‘Killers of the Flower Moon’ Intermission Violations: Apple, Paramount Crack Down on Handful of Theaters Breaking Agreement

Leonardo DiCaprio shows his support at the Robbie Robertson: A Celebration of His Life And Music event held at The Village Studios on Wednesday (November 15) in Los Angeles.

With the SAG strike behind us, the all-important film festivals that occur right in the heart of awards season are starting to take shape. A key stop is always the Palm Springs International Film Festival gala, which has just announced its first award, the Vanguard, which goes to a film’s director as well as its ensemble cast. It is probably no surprise that Apple Original Films and Paramount’s epic western drama, Killers of the Flower Moon.

Caroline Brew editor The Palm Springs International Film Awards announced that “Killers of the Flower Moon” will receive the Vanguard Award, which honors a film’s cast and director for their collective work on an exceptional film project. Martin Scorsese, Leonardo DiCaprio and Lily Gladstone will be presented with the award at the gala ceremony, which takes place Jan.

Killers of the Flower Moon star Lily Gladstone is encouraging Indigenous viewers to watch the Martin Scorsese film “when and only if you feel ready.”

Deadline’s Sound & Screen, our awards-season composer showcase of original music for some of this year’s most acclaimed films, gets underway tonight at UCLA’s Royce Hall, with a 60-piece orchestra tuning up to make it all sing.

Brendan Fraser‘s first role since winning Best Actor at the 2023 Academy Awards has been met with mixed reviews. Director Martin Scorsese doesn’t see eye-to-eye with his critics, though.

Ellise Shafer SPOILER ALERT: This story contains spoilers for “Priscilla,” in theaters now. As the opening sequence of Sofia Coppola‘s biographical drama “Priscilla” unfolds, viewers meet a 14-year-old Priscilla Beaulieu (Cailee Spaeny) in 1959 West Germany to the tune of the Ramones’ 1980 hit “Baby, I Love You.” This time-bending choice may seem unexpected, but to those familiar with the work of Coppola — who famously soundtracked her 2006 historical film “Marie Antoinette” with the Strokes, Aphex Twin and the Cure — it won’t come as a surprise. After all, though the song is a subversion, it’s a cover of the Ronettes’ 1964 classic and carries much of the musical stylings of the period, courtesy of Phil Spector, who produced both versions.

Martin Scorsese’s Killers of the Flower Moon, from Apple, Paramount and Imperative Entertainment, has set a milestone, crossing the $100M mark at the global box office through Thursday. As it heads into its third frame, the epic western crime saga is at $102.1M worldwide, including $45.3M domestic and $56.8M from the international box office. 

Owen Gleiberman Chief Film Critic A movie’s central character needn’t be someone we admire, but he should probably be someone we’re drawn to, someone we vibe with in sympathetic fascination, who we feel we know and understand even as he crosses over to the dark side. Few movies have lived out that dynamic more cathartically than the underworld dramas of Martin Scorsese.

Some movie theaters are implementing intermissions during screenings of Martin Scorsese‘s Killers of the Flower Moon, prompting Apple and Paramount to intervene.

A handful of theaters across the globe have imposed their own intermission on Martin Scorsese’s Killers of the Flower Moon, Deadline has confirmed, leading to intervention on the part of the Apple pic’s theatrical distributor, Paramount.

Leonardo DiCaprio has some very memorable scenes in his new movie with co-star Robert De Niro.

Jazz Tangcay Artisans Editor Costume designer Jacqueline West, a four-time Academy Award nominee, had several directors on her wish list. She had already worked alongside Denis Ville- neuve, Ben Affleck, Terrence Malick and Alejandro González Iñárritu. This year, she finally crossed Martin Scorsese’s name off the list.

Devery Jacobs is sharing her thoughts on Martin Scorsese‘s new movie Killers of the Flower Moon, which recounts the murders of indigenous Osage tribe members in 1920s Oklahoma.

There were two major new entries this weekend at the international box office, one local (Tamil thriller Leo: Bloody Sweet) and one from Hollywood. Starting with the latter, Martin Scorsese’s Killers of the Flower Moon from Apple, Paramount and Imperative Entertainment, had a big opening with $21M in 63 offshore markets and No. 1s in 24 of those, including France, Germany, Australia, Spain, Netherlands and Switzerland. The global bow, factoring in its strong domestic opening, was $44M; great for a period movie with a long running time and at a moment when talent could not promote it due to the actors strike.

Naman Ramachandran Lokesh Kanagaraj‘s Tamil-language “Leo: Bloody Sweet,” starring Vijay, debuted in third position at the global box office over the latest weekend, with $31.2 million planetwide, according to estimates released on Sunday by Comscore. The weekend was won by Martin Scorsese’s “Killers of the Flower Moon,” starring Leonardo DiCaprio, Robert De Niro and Lily Gladstone, with $44 million, followed by “Taylor Swift: The Eras Tour” with $41.5 million. However, in terms of worldwide cumulative among new releases, “Leo” scored $48.5 million (after four days) compared with the $44 million earned by “Killers of the Flower Moon.” An homage to David Cronenberg’s 2005 film “A History of Violence,” “Leo” released on Oct.

Rebecca Rubin Film and Media Reporter Taylor Swift’s movie is presiding over Martin Scorsese’s in North American theaters, but the “Mean Streets” director has outstripped the “Mean” singer at the international box office. Scorsese’s “Killers of the Flower Moon,” a crime epic starring Leonardo DiCaprio and Robert De Niro, has generated $21 million from 63 overseas markets. In terms of weekend ticket sales, it’s pacing ahead of Swift’s “The Eras Tour,” which added $10.5 million in its second weekend of release.

Killers of the Flower Moon,” by David Grann, which details how the Osage fell victim to a string of murders.One was killed with poisoned whiskey (there may have been more), others got shot and Bill and Rita Smith, a white man married to an Osage woman had their home blown up. The pure greed of it all was made evident when William King Hale (often referred to, simply, as King), a wealthy rancher who held considerable sway over Native Americans and whites alike, took out a $25,000 life insurance policy on an Osage man named Henry Roan. A doctor who examined Roan for the policy asked Hale if he planned on killing Roan.

Jazz Tangcay Artisans Editor SPOILER ALERT: This article has minor spoilers for “Killers of the Flower Moon,” now playing in theaters. There is a scene near the beginning of Martin Scorsese’s “Killers of the Flower Moon” that shows crude oil spurting out from the ground — “black gold.” It’s a joyful moment for the Osage tribes. “Scorsese kept talking about oil gushing up in the air,” cinematographer Rodrigo Prieto tells Variety. “When you find oil, it bubbles under the surface, but he wanted to do something surreal and joyful, which contrasts with what that black gold brought them.” So, the shot required an oil pump as well as a derrick oil rig.

Chris Willman Senior Music Writer and Chief Music Critic When I spoke with Robbie Robertson over the phone in the last week of July, it was at what everyone might have expected would be the beginning of a great victory lap for the musician. His work with the Band in the late ‘60s through mid-‘70s had been properly commemorated, through a memoir and documentary that covered those crucial years. But the film work that had consumed so much of his attention in the decades since, almost all of it as a close collaborator with, and close friend, to Martin Scorsese? There hadn’t really been a proper nexus point to fully celebrate and explore that.