“The day of using Gunsmoke and Bonanza portraying us is over. We have a voice, and we use it,” said Julia O’Keefe, the Osage Nation costume consultant for Apple Original Films‘ Killers of the Flower Moon.
03.11.2023 - 16:51 / deadline.com
Martin Scorsese’s Killers of the Flower Moon, from Apple, Paramount and Imperative Entertainment, has set a milestone, crossing the $100M mark at the global box office through Thursday. As it heads into its third frame, the epic western crime saga is at $102.1M worldwide, including $45.3M domestic and $56.8M from the international box office.
The Leonardo DiCaprio/Robert De Niro/Lily Gladstone-starrer originally premiered at the Cannes Film Festival and began worldwide theatrical rollout in late October. It came out of the gate with strong starts overseas, especially for a period movie with a long running time and at a moment when talent could not promote it due to the actors strike.
Play has been robust since. Last weekend’s sophomore frame saw a 36% drop in holdovers internationally.
Through Thursday, the top overseas markets are the UK ($8M), France ($7M), Germany ($4.5M), Italy ($4.1M/handled by Leone), Spain ($3.5M), Australia ($3M), Netherlands ($1.8M), Mexico ($1.8M), Brazil ($1.5M) and the UAE ($900K).
There is still space in the marketplace with no major tentpoles until Disney/Marvel’s The Marvels starts rollout on November 8. Meanwhile, a streaming date for Killers of the Flower Moon on Apple has not yet been set. And awards buzz could affect that shift.
Based on a true story, and told through the improbable romance of Ernest Burkhart (DiCaprio) and Mollie Kyle (Gladstone), Killers of the Flower Moon tracks the suspicious murders of members of the Osage Nation, who became some of the richest people in the world overnight after oil was discovered underneath their land.
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“The day of using Gunsmoke and Bonanza portraying us is over. We have a voice, and we use it,” said Julia O’Keefe, the Osage Nation costume consultant for Apple Original Films‘ Killers of the Flower Moon.
Killers of the Flower Moon,” an exhibit featuring artifacts from the Apple Original film and celebrating the artisans who contributed to its making, is open to the public this weekend from Nov. 17-19, and will reopen following the Thanksgiving holiday. Among the many notable items from the film on display at Apple’s Los Angeles headquarters in Culver City are the wedding outfits worn by Leonardo DiCaprio and Lily Gladstone; an immersive Osage roundhouse; collections of handmade Pendleton blankets; Stetson hats; a 1928 Chevy Coupe; and select props from the Billiard parlor set.
Leonardo DiCaprio’s salary from Killers Of The Flower Moon has reportedly been revealed.According to Puck News, the actor took home $40million (£32.5m) for his performance in the lead role as Ernest Burkheart. For context, the film’s total production budget is estimated to be around $200million (£162.9m).It’s unclear if DiCaprio will receive bonuses based on the film’s box office performance or residuals when Killers Of The Flower Moon is released on Apple TV+.
Rebecca Rubin Film and Media Reporter “Killers of the Flower Moon,” Apple’s first major theatrical release, has generated $120 million globally after three weekends of release. Is that a good result for a movie backed by a streaming service? A terrible outcome for a glowingly received, $200 million crime epic directed by Martin Scorsese and starring Leonardo DiCaprio and Robert De Niro? Or somewhere in between? Everyone who follows the movie business has a different take, so parsing these ticket sales could take longer than the film’s daunting three-hour-and-26-minute run time.
Naman Ramachandran Universal’s “Trolls Band Together” has reclaimed the top spot at the U.K. and Ireland box office from stablemate “Five Nights At Freddy’s.” In its third weekend, “Trolls Band Together” collected £1.8 million ($2.2 million) for a total of £12.7 million ($15.7 million). In the process it won back the pole position it had ceded to Universal’s “Five Nights At Freddy’s,” which in its second weekend took in £1.2 million in second place for a total of £8.7 million.
Brendan Fraser‘s first role since winning Best Actor at the 2023 Academy Awards has been met with mixed reviews. Director Martin Scorsese doesn’t see eye-to-eye with his critics, though.
Ellise Shafer SPOILER ALERT: This story contains spoilers for “Priscilla,” in theaters now. As the opening sequence of Sofia Coppola‘s biographical drama “Priscilla” unfolds, viewers meet a 14-year-old Priscilla Beaulieu (Cailee Spaeny) in 1959 West Germany to the tune of the Ramones’ 1980 hit “Baby, I Love You.” This time-bending choice may seem unexpected, but to those familiar with the work of Coppola — who famously soundtracked her 2006 historical film “Marie Antoinette” with the Strokes, Aphex Twin and the Cure — it won’t come as a surprise. After all, though the song is a subversion, it’s a cover of the Ronettes’ 1964 classic and carries much of the musical stylings of the period, courtesy of Phil Spector, who produced both versions.
Anna Marie de la Fuente Mexico’s official entry to the Best International Feature Oscar race, Lila Aviles’ “Totem,” and Tatiana Huezo’s documentary “The Echo” (“El Eco”) snagged three prizes a piece at the Morelia International Film Festival (FICM), which wrapped Sunday, Oct. 29. The awards doled out Saturday capped a busy 21st edition that saw a constellation of luminaries in town, including Jodie Foster, Jessica Chastain, Peter Saarsgard, Viggo Mortensen, Danny Huston, James Ivory, Irène Jacob and producing partners Frank Marshall and Kathleen Kennedy.
Owen Gleiberman Chief Film Critic A movie’s central character needn’t be someone we admire, but he should probably be someone we’re drawn to, someone we vibe with in sympathetic fascination, who we feel we know and understand even as he crosses over to the dark side. Few movies have lived out that dynamic more cathartically than the underworld dramas of Martin Scorsese.
Some movie theaters are implementing intermissions during screenings of Martin Scorsese‘s Killers of the Flower Moon, prompting Apple and Paramount to intervene.
A handful of theaters across the globe have imposed their own intermission on Martin Scorsese’s Killers of the Flower Moon, Deadline has confirmed, leading to intervention on the part of the Apple pic’s theatrical distributor, Paramount.
Killers of the Flower Moon.” But that hasn’t stopped a handful of movie theaters around the world from inserting one themselves, with intervals ranging from between six minutes and 15 minutes. As of Friday morning, two European cinema chains and one independent theater in Amsterdam sold tickets to screenings of “Killers of the Flower Moon” with a built-in break.
Leonardo DiCaprio has some very memorable scenes in his new movie with co-star Robert De Niro.
Jazz Tangcay Artisans Editor Costume designer Jacqueline West, a four-time Academy Award nominee, had several directors on her wish list. She had already worked alongside Denis Ville- neuve, Ben Affleck, Terrence Malick and Alejandro González Iñárritu. This year, she finally crossed Martin Scorsese’s name off the list.
Devery Jacobs is sharing her thoughts on Martin Scorsese‘s new movie Killers of the Flower Moon, which recounts the murders of indigenous Osage tribe members in 1920s Oklahoma.
There were two major new entries this weekend at the international box office, one local (Tamil thriller Leo: Bloody Sweet) and one from Hollywood. Starting with the latter, Martin Scorsese’s Killers of the Flower Moon from Apple, Paramount and Imperative Entertainment, had a big opening with $21M in 63 offshore markets and No. 1s in 24 of those, including France, Germany, Australia, Spain, Netherlands and Switzerland. The global bow, factoring in its strong domestic opening, was $44M; great for a period movie with a long running time and at a moment when talent could not promote it due to the actors strike.
Naman Ramachandran Lokesh Kanagaraj‘s Tamil-language “Leo: Bloody Sweet,” starring Vijay, debuted in third position at the global box office over the latest weekend, with $31.2 million planetwide, according to estimates released on Sunday by Comscore. The weekend was won by Martin Scorsese’s “Killers of the Flower Moon,” starring Leonardo DiCaprio, Robert De Niro and Lily Gladstone, with $44 million, followed by “Taylor Swift: The Eras Tour” with $41.5 million. However, in terms of worldwide cumulative among new releases, “Leo” scored $48.5 million (after four days) compared with the $44 million earned by “Killers of the Flower Moon.” An homage to David Cronenberg’s 2005 film “A History of Violence,” “Leo” released on Oct.
Rebecca Rubin Film and Media Reporter Taylor Swift’s movie is presiding over Martin Scorsese’s in North American theaters, but the “Mean Streets” director has outstripped the “Mean” singer at the international box office. Scorsese’s “Killers of the Flower Moon,” a crime epic starring Leonardo DiCaprio and Robert De Niro, has generated $21 million from 63 overseas markets. In terms of weekend ticket sales, it’s pacing ahead of Swift’s “The Eras Tour,” which added $10.5 million in its second weekend of release.
Killers of the Flower Moon,” by David Grann, which details how the Osage fell victim to a string of murders.One was killed with poisoned whiskey (there may have been more), others got shot and Bill and Rita Smith, a white man married to an Osage woman had their home blown up. The pure greed of it all was made evident when William King Hale (often referred to, simply, as King), a wealthy rancher who held considerable sway over Native Americans and whites alike, took out a $25,000 life insurance policy on an Osage man named Henry Roan. A doctor who examined Roan for the policy asked Hale if he planned on killing Roan.
Jazz Tangcay Artisans Editor SPOILER ALERT: This article has minor spoilers for “Killers of the Flower Moon,” now playing in theaters. There is a scene near the beginning of Martin Scorsese’s “Killers of the Flower Moon” that shows crude oil spurting out from the ground — “black gold.” It’s a joyful moment for the Osage tribes. “Scorsese kept talking about oil gushing up in the air,” cinematographer Rodrigo Prieto tells Variety. “When you find oil, it bubbles under the surface, but he wanted to do something surreal and joyful, which contrasts with what that black gold brought them.” So, the shot required an oil pump as well as a derrick oil rig.