Weekend Box Office Takes Short Winter’s Nap, But ‘Spidey’ Still Chasing ‘Avatar’

third-highest grossing film in American box office history, passing the $760.5 million run of James Cameron’s “Avatar.” Though the two films came out 12 years apart and under dramatically different circumstances for movie theaters, both were able to take advantage of a lack of competition and overwhelmingly strong word-of-mouth to bring moviegoers back again and again for repeat viewings. While “Avatar” started with a modest opening and then continued to reign as No.

Sony will release it’s first movie of 2022, and second Tom Holland title after Spider-Man: No Way Home over the 4-day Presidents Day weekend, Uncharted, in what is expected to be a $70M+ haul worldwide.

Two months after its release, the latest Spider-Man movie is still making history.

Though the two films came out 12 years apart and under dramatically different circumstances for movie theaters, both were able to take advantage of a lack of competition and overwhelmingly strong word-of-mouth to bring moviegoers back again and again for repeat viewings. While “Avatar” started with a modest opening and then continued to reign as No.

Universal’s Jennifer Lopez-Owen Wilson romantic comedy Marry Me led the Valentine’s Day Monday box office with $3M, raising its four-day total to $10.99M.

Rebecca Rubin Film and Media Reporter“Spider-Man: No Way Home” has officially unseated director James Cameron’s 2009 science-fiction epic “Avatar” to become the third-highest grossing domestic release in history.After weeks of speculation over whether or not Peter Parker had the legs to bump the people of Pandora from bronze, “Spider-Man: No Way Home” collected the remaining $1 million on Monday to push “Avatar” — and its mighty $760.5 million at the North American box office — to fourth place in the record books.Sony’s latest Spidey adventure, a culmination to Tom Holland’s web-slinging trilogy, has grossed a stunning $760.9 million at the domestic box office since launching exclusively in theaters in December. Those ticket sales are three times as much as the next highest-grossing movie of the pandemic era, which is Disney and Marvel’s “Shang-Chi and the Legend of the Ten Rings” with $224 million.

According to early industry estimates this morning, Sony’s Spider-Man: No Way Home has beat the $760.5M take of James Cameron’s 2009 sci-fi spectacle Avatar to become the third highest grossing movie at the domestic box office with an estimated running total of $760.9M. This feat comes after a solid $1.6M Valentine’s Day haul for the Jon Watts-directed, Tom Holland-Zendaya-Benedict Cumberbatch starring movie at 3,300 theaters. Sony has yet to make the record official this morning.

The Kenneth Branagh adaptation of Agatha Christie’s Poirot murder mystery is a follow-up to “Murder on the Orient Express,” which was released by 20th Century Fox prior to the Disney acquisition in November 2018 and opened to $28.6 million largely off of turnout from moviegoers over the age of 50. Such turnout was not expected for “Nile” given the pandemic.Reception for “Death on the Nile” has been mildly positive with a 65% score on Rotten Tomatoes and a B from audiences on CinemaScore, the latter of which was the same grade given to “Orient Express.” “Nile” is one of the last pre-acquisition projects from Fox to be released by Disney, with “The Bob’s Burgers Movie” coming out on Memorial Day weekend.

Euro Box Office Stats For 2021

Patrick Frater Asia Bureau ChiefAfter a flurry that lasted only for the duration of the recent Lunar New Year holidays, theatrical box office in South Korea slumped again over the latest weekend. Nationwide, Korean cinemas earned just $3.22 million between Friday and Sunday. That was the lowest scoring weekend so far in 2022 and followed a disappointing holiday period.The Lunar New Year holidays – if measured from the previous Saturday until Wednesday (Jan 29- Feb.

Refresh for latest…: While Spider-Man: No Way Home continued to lead the international box office for studio films this weekend, weaving its way to a worldwide cume of $1.77B through Sunday, the biggest overseas action was out of (and limited to) China.

Neon’s racked up a few bests this weekend with a cume of $135,042 at four NY/LA theaters for a popping per screen average of $33,768.

The return of the irreverent MTV stunt series has opened well below the $50 million start earned by “Jackass 3D” in 2010, though that was to be expected given the ongoing impact of the pandemic on most box office receipts. As with pretty much every film that has found box office success this past year despite the adversity, “Jackass Forever” has relied on turnout from younger male audiences with theaters in Los Angeles accounting for 27 of the top 40 highest grossing locations. “Jackass Forever” also has something that its predecessors did not: strong word of mouth.

Not even a global pandemic or a 12-year hiatus could stop the Jackass guys at the box office. “Jackass Forever,” the fourth movie in the anarchic series earned $23.5 million in ticket sales in its first weekend in theaters, according to studio estimates Sunday.It not only exceeded expectations but also easily bested its other main competitors, the big budget sci-fi spectacle “Moonfall” and “Spider-Man: No Way Home,” which has 6 of its 8 weeks in theaters at No. 1.“ Jackass Forever ” brings back Johnny Knoxville, Steve-O, Chris Pontius and Wee Man for another round of pranks, stunts and injuries and has become the best-reviewed in the series.

Jackass is still a hit!

according to the IMDB’s Box Office Mojo database.Science-fiction flick “Moonfall” took second with $3.4 million. Both films opened Friday.“Spider-Man: No Way Home” grossed $2.1 million on Friday night, or $741.4 million through that date.

A $20 million launch would be the lowest for the “Jackass” series even before inflation, as the first film back in 2002 opened to $22.7 million. But “Jackass Forever” is still set to easily turn a profit given its $10 million production budget.

Brent Lang Executive Editor of Film and MediaWith much of the country bracing for or digging out from a nasty winter storm, two new releases are hoping to provide so much sizzle that moviegoers will brave the ice and snow to hit up their local multiplexes.In one corner: Lionsgate’s “Moonfall,” a disaster epic from Roland Emmerich, one of the most successful purveyors of cinematic destruction. In the other: Paramount’s “Jackass Forever,” the latest entry in the long-running series in which Johnny Knoxville, Steve-O and Wee Man risk life, limb and nether regions in the service of comedy. “Jackass Forever” scored a stronger Thursday previews showing, netting $1.7 million.

Rebecca Rubin Film and Media ReporterWill this be the weekend that “Spider-Man: No Way Home” is dethroned at the box office once and for all?Paramount’s go-for-broke action comedy “Jackass Forever” and director Roland Emmerich’s disaster epic “Moonfall” certainly hope that’s the case. After an excruciatingly slow January at the movies, one that let “Spider-Man” tower over the competition for weeks, the two nationwide releases will try their hand at getting audiences to multiplexes.“Jackass Forever,” the fourth installment in the ongoing saga of projectiles to the groin, appears to have the best shot at taking down “Spider-Man: No Way Home,” which has spent six of the last seven weeks at No. 1.

After two weekends without any major studio wide releases amid fears of Omicron, Paramount and Lionsgate will try to lure moviegoers back with respectively Jackass Forever and AGC Studio’s Moonfall.