Deadline’s Sound & Screen, our awards-season composer showcase of original music for some of this year’s most acclaimed films, gets underway tonight at UCLA’s Royce Hall, with a 60-piece orchestra tuning up to make it all sing.
23.10.2023 - 11:27 / deadline.com
There were two major new entries this weekend at the international box office, one local (Tamil thriller Leo: Bloody Sweet) and one from Hollywood. Starting with the latter, Martin Scorsese’s Killers of the Flower Moon from Apple, Paramount and Imperative Entertainment, had a big opening with $21M in 63 offshore markets and No. 1s in 24 of those, including France, Germany, Australia, Spain, Netherlands and Switzerland. The global bow, factoring in its strong domestic opening, was $44M; great for a period movie with a long running time and at a moment when talent could not promote it due to the actors strike.
The international launch, excluding previews and on a like-for-like basis, is on par with Ford V Ferrari, 7% ahead of The Imitation Game, 14% above Captain Phillips and 25% over House of Gucci. Positive word of mouth has it positioned for a strong run.
The top opening markets were the UK with $3M at 701 cinemas, the widest release for a Scorsese film. France grossed $2.6M across 528 locations, Germany did $1.6M at 420, Australia brought in $1.4M from 314 and Spain was good for $1.3M at 371.
In IMAX, the take was $5.1M global including $1.75M overseas with many markets performing well above their typical percentage of national totals.
Meanwhile, Thalapathy Vijay-starrer Leo: Bloody Sweet kicked off with an estimated $43.9M overseas, per comScore for its full opening frame (though our sources have it lower at $39.5M), which, either way, would be above Flower Moon. The global estimate is $48.5M, also per comScore. Again, our sources see it down from that, at $44M global which would be on par with Flower Moon (as we often remind, numbers out of India are extremely difficult to track). The story of a mild-mannered
Deadline’s Sound & Screen, our awards-season composer showcase of original music for some of this year’s most acclaimed films, gets underway tonight at UCLA’s Royce Hall, with a 60-piece orchestra tuning up to make it all sing.
Naman Ramachandran Universal’s “Trolls Band Together” has reclaimed the top spot at the U.K. and Ireland box office from stablemate “Five Nights At Freddy’s.” In its third weekend, “Trolls Band Together” collected £1.8 million ($2.2 million) for a total of £12.7 million ($15.7 million). In the process it won back the pole position it had ceded to Universal’s “Five Nights At Freddy’s,” which in its second weekend took in £1.2 million in second place for a total of £8.7 million.
Ellise Shafer SPOILER ALERT: This story contains spoilers for “Priscilla,” in theaters now. As the opening sequence of Sofia Coppola‘s biographical drama “Priscilla” unfolds, viewers meet a 14-year-old Priscilla Beaulieu (Cailee Spaeny) in 1959 West Germany to the tune of the Ramones’ 1980 hit “Baby, I Love You.” This time-bending choice may seem unexpected, but to those familiar with the work of Coppola — who famously soundtracked her 2006 historical film “Marie Antoinette” with the Strokes, Aphex Twin and the Cure — it won’t come as a surprise. After all, though the song is a subversion, it’s a cover of the Ronettes’ 1964 classic and carries much of the musical stylings of the period, courtesy of Phil Spector, who produced both versions.
Martin Scorsese’s Killers of the Flower Moon, from Apple, Paramount and Imperative Entertainment, has set a milestone, crossing the $100M mark at the global box office through Thursday. As it heads into its third frame, the epic western crime saga is at $102.1M worldwide, including $45.3M domestic and $56.8M from the international box office.
Some movie theaters are implementing intermissions during screenings of Martin Scorsese‘s Killers of the Flower Moon, prompting Apple and Paramount to intervene.
A handful of theaters across the globe have imposed their own intermission on Martin Scorsese’s Killers of the Flower Moon, Deadline has confirmed, leading to intervention on the part of the Apple pic’s theatrical distributor, Paramount.
Killers of the Flower Moon.” But that hasn’t stopped a handful of movie theaters around the world from inserting one themselves, with intervals ranging from between six minutes and 15 minutes. As of Friday morning, two European cinema chains and one independent theater in Amsterdam sold tickets to screenings of “Killers of the Flower Moon” with a built-in break.
Leonardo DiCaprio has some very memorable scenes in his new movie with co-star Robert De Niro.
Jazz Tangcay Artisans Editor Costume designer Jacqueline West, a four-time Academy Award nominee, had several directors on her wish list. She had already worked alongside Denis Ville- neuve, Ben Affleck, Terrence Malick and Alejandro González Iñárritu. This year, she finally crossed Martin Scorsese’s name off the list.
Devery Jacobs is sharing her thoughts on Martin Scorsese‘s new movie Killers of the Flower Moon, which recounts the murders of indigenous Osage tribe members in 1920s Oklahoma.
Naman Ramachandran Lokesh Kanagaraj‘s Tamil-language “Leo: Bloody Sweet,” starring Vijay, debuted in third position at the global box office over the latest weekend, with $31.2 million planetwide, according to estimates released on Sunday by Comscore. The weekend was won by Martin Scorsese’s “Killers of the Flower Moon,” starring Leonardo DiCaprio, Robert De Niro and Lily Gladstone, with $44 million, followed by “Taylor Swift: The Eras Tour” with $41.5 million. However, in terms of worldwide cumulative among new releases, “Leo” scored $48.5 million (after four days) compared with the $44 million earned by “Killers of the Flower Moon.” An homage to David Cronenberg’s 2005 film “A History of Violence,” “Leo” released on Oct.
Rebecca Rubin Film and Media Reporter Taylor Swift’s movie is presiding over Martin Scorsese’s in North American theaters, but the “Mean Streets” director has outstripped the “Mean” singer at the international box office. Scorsese’s “Killers of the Flower Moon,” a crime epic starring Leonardo DiCaprio and Robert De Niro, has generated $21 million from 63 overseas markets. In terms of weekend ticket sales, it’s pacing ahead of Swift’s “The Eras Tour,” which added $10.5 million in its second weekend of release.
Killers of the Flower Moon,” by David Grann, which details how the Osage fell victim to a string of murders.One was killed with poisoned whiskey (there may have been more), others got shot and Bill and Rita Smith, a white man married to an Osage woman had their home blown up. The pure greed of it all was made evident when William King Hale (often referred to, simply, as King), a wealthy rancher who held considerable sway over Native Americans and whites alike, took out a $25,000 life insurance policy on an Osage man named Henry Roan. A doctor who examined Roan for the policy asked Hale if he planned on killing Roan.
Jazz Tangcay Artisans Editor SPOILER ALERT: This article has minor spoilers for “Killers of the Flower Moon,” now playing in theaters. There is a scene near the beginning of Martin Scorsese’s “Killers of the Flower Moon” that shows crude oil spurting out from the ground — “black gold.” It’s a joyful moment for the Osage tribes. “Scorsese kept talking about oil gushing up in the air,” cinematographer Rodrigo Prieto tells Variety. “When you find oil, it bubbles under the surface, but he wanted to do something surreal and joyful, which contrasts with what that black gold brought them.” So, the shot required an oil pump as well as a derrick oil rig.
Chris Willman Senior Music Writer and Chief Music Critic When I spoke with Robbie Robertson over the phone in the last week of July, it was at what everyone might have expected would be the beginning of a great victory lap for the musician. His work with the Band in the late ‘60s through mid-‘70s had been properly commemorated, through a memoir and documentary that covered those crucial years. But the film work that had consumed so much of his attention in the decades since, almost all of it as a close collaborator with, and close friend, to Martin Scorsese? There hadn’t really been a proper nexus point to fully celebrate and explore that.
Killers of the Flower Moon” earned $9.4 million from 3,628 theaters on its opening day, a figure that includes $2.6 million in Thursday previews. The epic-length historical drama is now projecting a finish of $23.5 million over the three-day opening frame, tracking behind the second weekend of Swift’s “Eras Tour” concert film.
Zack Sharf Digital News Director Martin Scorsese’s $200 million epic “Killers of the Flower Moon,” based on David Grann’s 2017 non-fiction book, centers on the Reign of Terror, a term the Osage Nation used to define the murders of at least 60 community members in the late 1920s. The film tells this true crime tale through the lens of a marriage between Ernest Burkhart (Leonardo DiCaprio), a World War I veteran who relocates to Oklahoma to work with his rancher uncle, and Mollie Burkhart (Lily Gladstone), a local Osage woman whose family was one of the community’s wealthiest. Robert De Niro stars as Ernest’s uncle, William Hale.
Jordan Moreau This weekend at the box office is a showdown of two pop culture titans: Martin Scorsese and Taylor Swift. The “Mean Streets” director and “Mean” singer each have a movie facing off this weekend, “Killers of the Flower Moon” and “Taylor Swift: The Eras Tour.” Scorsese’s latest movie has so far made $2.6 million in Thursday previews at the box office. “Eras Tour” made $5.9 million on Thursday, Oct.
Editor’s note: This interview was originally published on May 16 during the Cannes Film Festival. It is being rerun now to coincide with the film’s domestic release and interviews were carried out prior to the SAG-AFTRA strike.
Martin Scorsese‘s new epic film Killers of the Flower Moon is now out in theaters and it’s bound to be a big hit during awards season.