Unifrance’s New President Gilles Pelisson Weighs in on Opportunities for the Independent French Cinema, TV Sector

Alex Ritman “The Dead Don’t Hurt,” the Viggo Mortensen-directed Western in which the three-time Oscar nominee stars alongside Vicky Krieps, has landed a number of international sales for HanWay Films. Newly confirmed territory deals for the film — a Talipot Studio, Recorded Picture and Perceval Pictures production — include France (Metropolitan), Spain (Wanda & Elastica), Scandinavia (Scanbox), U.K. (Signature), Benelux (Imagine), Poland (Galapagos), Middle East (Front Row), Singapore (Shaw) and Airlines/Ships (Cinesky).

It’s a weekend of well-reviewed indie openings with Bleecker Street’s Out Of Darkness, The Monk And The Gun (from the directors of Lunana: A Yak In The Classroom) and limited openings for The Taste Of Things, Perfect Days (Best International Feature nominated), Anthony Chen’s Drift, Bas Devos’ Here and Ennio by Giuseppe Tornatore, which premiered in Venice in 2021 and is finally getting a U.S. release.

Marta Balaga Please don’t stop the music: Anne Fontaine isn’t done with it just yet. Following “Boléro” — world premiering at International Film Festival Rotterdam — the noted director is developing another melodic project. “It’s about a character who was a star at 10 years old.

Elsa Keslassy International Correspondent French mini-major Pathé has acquired Les Films des Tournelles, the production company founded by Anne-Dominique Toussaint whose recent credits include Louis Garrel‘s Cesar-winning “The Innocent.” Besides Garrel, Les Films des Tournelles has worked with a flurry of auteurs on some of their most successful films, including Riad Sattouf’s “The French Kissers,” which won the Cesar for best first film in 2010; Nadine Labaki’s “Caramel”; Emanuele Crialese’s “Respiro”; Valeria Golino’s “Miele”; and Mona Achache’s “The Hedgehog.” “The Innocent” won two prizes at last year’s Cesar Awards and screened at Cannes on the 75th anniversary of the festival. Toussaint has also worked with Philippe Le Guay and Emmanuel Carrère.

Ben Croll French film promotional organization Unifrance put talent in the spotlight at this year’s Rendez-Vous in Paris, where the 10 actors and filmmakers selected as 2024’s Talents to Watch were fêted with flutes of champagne at France’s Ministry of Culture before being introduced to the international press at a dedicated event. For more than a decade, the 10 to Watch program has pinpointed the creative talents breathing modernity and vitality into contemporary French cinema.

Justine Triet’s Anatomy Of A Fall continued its prize-winning run on Monday at France’s 29th Lumière Awards clinching Best Film and Best Screenplay, while its German star Sandra Hüller won Best Actress.

Elsa Keslassy International Correspondent “Dahomey,” a documentary directed by Cannes prizewinner Mati Diop (“Atlantique”) and slated for the Berlinale competition, will be represented internationally by Paris-based Les Films du Losange. The feature marks the directorial comeback of the French-Senegalese talent after winning the Grand Prize at Cannes with “Atlantique” in 2019.

Elsa Keslassy International Correspondent Already one of France’s most beloved and bankable actors (“The Stronghold”), Gilles Lellouche is about to graduate as a big-shot filmmaker five years after delivering his sophomore outing, “Sink or Swim,” a B.O. hit which lured more than four million moviegoers (over $35 million) in theaters.

Elsa Keslassy International Correspondent Agnes Jaoui, a beloved French actor, screenwriter and filmmaker, will receive an honorary Cesar Award during its 49th edition, which will be held at Olympia Concert Hall on Feb. 23. Jaoui formed a duo with the late Jean-Pierre Bacri for over three decades, collaborating on a number of films that were both critical and commercial hits.

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Former TF1 Group CEO and chairman Gilles Pélisson has gone through a baptism of fire this week in his new role of president at French film and TV promotional body Unifrance as he attends his first edition of its annual Paris Rendez-vous.

Patrick Frater Asia Bureau Chief Leading Asian film directors including Josh Kim, Fukada Koji and Patiparn Boontarig line up to pitch their in-development projects at the March edition of the Hong Kong – Asia Film Financing Forum (HAF). Leading directors Wang Xiaoshuai and Zhang Lu will also be on the ground at HAF, operating as producers. So too will established producers Yamamoto Teruhisa (“Drive My Car”) and Michael J.

Ben Croll Capping a growth year that saw Gallic productions draw 37. 4 million global theatrical admissions for a total of $254 million in international receipts, producers and sales agents indicated that geopolitical tensions and eco-responsible transformation would be two of the major stressors on France’s film export business in the months to come.

Elsa Keslassy International Correspondent Ben Aldridge (“Knock at the Cabin”) and Martina Garcia (“The Hidden Face”) have joined the cast of “Dear Paris,” Marjane Satrapi‘s (“Persepolis”) ensemble drama which is one Studiocanal‘s highlights at this week’s Unifrance Rendez-Vous showcase, along with Gilles Lellouche‘s sprawling romance thriller “Beating Hearts.” “Dear Paris” (“Paris Paradis”), produced by Vito Films, is a dark comedy set in the French capital where a flurry of charming characters confront death only to embrace life once again. The film also stars Monica Bellucci as a narcissistic Italian opera singer and Rossy De Palma as an eccentric elderly Colombian woman, as well as Eduardo Noriega, André Dussollier, Alex Lutz, Roschdy Zem and singer-turned-actor Gwendal Marimoutou (“Sam”).

French cinema saw its fortunes rise at the international box office in 2023 after three difficult Covid-19 and post pandemic years, according to the annual report of export agency Unifrance released on Tuesday.

Nick Vivarelli International Correspondent Italy’s Sveva Alviti (“Dalida”) and U.S. actor Newton Mayenge (“Winning Time: The Rise of the Lakers Dynasty”) are attached to star in Cannes-set romantic drama “The Other Side of Fame” to be directed by Erik Bernard (“Free Dead or Alive”).

Ben Croll This week’s Unifrance Rendez-Vous in Paris will kick off with the Tuesday night world premiere of Pascal Bonitzer’s “Auction” – a ripped-from-the-headlines ensemble drama set in the crosshairs of high art and high finance. Produced by SBS Productions (“Last Summer,” “Elle”) and sold by Pyramide International, the art-world saga follows – among others – a hotshot auctioneer (Alex Lutz, “Vortex”), his less-than-reliable assistant (Louise Chevillotte, “Benedetta”), and the working class bloke (Arcadi Radeff, “Passages”) who sets the narrative in motion upon realizing that his erstwhile innocuous wall art bears the signature of Egon Schiele.

Elsa Keslassy International Correspondent Ginger & Fed, the new international film sales arm of Federation Entertainment headed by former TF1 Studio boss Sabine Chemaly, will launch several high profile titles at the Unifrance Rendez-Vous, including “The Future Awaits,” Niels Tavernier’s WWII-set drama based on the true story of a Holocaust survivor. Ginger & Fed will also bow sales on “Riviera Revenge,” a heartwarming comedy starring André Dussollier (“The Crime is Mine”), Sabine Azéma (“Tanguy”) and Thierry Lhermitte (“The Dinner Game”), along with continuing deals on “Rachel’s Game,” “Survive” and “Oldies and Goodies.” Produced by Yves Darondeau at Bonne Pioche Cinema (“March of the Penguins”), “The Future Awaits” tells the story of Tauba Birenbaum, whose testimony was collected in July 1997 to become part of Steven Spielberg’s Institute for Visual History.

EXCLUSIVE: Kristin Jones is leaving The North Road Company, we can reveal.

EXCLUSIVE: Grasshopper Film and streaming platform DOCUMENTARY+ have acquired North American rights to the Oscar-shortlisted feature Apolonia, Apolonia, a deal announced as the nomination voting window opens for the 96th Academy Awards.