shuttered as part of cost-cutting moves. WBD’s chief DEI officer Asif Sadiq will partner with Warner Bros. Television upon the completion of the current workshop class and will work to grow the program.
29.09.2022 - 12:39 / variety.com
Naman Ramachandran Leading practitioners of the Asian theatrical business participated in a lively discussion on the future of the sector post-pandemic and the signs are encouraging. Speaking at the APOS conference in Singapore on Thursday, moderated by Variety Asia editor Patrick Frater, Stephen Laslocky, VP at leading research firm Media Partners Asia, provided a handy overview of the theatrical market in Southeast Asia. Laslocky said that Indonesia, the largest market in the region, would be back to 2019 levels of theatrical business by the end of 2022. “In Malaysia, the demand generally appears to be back, the issue was the pipeline just wasn’t so great, particularly this year. But next year, they think that’s going to improve for both local, which has done very well this year, and for foreign films next year,” Laslocky said.
“In the Philippines, I’m hearing some slightly more ambiguous feedback from a lot of people – frankly, their confidence is a little beat up, they’re not sure where things are headed,” Laslocky added. The executive said that in Thailand, the problem is the economy, where 15% of GDP is associated with the travel sector, which has barely begun to recover. “Compounding that is the fact that I don’t think that you have many really good local producers creating decent content there, and that’s a challenge,” Laslocky said. “In Vietnam, things moving along quite nicely.” Subha-Orn Rathanamongkolmas, VP, South Asia, Universal Pictures International, said that whatever the overall state of the market, local titles have done really well in all those territories, in some cases placing on the all time box office charts. “Next year, you’re going to see a lot of the backlog which was delayed because of
shuttered as part of cost-cutting moves. WBD’s chief DEI officer Asif Sadiq will partner with Warner Bros. Television upon the completion of the current workshop class and will work to grow the program.
Michael Schneider Variety Editor at Large Warner Bros. Discovery’s decision to end its long-running writers and directors training program, which the conglom announced Tuesday as part of a series of layoffs and budget cuts at Warner Bros. TV Group, drew a strong rebuke from different parts of the industry, including a stinging statement on Wednesday by the Directors Guild of America. But what Warner Bros. Discovery hadn’t followed up to explain — and quickly revealed on Wednesday — is that its Writers Workshop and Directors Workshop will live on (albeit it, in a somewhat different form, details TBD) but now move from Warner Bros. Television and be housed inside the conglom’s Diversity, Equity, and Inclusion unit.
Warner Bros. Discovery has performed a quick U-turn on its decision to close its Writers and Directors Workshops.
The Warner Bros. Discovery layoffs continue.
Manori Ravindran International Editor Former Warner Bros. Discovery and OSN executives are teaming up to form a new content studio serving the Middle East and North Africa, Variety can reveal. Rise Studios is being set up by industry veterans Emad Morcos, former OSN chief content and commercial officer; Amanda Turnbull, former general manager at Warner Bros. Discovery Middle East, Africa and Turkey; and Amel Farag, former head of content commercial strategy at OSN. Rise will invest in local content and talent in order to launch homegrown film and TV productions on both regional and global broadcasters and streaming platforms.
Specialty distributor 3388 Films has set an October 28 U.S. theatrical release for Vietnamese comedy A Hundred Billion Key. The movie will have its North American premiere at the Newport Beach Film Festival a week prior on October 19. Check out the trailer below.
Patrick Frater Asia Bureau Chief “Future Laobans,” a project directed by Maung Sun and produced by Maung Sun and Ma Aeint, claimed the Busan Prize, the top award at the Asian Project Market, on Tuesday. The awards were made at an event held at the Paradise Hotel in Busan’s Haeundae district at the end of three days of quick-fire meetings between producers and directors and an array of potential co-producers, financiers and distributors. Organizers said that they put together 705 such one-on-one meetings. The CJ ENM Award went to Indonesia’ “Gaspar,” to be directed by Yosep Anggi Noen and produced by Yulia Evina Bhara and Cristian Imanueli.
Gisele Bündchen was spotted visiting her spiritual healer in Miami for the second time this month amid her split from NFL star husband Tom Brady. Bündchen, 42, appeared downcast as she walked outside after visiting with Dr. Ewa, a spiritual healer who empowers 'patients to understand their bodies and discover the gentle power of the healing arts.
Another wave of Warner Bros Discovery post-merger layoffs is coming.
Rebecca Souw TITLE: Behind The Scenes For Singapore-Korea Co-Production “Ajoomma” And Its Journey Ahead Post-Busan The past few weeks have gone by in a blur for Singapore-Korean co-produced comedy film “Ajoomma.” In a short span, it had a world premiere at the 27th Busan International Film Festival, earned four Golden Horse nominations including best actress, best new director, best original screenplay and best supporting actor. And Singapore has selected the film as itOscars contender. But it took seven years to get his far. At a Busan workshop on Saturday, first-time director He Shuming, co-founder of Giraffe Pictures and the film’s executive producer Anthony Chen and co-producer Lee Joon-han discussed the how the film came to life. “Ajoomma: The Curious Case Study of a Singaporean-Korean Co-production” was presented by mylab at the Asian Contents & Film Market.
Rebecca Souw The Astory-produced “Extraordinary Attorney Woo” claimed the ‘Best Content Award’ Saturday at the fourth edition of the Asian Contents Awards in Busan. The hit show’s lead actress, Park Eun-bin bagged the best actress award, thrilling assembled local fans. The ceremony took place outdoors at the BIFF Theater at the Busan Cinema Center, on the sidelines of the Busan International Film Festival. With the venues filled to almost 80% capacity, the best of Asia TV, OTT and online content were presented with a total of 12 awards.
Peter Debruge Chief Film Critic In what plays like Singapore’s answer to “About Schmidt,” never-too-late-to-live dramedy “Ajoomma” follows a widowed housewife as she steps out of her comfort zone by making a solo trip to South Korea. This upbeat debut from director He Shuming — whose title is the Korean equivalent of all-purpose Asian term of respect “Auntie” — offers longtime TV actor Hong Huifang (“Housewives’ Holiday”) a chance to shine in the title role, which has already netted her a Golden Horse Award nom. Selected to rep Singapore at the Oscars, affable “Ajoomma” is more of a dark horse in that race, albeit one with art-house sleeper potential. Mrs. Lim’s life is light on excitement. What it lacks in drama, she fills by binging on Korean soap operas — a not at all uncommon obsession among Asian women (and a growing number of Americans, thanks to services like Kocowa and Viki). “Auntie,” as most of the other characters call Hong’s character, fusses a bit too much over her only son, who long ago agreed to accompany her on a special tour of Seoul. Now, mere days before they’re to depart, he backs out for a job interview in New York — one that would put some much-needed distance between the closeted young man and his overly suffocating mom.
Naman Ramachandran A heavyweight producers panel discussed the modalities of producing independent films in Southeast Asia at a mylab panel on the sidelines of the Busan International Film Festival on Thursday. Panelists included: Liza Diño, former chair of Film Development Council of the Philippines (FDCP) who had greenlit several films during her tenure; Indonesia’s Yulia Evina Bhara, producer of Venice-winner “Autobiography” that’s also playing at Busan; Thailand’s Donsaron Kovitvanitcha, producer of Locarno and Busan title “Arnold is a Model Student,”; and Malaysia’s Haris Sulong, producer of “Beautiful Mind.” The discussion was moderated by Variety Asia editor Patrick Frater.
Rebecca Souw Along with “Return to Seoul” and Kore-eda Hirokazu’s “Broker,” Singaporean comedy film “Ajoomma” joins a growing list of recent foreign movies set in Korea or probing contemporary Korean culture. “Ajoomma,” which premieres at the upcoming Busan International Film Festival on Friday in the New Currents competition section, tells the story of stereotypical Singaporean middle–aged woman (or “auntie”). Her obsession with Korean TV dramas leads her to visit Korea for the first time and as a result, embarks on a journey of self-discovery.
TheSingapore Film Commission has selected He Shuming’s Singapore-Korea co-production Ajoomma as its submission to the best international feature category at the Oscars.
Patrick Frater Asia Bureau Chief Projects starring Donnie Yen and Zhang Ziyi are among the independently produced TV series to be launched on the sidelines of this week’s Busan International Film Festival. The company responsible is Changin’ Pictures, a would-be studio being hatched by Hong Kong-based film director and producer Peter Chan Ho-sun. Propelled by the growing recognition of Asian talent and the worldwide distribution potential of multinational SVOD platforms, Changin’ Pictures aims to be a powerhouse production hub suppling premium drama content to streaming players. The company has raised very substantial finance from Asian sources and aims to develop and produce series which it will pitch and license to the platforms, without recourse to the OTT companies’ production funding, greenlighting and editorial constraints.
A trio of senior international execs are taking their new Asia content-focused company to Mipcom Cannes.
Liam Hemsworth and Milo Ventimiglia are hard at work on their upcoming movie Land of Bad!