Ruben Ostlund’s Palme d’Or Winning ‘Triangle of Sadness’ Sells Worldwide (EXCLUSIVE)

After a pandemic recovery year in which Focus has started many of its releases with larger theater counts, “Tár” is starting with a return to the traditional four-screen launch in New York and Los Angeles, earning $160,000 for a per-theater average of $40,000. With the LA theaters that first got platform releases, the Arclight Hollywood and Landmark Pico, both now closed, Focus has turned to the AMC locations in Century City and the Grove on Fairfax to release “Tár,” while releasing it at the Angelika and AMC Lincoln Square in New York.

Jazz Tangcay Artisans Editor It might sound cliche, but Dolly de Leon is serious when she says Ruben Östlund’s “Triangle of Sadness” changed her life. Because it did.  Filipino audiences have known de Leon from shows such as “Amy’s Mother” and “Mirabella,” while Western audiences might have seen her on the HBO Asia series “Folklore.” But the Neon release, out on Friday, it what has put De Leon on the map. “I’m getting better roles and better offers,” she says. Variety’s Awards Circuit Podcast caught up with de Leon to discuss her role as Abigail, how she built the character and working with Östlund. Listen below.

Elsa Keslassy International Correspondent France tv distribution has boarded “Sweetheart” (“Chouchou”), an eight-part drama series produced by well-known Quebec-based company Passez Go. Written by Simon Boulerice, the drama show revolves around Chanelle, a 38-year-old teacher who is happily married with two children. Her life unravels after she meets Sandrick, a 17-year-old teenager who has just been transferred to her class, and falls under his charm. Chanelle tries to help Sandrick as he struggles at home with his dysfunctional mother, but their relationship turns into an illicit and passionate affair that leaves no one unscathed. The series is directed by Félix Tétreault and Marie-Claude Blouin (“Le Chalet”).

Elsa Keslassy International Correspondent Pulsar Content and XYZ Films have dropped the trailer for “Tropic,” Edouard Salier sci-fi drama which world premiered at Fantastic Fest and will next play in competition at Sitges on Oct. 9. Penned by Salier and Mauricio Carrasco, the film follows Lázaro and Tristán, two twin brothers and best friends who are training together for the Astronaut Academy entrance tests. One day, Tristán is contaminated with some mysterious residue which makes him monstrous physically and weakened mentally. This disaster forces Lázaro to let go of how he remembers his brother and learn to love him as he is now, in a world where there is no room for monsters.

“It’s only downhill, for me isn’t?” That was Harris Dickinson’s cheeky response when asked about what it was like to star in a Palme d’Or winning film so early in his career. That film, Ruben Östlund’s “Triangle of Sadness,” has been something of a lightning rod since its Cannes premiere and, frankly, is likely another stepping stone for the increasingly in-demand British actor.

Elsa Keslassy International Correspondent Newen Connect is building up its English-language scripted slate with timely, high-concept titles, including “Wagatha,” a dramatic reconstruction of the viral court case involving Coleen Rooney and Rebekah Vardy, the wives of high-profile British footballers. Newen Connect has also acquired the Australian supernatural bromance “Limbo,” and the inclusive British mystery thriller “Blindspot.” Written by Chris Atkins, “Wagatha” charts the High Court case which stemmed from alleged leaked Instagram stories in 2019 and opposes Rooney and Vardy. Produced by Chalkboard and commissioned by Channel 4, “Wagatha” stars Chanel Cresswell, the BAFTA-winning actor of “This is England,” Natalia Tena (“Game of Thrones”) and Martin Sheen (“The Departed”). Filming just wrapped in September.

Elsa Keslassy International Correspondent Magnolia Pictures has acquired U.S. rights to “Kompromat,” an action thriller film directed by Jerome Salle (“The Largo Winch” ), starring Gilles Lellouche (“The Stronghold”) and Joanna Kulig (“Cold War”). SND, the commercial arm of M6, is representing the film in international markets. Loosely based on a true story, “Kompromat” stars Lellouche as a French diplomat working in Siberia who is arrested overnight by the Russian authorities. Accused of sexually abusing his own daughter and imprisoned, he realizes he is a victim of a Kompromat. Someone is working with the FSB (Federal Security Service) to frame him. His only way out is to escape.

Director Ruben Fleischer, best known for directing “Venom” and most recently “Uncharted,” is set to direct the third installment of the action-heist franchise “Now You See Me” for Lionsgate, Nathan Kahane, president, Lionsgate Motion Picture Group, announced on Thursday.Seth Grahame-Smith (“Pride and Prejudice” and “Zombies”) has been tapped to work on a new draft of the screenplay, overseen by Fleischer. The previous draft was written by Eric Warren Singer, who previously co-wrote “Top Gun: Maverick” and “American Hustle.”“The Now You See Me” franchise has grossed $687 million worldwide at the box office.

EXCLUSIVE: Venom and Uncharted filmmaker Ruben Fleischer has been tapped to helm the next installment of Now You See Me from Lionsgate.

Elsa Keslassy International Correspondent Iceland’s leading production company Sagafilm Nordic has teamed with Swiss banner C-FILMS on “Codeword: Rubicon,” an espionage thriller series inspired by the infamous CIA operation involving the firm Crypto AG. Created by Hungarian director-writer Balazs Juszt(“I Love You, Too”), the eight-episode series has been commissioned by broadcaster Swiss Television (SRF). The show chronicles the story of how Crypto AG, a Swiss family-owned company manufacturing code-making machines founded in 1952 by a Swedish mathematician was secretly owned and operated by the CIA in partnership West German Intelligence services. From decades, the Swiss company sold equipment to more than 120 countries, including Iran and nuclear rivals India and Pakistan, and even the Vatican, according to the Washington Post. The role of the U.S. and West German intelligence was revealed by the Crypto Leaks.

Elsa Keslassy International Correspondent IFC Films has bought North American rights to Sebastien Marnier’s thriller “The Origin of Evil” starring “Call My Agent!” star Laure Calamy. The film world premiered at the Venice Film Festival and had its North American premiere at Toronto. The suspense-filled ensemble film also stars Doria Tillier (“La belle époque”), Suzanne Clément (“Mommy”), Dominique Blanc (“Indochine”) and Jacques Weber (“En thérapie”). Marnier’s follow up to “Faultless”and “School’s Out,” “The Origin of Evil” was produced by Caroline Bonmarchand with Kim McCraw and Luc Déry of mirco_scope with Avenue B Productions executive producing. IFC Films will release the film in 2023.

Elsa Keslassy International Correspondent The Danes may have surpassed the French in clashing with streamers. The Danish Producers’ Association and Create Denmark, the guild representing writers, actors and directors, among others, have been involved in a bitter dispute over fees and rights with local and global streaming services including Netflix and Viaplay since January. While Viaplay signed a temporary agreement over the summer which is valid through December, other services, including Netflix, HBO Max, Disney+ and Amazon Prime have fully stopped the development or production of Danish content since January. The estimated loss of revenue for the country is approximately $200 million, according to Lene Børglum, a leading producer in Denmark whose credits includes Nicolas Winding Refn’s “Only God Forgives” and “Copenhagen Cowboy” which Netflix had ordered way before the start of the dispute. The series world premiered at the Venice Film Festival.

Elsa Keslassy International Correspondent Canal+ Group, the Vivendi-owned French TV group, has won its court case against TF1 after being sued by latter following a dispute over carriage fees. The ruling was issued on Sept. 22 by the business court of Paris. Chaired by Maxime Saada (pictured), Canal+ was previously distributing TF1 and its channels TFX, TF1 Séries Films and LCI as part of its TNT Sat paybox platform which traditionally gives access to all French channels. But when their pact was about to expire on Aug. 31, TF1 tried to renegotiate the terms of the agreements and asked Canal+ for pay 50% more for the right to distribute its free-to-air channels. Canal+ refused and subsequently stopped distributing them, leading TF1 to sue the banner.

Elsa Keslassy International Correspondent David Zucker and Pat Proft, the veteran American filmmakers behind cult comedy franchises including “The Naked Gun” and “Airplane!,” are set to executive produce a Nordic Noir comedy spoof series called “NoPoFo.” The anthology series is being produced by lkkas’ Creative Studio, a recently-launched Finnish company. BBC Studios Nordics has come on board as a co-producer. Billed as “Nordic Noir meets ‘Police Squad!,‘” the 10-part series follows three elite agents from the Nordic Police Force (NoPoFo) who are tasked with solving the sort of murders that Nordic psychopaths do so well. Each half-hour episode is set in a different Nordic country and features a different cast of supporting characters, including a serial killer who only murders bad heavy rock bands, and an Instagram obsessive who creates ice sculptures out of his victims.

Elsa Keslassy International Correspondent Music Box Films has acquired U.S. rights to “Full Time,” Eric Gravel’s visceral social thriller which is one of the five finalists for France’s official submission to the 95th Academy Awards. Represented in international markets by Be For Films, “Full Time” world premiered at last year’s Venice festival in the Horizons sections and won a pair of awards for Laure Calamy (“Call My Agent!”) and Gravel. The critically acclaimed film went on to made its U.S. debut at New Directors/New Films. Music Box Films will release “Full Time” in cinemas and on home entertainment platforms in 2023.

Elsa Keslassy International Correspondent After “Midnight in Paris,” Woody Allen will return to the French capital for his 50th movie which he’s described as a “poisonous romantic thriller” with a pair of French stars, Valerie Lemercier (“Aline”) and Niels Schneider (“Love Affair(s))”. The untitled film, the plot of which is being kept under wraps, will start filming next month and will be entirely in French with a budget in the $10-million range. Allen has described the film to be similar to “Match Point,” in that it would be “exciting, dramatic and also very sinister.”  Allen sparked headlines earlier this week after Spanish newspaper La Vanguardia ran a story reporting that the New York-based filmmaker had told them he was planning on retiring. Allen’s representative then issued a statement saying that the director had “no intention of retiring.”

Elsa Keslassy International Correspondent Antonin Baudry, who made his feature debut with Netflix’s submarine thriller “The Wolf’s Call,” is set to adapt Homer’s epic war tales of “The Iliad and The Odyssey” into a science fiction series titled “Ulysse.” Pathé has recently boarded the series project which is being co-developed by Axelle Boucai (The Mad’s Women Ball”) and Alain Goldman (“La Vie en Rose,” “The Mad’s Women Ball”) at Paris-based Ness Films. “Antonin Baudry is writing the adaptation and had the idea of transposing these mythological tales in space and in the future,” said Boucai, who cited “Dune” as inspiration.

Elsa Keslassy International Correspondent Canal+, France’s leading pay TV group, has signed distribution deals with Universal and Sony to ramp up its programming of U.S. movies. Under the pact, Canal+ now has access to the studios’ new films six months after their releases. Sony’s “Spiderman : No Way Home” is currently being broadcast on Canal+’s linear pay TV channels, along with its transactional VOD platform, My Canal. The news was half-revealed by Maxime Saada, Canal+ Group’s chair and CEO, during the company’s upbeat press conference on Sept. 14, which was held at their posh headquarters in Paris. Saada, who recently joined the management board of Vivendi, Canal Plus Group’s parent company, said the outfit already boasts partnerships with Fox, Disney and Warner, as well as Paramount.

Elsa Keslassy International Correspondent Loco Films has boarded international sales rights to actor-turned-helmer Dinara Droukarova’s feature debut “Woman at Sea” which will world premiere in the New Directors section at the San Sebastian Film Festival. Produced by Marianne Slot and Carine LeBlanc at Paris-based Slot Machine (“Melancholia”), “Woman at Sea” stars Droukarova as Lili, who has left everything behind to travel to the end of the earth to fulfil her dream of fishing in the northern seas, in Iceland. She convinces Ian, a fishing boat skipper, to give her a chance and embarks on the Rebel. She is the only woman in the crew but she will win everybody’s respect thanks to her determination and courage. “We are proud of this first film, shot on the harsh northern seas about a young woman seeking the fresh air of freedom. A beautiful and free film and the birth of a new director,” said Laurent Danielou, founder and president of Loco Films.

Elsa Keslassy International Correspondent   Eight years after delivering his Oscar-nominated film “Timbuktu,” Abderrahmane Sissako is set to make his anticipated directorial comeback with “The Perfumed Hill.” Gaumont is representing in international markets and will introduce it to buyers at at Toronto. The French studio will also distribute the film in France, while Cohen Media Group will release it in the U.S. Re-teaming Sissako with his “Timbuktu” co-writer Kessen Tall, “The Perfumed Hill” is a romance drama set between China’s tea hills, the Ivory Coast and Cape Verde. It stars Nina Melo (“Girlhood”), Han Chang (“Little Big Women”) and Ke-Xi Wu (“Nina Wu”).