'Jackass Forever' Launches to No. 1 at the Box Office

Cinemark came back to life in the fourth quarter, surging past Wall Street estimates to post its first quarterly profit since before the coronavirus pandemic.

“Uncharted” is already exceeding industry expectations.

With that result, this $120 million blockbuster adaptation of the Playstation video game series has passed $100 million in global theatrical grosses having added an estimated $55.4 million internationally this weekend to bring its global total to $139 million through Monday. While critics dismissed the film with a 40% Rotten Tomatoes score, a largely young and male audience has embraced it with an 89% audience score and a B+ on Rotten Tomatoes.

Jackass Forever.The actor and stunt performer told NME in an exclusive interview of his plans to step behind the camera for future films – a decision influenced by medical advice from his doctor. Knoxville is known for sustaining a considerable number of injuries during dangerous stunts over the years.“I knew going into this movie that this was going to be the last time I was going to do big stunts because I’ve got kids and I’ve had so many injuries,” Knoxville told NME.

third-highest grossing film in American box office history, passing the $760.5 million run of James Cameron’s “Avatar.” Though the two films came out 12 years apart and under dramatically different circumstances for movie theaters, both were able to take advantage of a lack of competition and overwhelmingly strong word-of-mouth to bring moviegoers back again and again for repeat viewings. While “Avatar” started with a modest opening and then continued to reign as No.

Though the two films came out 12 years apart and under dramatically different circumstances for movie theaters, both were able to take advantage of a lack of competition and overwhelmingly strong word-of-mouth to bring moviegoers back again and again for repeat viewings. While “Avatar” started with a modest opening and then continued to reign as No.

Rebecca Rubin Film and Media Reporter“Spider-Man: No Way Home” has officially unseated director James Cameron’s 2009 science-fiction epic “Avatar” to become the third-highest grossing domestic release in history.After weeks of speculation over whether or not Peter Parker had the legs to bump the people of Pandora from bronze, “Spider-Man: No Way Home” collected the remaining $1 million on Monday to push “Avatar” — and its mighty $760.5 million at the North American box office — to fourth place in the record books.Sony’s latest Spidey adventure, a culmination to Tom Holland’s web-slinging trilogy, has grossed a stunning $760.9 million at the domestic box office since launching exclusively in theaters in December. Those ticket sales are three times as much as the next highest-grossing movie of the pandemic era, which is Disney and Marvel’s “Shang-Chi and the Legend of the Ten Rings” with $224 million.

Netflix’s six series in the Marvel Cinematic Universe – Daredevil, Jessica Jones, Luke Cage, Iron Fist and The Punisher, as well as their Avengers-style crossover event The Defenders – will have two more weeks to get their fix, with all 13 combined seasons leaving the platform’s UK site at the start of March.It’ll be slightly earlier for Netflix subscribers in some regions, with NME confirming that in the US, Canada and some European countries, the full slate of series – which were produced between 2015 and 2019 – will leave the service on February 27. In Australia, the shows will disappear a day later.It’s yet to be announced where the series will be available to stream once they leave Netflix – though given that Marvel is owned by Disney, the company’s own Disney+ service – which launched in November 2019, five months after Netflix dropped the third and final season of Jessica Jones – seems to be a likely bet. Worth noting is that one of the Netflix series’ most iconic characters, Wilson Fisk (aka Kingpin, played by Vincent D’Onofrio), recently made his comeback in the Disney+ original Hawkeye.

The Kenneth Branagh adaptation of Agatha Christie’s Poirot murder mystery is a follow-up to “Murder on the Orient Express,” which was released by 20th Century Fox prior to the Disney acquisition in November 2018 and opened to $28.6 million largely off of turnout from moviegoers over the age of 50. Such turnout was not expected for “Nile” given the pandemic.Reception for “Death on the Nile” has been mildly positive with a 65% score on Rotten Tomatoes and a B from audiences on CinemaScore, the latter of which was the same grade given to “Orient Express.” “Nile” is one of the last pre-acquisition projects from Fox to be released by Disney, with “The Bob’s Burgers Movie” coming out on Memorial Day weekend.

Miles away from the world of designer labels and glitzy diamonds, Sasha Attwood has revealed that her favourite Christmas present came in the form of crystals and sage. Speaking on her YouTube channel, the 25 year old told her 43,600 followers that her family had surprised her with her very own “witch box”.The model, who is dating Manchester City footballer Jack Grealish, said: “My mum did it last year and it was one of my favourite things that I got. It was a self-care, positive kind of witch basket.

The return of the irreverent MTV stunt series has opened well below the $50 million start earned by “Jackass 3D” in 2010, though that was to be expected given the ongoing impact of the pandemic on most box office receipts. As with pretty much every film that has found box office success this past year despite the adversity, “Jackass Forever” has relied on turnout from younger male audiences with theaters in Los Angeles accounting for 27 of the top 40 highest grossing locations. “Jackass Forever” also has something that its predecessors did not: strong word of mouth.

Not even a global pandemic or a 12-year hiatus could stop the Jackass guys at the box office. “Jackass Forever,” the fourth movie in the anarchic series earned $23.5 million in ticket sales in its first weekend in theaters, according to studio estimates Sunday.It not only exceeded expectations but also easily bested its other main competitors, the big budget sci-fi spectacle “Moonfall” and “Spider-Man: No Way Home,” which has 6 of its 8 weeks in theaters at No. 1.“ Jackass Forever ” brings back Johnny Knoxville, Steve-O, Chris Pontius and Wee Man for another round of pranks, stunts and injuries and has become the best-reviewed in the series.

Rebecca Rubin Film and Media ReporterAfter living through a pandemic for nearly two years, Americans, as it turns out, were in desperate need of a laugh.That may explain why Paramount’s go-for-broke action comedy “Jackass Forever” triumphed at the domestic box office while Roland Emmerich’s disaster epic “Moonfall” turned into an epic disaster.“Jackass Forever,” the fourth installment in the ongoing saga of projectiles to the groin, collected $23 million from 3,604 North American locations in its debut, landing on the higher end of expectations. The latest “Jackass,” starring Johnny Knoxville, Steve-O, Wee Man and other daredevils from MTV days, had been widely expected to win the weekend, but its victory is still surprising and impressive because it has been some time since a pure comedy has claimed the top spot on box office charts.

A $20 million launch would be the lowest for the “Jackass” series even before inflation, as the first film back in 2002 opened to $22.7 million. But “Jackass Forever” is still set to easily turn a profit given its $10 million production budget. Reception for the film is also the highest ever for the “Jackass” series with an 87% critics score on Rotten Tomatoes and a B+ from audiences on CinemaScore.

according to the IMDB’s Box Office Mojo database.Science-fiction flick “Moonfall” took second with $3.4 million. Both films opened Friday.“Spider-Man: No Way Home” grossed $2.1 million on Friday night, or $741.4 million through that date.

J. Kim Murphy After a quiet January that saw one horror sequel and the same holiday releases putter out over several weeks, the domestic box office finally has a new leader.

A $20 million launch would be the lowest for the “Jackass” series even before inflation, as the first film back in 2002 opened to $22.7 million. But “Jackass Forever” is still set to easily turn a profit given its $10 million production budget.

Brent Lang Executive Editor of Film and MediaWith much of the country bracing for or digging out from a nasty winter storm, two new releases are hoping to provide so much sizzle that moviegoers will brave the ice and snow to hit up their local multiplexes.In one corner: Lionsgate’s “Moonfall,” a disaster epic from Roland Emmerich, one of the most successful purveyors of cinematic destruction. In the other: Paramount’s “Jackass Forever,” the latest entry in the long-running series in which Johnny Knoxville, Steve-O and Wee Man risk life, limb and nether regions in the service of comedy. “Jackass Forever” scored a stronger Thursday previews showing, netting $1.7 million.

In the same way that the good punk bands generally don’t do reunion tours, something felt off about the “Jackass” gang getting back together as many are hitting the big 5-0. When piss and vinegar are the two active ingredients in your formula to success, aging can be a real motherfucker; no one wants to watch the anarchic hellraisers they remember soften into slower, tamer versions of themselves.