Wattpad and Spotify Strike Deal for Indonesia, Philippines Podcasts (EXCLUSIVE)

Naman Ramachandran Celebrated filmmakers Anthony Chen (“Wet Season”), Anurag Kashyap (“Dobaaraa”), Ifa Isfansyah (“Losmen Bu Broto”), Joko Anwar (“Impetigore”) and Ho Yuhang (“The Ghost Bride”) are serving as directing mentors for the ongoing Malaysian Development Lab for Fiction Feature Films (mylab) initiative at the Busan International Film Festival. The directing mentors will work with the filmmakers of mylab and participate in depth conversations and exchanges on cinema and filmmaking. An incubator program for scriptwriters, directors, producers to work on developing scripts and film projects under lectures and the guidance of regional and international experts in scriptwriting, directing, producing, distribution, and markets and festivals, mylab focuses on projects at an early stage of development, with a team of scriptwriter, director and/or producer attached, targeted at regional or international audiences. 

Miss USA Elle Smith passed down the crown to Gabriel, 28.Gabriel, a fashion designer, designed her Miss USA interview outfit on her own as a tribute to her parents. “My mom is from Beaumont, TX and my father is from the Philippines. They got married in Manila Philippines.

Patrick Frater Asia Bureau Chief Projects starring Donnie Yen and Zhang Ziyi are among the independently produced TV series to be launched on the sidelines of this week’s Busan International Film Festival. The company responsible is Changin’ Pictures, a would-be studio being hatched by Hong Kong-based film director and producer Peter Chan Ho-sun. Propelled by the growing recognition of Asian talent and the worldwide distribution potential of multinational SVOD platforms, Changin’ Pictures aims to be a powerhouse production hub suppling premium drama content to streaming players. The company has raised very substantial finance from Asian sources and aims to develop and produce series which it will pitch and license to the platforms, without recourse to the OTT companies’ production funding, greenlighting and editorial constraints.

Patrick Frater Asia Bureau Chief Fresh from a chaotic Singapore Grand Prix on Sunday, TV coverage of Formula One motor racing is set to shift broadcasting partner in Asia-Pacific. Sports Business reports that pay-TV broadcaster beIN Sports is finalizing a multi-year deal beginning in 2023 reaching across most of its Asia-Pacific footprint, but excluding Australia, where Foxtel recently renewed its deal, and New Zealand.

H.E.R. is gearing up to show the world a new take on Belle. The singer and actress is set to play the iconic Disney princess in ABC's forthcoming live-action/animated special, and she is looking forward to the experience.The celebrated musician performed at the charity gala The Event, presented by the by the Shaquille O'Neal Foundation, at MGM Grand Garden Arena on Saturday, and spoke with ET's Kevin Frazier after her performance about her historic casting.«Oh my gosh, I'm so excited! I've been in the studio, playing with the arrangements, of course staying true to the original but giving it a new fresh twist,» the 25-year-old musician marveled. «It's gonna be like H.E.R.

Jessica Kiang In a gated compound camouflaged by the thick, dripping vegetation of inland Indonesia, all is quiet. A curtain may stir. The hushed commentary on a TV chess match may mutter indistinctly. An insect or two may chirrup. But mostly, this dark-cornered, sinister place, which is being minded by callow young caretaker Rakib (Kevin Ardilova), feels eerily still and expectant, like a spiderweb waiting for the return of its spider. Makbul Mubarak’s “Autobiography” — the Indonesian filmmaker’s impressive debut — gives a “Godfather”-style, power-corrupting-the-naive story the Conradian overtones of “Apocalypse Now.” But with its powerful sense of mood, it emerges from Coppola’s shadow by summoning evocative, specific shadows of its own, out of Indonesia’s troubled, genocidal, terrifying past.

Naman Ramachandran Leading practitioners of the Asian theatrical business participated in a lively discussion on the future of the sector post-pandemic and the signs are encouraging. Speaking at the APOS conference in Singapore on Thursday, moderated by Variety Asia editor Patrick Frater, Stephen Laslocky, VP at leading research firm Media Partners Asia, provided a handy overview of the theatrical market in Southeast Asia. Laslocky said that Indonesia, the largest market in the region, would be back to 2019 levels of theatrical business by the end of 2022. “In Malaysia, the demand generally appears to be back, the issue was the pipeline just wasn’t so great, particularly this year. But next year, they think that’s going to improve for both local, which has done very well this year, and for foreign films next year,” Laslocky said.

Kelly Day, Amazon Prime Video Vice President, International, outlined the company’s localisation efforts across Asia, Europe and Latin America in the first keynote session of APOS 2022, which is taking place virtually and as an in-person event in Singapore (September 27-29).

Naman Ramachandran Localization, and in some cases hyper-localization, is the modus operandi for growth in global markets for Amazon Prime Video, according to Kelly Day, VP, International, for the streamer. “When we think about launching in a new country, we really want to make sure that we bring a truly local feel to it. So, we’re trying to be very thoughtful when we enter a new region to make sure that we’re not only bringing all of these amazing global series and tentpoles, but that we really do it right, locally,” Day said while delivering one of the keynotes at the APOS conference in Singapore on Wednesday. The service launched recently in Thailand, Indonesia and Philippines and the company has hired a local team in the region. Day was also part of the Prime Video team that launched a 40-strong Indian slate in April.

Nadine Lustre, Louise delos Reyes and film and TV actor Mccoy Deleon are the leads in rising star Philippines director Mikhail Red’s “Deleter.” A first teaser has been released for the film that straddles the techno-horror and psychological thriller genres. Based on a script by Mikhail and Nikolas Red, the film follows Lyra, who works shifts at a shadowy online content moderation office where employees, known as deleters, are tasked with the process of filtering graphic uploads from reaching social media platforms. The responsibility of censorship proves bearable for Lyra, whom her co-workers, as well as her boss Simon, observe as a cold person unfazed by the disturbing imagery she sees on a daily basis. What they do not know is that Lyra hides a deep trauma. Lyra’s attempt to erase and forget her past has forced her to don an apathetic face to the horrors of the world.

EXCLUSIVE: Manila-based TBA Studios has acquired Philippines theatrical rights to award-winning drama Plan 75, which is Japan’s submission for the best international feature category of the Academy Awards.

A headteacher asked more than 100 boys for naked pictures on Facebook. Nick Clayton from Holyake sent creepy messages to boys as young as 10 while working as the head of a British international school in Iraq.

Marta Balaga LevelK continues to terrify international distributors with Finnish horror “The Knocking,” directed by Max Seeck and Joonas Pajunen. The film has now been sold to over 70 countries, Variety has learned, with the company sealing further deals in Germany, Austria and Switzerland (Alamode Film), Latin America (Gussi), CIS (Capella Film), France (KMBO), Indonesia (PT. Falcon) and Taiwan (AV-Jet International Media). “We have been looking at many Nordic projects, especially the Finnish ones. We definitely see a shift in not just more genre projects emerging, but also in the subjects and the creativity,” says CEO Tine Klint.

Elsa Keslassy International Correspondent Ruben Östlund’s Palme d’Or winning film “Triangle of Sadness” has been sold by Coproduction Office to major distributors around the world. “Triangle of Sadness,” which was acquired by Neon for North America at the Cannes Film Festival, just had its North American premiere at Toronto and is playing at the San Sebastian Film Festival. Coproduction Office has now sold the movie worldwide to major distributors. Recent deals have been closed with Stay Golden (China), Edko (Hong Kong), Impact (India), Gaga (Japan), Green Narae (South Korea), Catchplay (Taiwan), TBA Studios (Philippines), Sun (Latin America), Frontrow (Middle East), Forefont (South Africa) and Les Films 26 (French-speaking Africa). 

FINAS) has partnered with the Singapore Film Commission (SFC), the Film Development Council of the Philippines (FDCP) and Taiwan Creative Content Agency (TAICCA) for the inaugural Malaysian Development Lab for Fiction Feature Films (mylab). An incubator program for scriptwriters, directors, producers to work on developing scripts and film projects under lectures and the guidance of regional and international experts in scriptwriting, directing, producing, distribution, and markets and festivals, mylab focuses on projects at an early stage of development, with a team of scriptwriter, director and/or producer attached, targeted at regional or international audiences. It aims for each project to deliver a package of script, budget, financing plan, dossier and pitch-ready materials at the end of the program.

Brent Lang Executive Editor RLJE Films has acquired “Nocebo,” a thriller starring Eva Green and Mark Strong. The film will open in theaters on Nov. 4 and on-demand and digitally on Nov. 22. Shudder will release the film in 2023. Both RLJE and Shudder are business units of AMC Networks Shudder focuses on streaming movies in the horror, thriller and supernatural genres. “Nocebo” centers on a fashion designer (Green), who suffers from a mysterious illness that confounds her doctors and frustrates her husband (Strong). Help arrives in the form of a Filipino nanny (Chai Fonacier) who uses traditional folk healing to reveal a horrifying truth. 

How great does Martika Ramirez Escobar’s surreal, award-winning film “Leonor Must Die” sound? This first feature transports a retired screenwriter of Filipino action films into the story of one of her own unfinished scripts. The film is the official Midnight Madness closing night Film of the 2022 Toronto International Film Festival, and it’s already won a ton of awards, including the Special Jury Prize for Innovative Spirit at the 2022 Sundance Film Festival earlier this year.