in Amsterdam sold tickets to screenings of “Killers of the Flower Moon” with a built-in break.

SPOILER ALERT! This post contains details about who makes it to hometown dates on ABC‘s The Golden Bachelor.

Rebecca Rubin Film and Media Reporter Without Taylor Swift and Martin Scorsese, the October box office would have been a ghost town long before Halloween hit. It was thanks to two unconventional releases — “Taylor Swift: The Eras Tour” and “Killers of the Flower Moon,” one distributed by an exhibitor and the other backed by a major streaming service — that anyone went to the movies at all. It may get worse before it gets better.

Jazz Tangcay Artisans Editor Costume designer Jacqueline West, a four-time Academy Award nominee, had several directors on her wish list. She had already worked alongside Denis Ville- neuve, Ben Affleck, Terrence Malick and Alejandro González Iñárritu. This year, she finally crossed Martin Scorsese’s name off the list.

Devery Jacobs is sharing her thoughts on Martin Scorsese‘s new movie Killers of the Flower Moon, which recounts the murders of indigenous Osage tribe members in 1920s Oklahoma.

There were two major new entries this weekend at the international box office, one local (Tamil thriller Leo: Bloody Sweet) and one from Hollywood. Starting with the latter, Martin Scorsese’s Killers of the Flower Moon from Apple, Paramount and Imperative Entertainment, had a big opening with $21M in 63 offshore markets and No. 1s in 24 of those, including France, Germany, Australia, Spain, Netherlands and Switzerland. The global bow, factoring in its strong domestic opening, was $44M; great for a period movie with a long running time and at a moment when talent could not promote it due to the actors strike.

Naman Ramachandran Lokesh Kanagaraj‘s Tamil-language “Leo: Bloody Sweet,” starring Vijay, debuted in third position at the global box office over the latest weekend, with $31.2 million planetwide, according to estimates released on Sunday by Comscore. The weekend was won by Martin Scorsese’s “Killers of the Flower Moon,” starring Leonardo DiCaprio, Robert De Niro and Lily Gladstone, with $44 million, followed by “Taylor Swift: The Eras Tour” with $41.5 million. However, in terms of worldwide cumulative among new releases, “Leo” scored $48.5 million (after four days) compared with the $44 million earned by “Killers of the Flower Moon.” An homage to David Cronenberg’s 2005 film “A History of Violence,” “Leo” released on Oct.

Martin Scorsese is widely regarded as one of the greatest filmmakers of the last 50 years.

Zack Sharf Digital News Director Martin Scorsese’s $200 million epic “Killers of the Flower Moon,” based on David Grann’s 2017 non-fiction book, centers on the Reign of Terror, a term the Osage Nation used to define the murders of at least 60 community members in the late 1920s. The film tells this true crime tale through the lens of a marriage between Ernest Burkhart (Leonardo DiCaprio), a World War I veteran who relocates to Oklahoma to work with his rancher uncle, and Mollie Burkhart (Lily Gladstone), a local Osage woman whose family was one of the community’s wealthiest. Robert De Niro stars as Ernest’s uncle, William Hale.

Leonardo DiCaprio‘s “endless” ad-libs in Killers Of The Flower Moon left Martin Scorsese and Robert De Niro “rolling their eyes”, according to the director.Scorsese’s 26th film is based on the true story of the murder of more than 60 Native Americans in 1920s Oklahoma and stars De Niro and DiCaprio as an uncle and nephew plotting to steal the oil underneath the tribe’s land.DiCaprio is renowed for improvising his lines in films, but while filming the period piece, the actor apparently tested the patience of his co-star and director.His improvisations were “endless, endless, endless”, Scorsese told The Telegraph, while “Bob [De Niro] didn’t want to talk.”The 80-year-old director, who has made multiple films with both actors, said: “Every now and then, Bob and I would look at each other and roll our eyes a little bit. And we’d tell [DiCaprio]: ‘You don’t need that dialogue.’”This comes after Scorsese recently revealed that DiCaprio asked for a major overhaul of the film’s script two years into the writing process.While the film ended up being told from the perspective of the Osage tribe, that wasn’t the original plan.

Editor’s note: This interview was originally published on May 16 during the Cannes Film Festival. It is being rerun now to coincide with the film’s domestic release and interviews were carried out prior to the SAG-AFTRA strike.

Martin Scorsese releases epic new film Killers Of The Flower Moon on Apple TV+, and has more projects up his sleeve.The legendary 80-year-old director’s new film stars Leonardo DiCaprio, Lily Gladstone and Robert De Niro, and is based on a series of murders in the Osage tribe in 1920s Oklahoma.Speaking to NME about the film, Scorsese said: “For some reason, the story stuck with me. And I think a lot of it had to do with the nature of the system that was created in Oklahoma at that time.

Martin Scorsese‘s new epic Killers Of The Flower Moon on Apple TV+, Leonardo DiCaprio stars as Ernest Burkhart.DiCaprio is joined by Lily Gladstone and Robert De Niro in the new film, which is based on a series of murders in the Osage tribe in 1920s Oklahoma.In a five-star review of the film, NME wrote: “This is among Scorsese’s most important work. Popular music from the 1920s, Native American songs and Robbie Robertson’s bluesy score help round off this remarkable Western, a film that will linger in the minds of its audience for a long time.”With the new film out now, DiCaprio has multiple new projects to work on next, including more as part of his still-fruitful relationship with Scorsese.After the release of Killers Of The Flower Moon, DiCaprio will reconnect with Scorsese for new movie The Wager.Speaking to The Times, Scorsese confirmed that this will be his next project, and is based on the novel The Wager: A Tale of Shipwreck, Mutiny and Murder by David Grann, the same author who wrote the book that Killers Of The Flower Moon is based on.There is not a great deal of information available about Scorsese’s adaptation of the book, but The Wager concerns the real-life fate of the crew of the HMS Wager, a British navy ship wrecked off the coast of Chile in the mid-1700s.Another team-up between the legendary actor and director pair will come in a Teddy Roosevelt biopic, while other DiCaprio and Scorsese projects in the works include The Devil In The White City.The latter is an adaptation of Erik Larson’s 2003 book which concerns H.

A new trailer for Leonardo DiCaprio‘s highly-anticipated new movie has been released.

Peter Caranicas Deputy Editor EnergaCamerimage, the cinematography-focused film festival set for Torun, Poland, for Nov. 11-18, has announced that high-profile award contenders “Killers of the Flower Moon,” “Black Lies” and “All of Us Strangers” will be featured in its main competition. “Killers of the Flower Moon,” the latest pic from director Martin Scorsese, takes audiences on a journey through 1920s Oklahoma to tell a heartbreaking tale of love, greed and betrayal.

Martin Scorsese was two years into writing the script for Killers Of The Flower Moon when Leonardo DiCaprio requested an overhaul, the filmmaker has revealed.Speaking to The Irish Times, Scorsese revealed that he had been working on the upcoming true crime film’s script for two years when Leonardo DiCaprio read it and asked for it to be reworked.Killers Of The Flower Moon is based on a series of murders in the Osage tribe in 1920s Oklahoma and stars Leonardo DiCaprio, Robert De Niro, Jesse Plemons, Lily Gladstone and Brendan Fraser.While the film is now being told from the perspective of the Osage tribe, that wasn’t always the case. According to Scorsese, the film’s original script was told “from the point of view of the bureau agents coming in to investigate”, which prompted DiCaprio’s issue with the script.Scorsese explained: “Leo came to me and asked, ‘Where is the heart of this story?’ I had had meetings and dinners with the Osage, and I thought, Well, there’s the story.

Zack Sharf Digital News Director Martin Scorsese and Leonardo DiCaprio have been quite open in interviews when discussing the massive “Killers of the Flower Moon” script overhaul that took place during the film’s development. In a new interview with The Irish Times, the director revealed that he and co-writer Eric Roth had been working on the “Flower Moon” script for two whole years when DiCaprio took issue with the approach.