Toronto International Film Festival 2023: Atom Egoyan’s Opera-Inspired ‘Seven Veils’ Set For Premiere

Leo Barraclough International Features Editor Wes Anderson will be honored at the 80th Venice Film Festival, which runs Aug. 30-Sept. 9.

Ellise Shafer Diane Kruger is set to receive the Golden Eye Award at this year’s edition of Zurich Film Festival. Throughout the course of her career, Kruger has worked with high-profile directors such as Quentin Tarantino, Wolfgang Peterson and Robert Zemeckis. She is best known for her roles as Helen of Sparta in “Troy” (2004), Abigail Chase in “National Treasure” (2004) and its sequel “Book of Secrets” (2007), Bridget von Hammersmark in Tarantino’s “Inglourious Basterds” (2009), Anna in “Mr.

Leo Barraclough International Features Editor Zurich Film Festival will honor the chief executive of German film and TV company Leonine Studios, Fred Kogel, with its Game Changer Award, which is presented to a leading personality from the film industry whose “extraordinary efforts serve to advance the sector.” Kogel set up Leonine four years ago, and it has grown rapidly to become Germany’s leading independent film company, as well as a major TV producer. Its successes as a film distributor have included the release of “The School of Magical Animals,” “Knives Out” and the “John Wick” franchise.

Leo Barraclough International Features Editor Berlin-based sales agent Pluto Film has boarded “Forever-Forever” (“Nazavzhdy-Nazavzhdy”), Ukrainian filmmaker Anna Buryachkova’s feature directing debut, ahead of its world premiere in Venice Film Festival’s Horizons Extra competition. After transferring from a downtown high school, Tonia (Alina Cheban) befriends a group of badass youngsters, trying to find protection from the people from her past and a place she truly belongs. They spend time together, roaming around Kyiv’s post-socialist suburbs, having fun and getting in trouble.

“The Boy and the Heron,” the first film in a decade by Japanese anime master Hayao Miyazaki, will open the 48th Toronto International Film Festival, organizers announced Thursday.

Venice Film Festival artistic director Alberto Barbera is refusing to row back on his decision to invite controversial movie-biz bigwigs Roman Polanski, Woody Allen and Luc Besson to the late summer event, which will take place despite the potential disruption by the ongoing SAG-AFTRA and WGA strikes. “Luc Besson has been recently fully cleared of any accusations. Woody Allen went under legal scrutiny twice at the end of the ’90s and was absolved,” Barbera said in a new interview with Variety.

The Venice Film Festival on Tuesday released a star-studded and A-list heavy lineup of films that will debut at the 2023 Biennale, including the films vying for this year’s Golden Lion. This was done despite the ongoing SAG-AFTRA actors and WGA writers strike.

Nick Vivarelli International Correspondent Venice Film Festival artistic director Alberto Barbera is in a good mood after Tuesday’s lineup announcement managed to stave off the impact of the SAG-AFTRA strike, something which could have been “devastating” to the event, he says. In the end, the only U.S. film that skipped the Lido is Luca Guadagnino’s Zendaya-starrer “Challengers,” which Barbera says was against Guadagnino’s wishes.

Nick Vivarelli International Correspondent The 80th Venice Film Festival is announcing its lineup on Tuesday from the Italian city, where artistic director Alberto Barbera and La Biennale president Roberto Cicutto are holding a press conference. The Lido’s only previously announced titles in the main selection are the opener, Italian director Edoardo De Angelis’ “Comandante” — a lavish anti-war epic featuring local star Pierfrancesco Favino as a heroic Sicilian World War II naval officer — and the closer, Netflix’s survival thriller “Society of the Snow” by Spanish filmmaker J.A. Bayona. “Comandante” replaced Luca Guadagnino’s sexy sports comedy “Challengers,” starring Zendaya, which had previously been set as the fest’s buzzy opener but was pulled due to promotional complications prompted by the SAG-AFTRA strike.

Diljit Dosanjh and Arjun Rampal film, which is now titled “Punjab ’95,” will have its world premiere at the Toronto International Film Festival.

The Toronto International Film Festival is back for another big year.

Brent Lang Executive Editor Two labor strikes may be upending Hollywood’s awards season and the film festivals that serve as launching pads for many Oscar contenders, but the Toronto International Film Festival signaled Monday that it still plans to showcase the best in cinema, unveiling its 2023 slate of movies. Alexander Payne, Richard Linklater, Kore-eda Hirokazu and Justine Triet are among the auteurs who will be screening their latest works at the festival. Payne will be on hand with “The Holdovers,” a comedy set in a boarding school that reunites him with “Sideways” star PaulGiamatti, while Linklater is showing “Hitman,” an action-comedy with Glen Powell and Adria Arjona. Kore-eda and Triet will screen “Monster” and “Anatomy of a Fall,” both of which premiered at Cannes, where the latter won the Palme d’Or.

Nick Vivarelli International Correspondent Spanish director J.A. Bayona’s “Society of the Snow,” a reconstruction of a 1972 plane crash in the Andes that forced survivors to take extreme measures, including cannibalism, has been set as the Venice Film Festival’s closing film. The deeply immersive Spanish-language saga is a Netflix original film shot in Andalusia’s Sierra Nevada, mainland Spain’s highest mountain range, using a 300-person crew. “Society of the Snow” will world premiere on the Lido out-of-competition on Sept. 9th. Its official screening will be held in the Palazzo del Cinema after the awards ceremony. In 1972 Uruguayan Air Force Flight 571, which had been chartered to bring Montevideo’s Old Christians Rugby Club team to Chile, crashed at an altitude of 11,712 feet in the Andes.  Of its 45 passengers – which consisted mostly of the rugby team, friends and family – 29 survived. Without food, the survivors, who belonged to Uruguay’s elite, were forced to eat the flesh of the deceased to stay alive. 19 survived an avalanche. 72 days after the crash, 16 finally made it out alive. 

Leo Barraclough International Features Editor Recently restored versions of William Friedkin’s “The Exorcist,” Terrence Malick’s “Days of Heaven” and Francis Ford Coppola’s “One From the Heart” feature in the Venice Classics section of the 80th Venice Film Festival. The lineup of recently restored films in Venice Classics, which is curated by the festival’s artistic director Alberto Barbera in collaboration with Federico Gironi, was unveiled on Friday. “The Exorcist” is screened, 50 years after it was produced by Warner Bros., alongside Disney’s “Rebecca of Sunnybrook Farm,” starring Shirley Temple and directed by “the prolific and sometimes brilliant” Allan Dwan, to mark the Hollywood studios’ 100th anniversaries.

Leo Barraclough International Features Editor The 80th Venice Film Festival has revealed its selection of projects for Venice Immersive, the XR-Extended Reality section of the festival, which runs Aug. 30 – Sept. 9. The program will include VR experience “Wallace & Gromit in the Grand Getaway” and a Fatboy Slim project. Venice Immersive is devoted to immersive media and includes all XR means of creative expression: 360° videos and XR works of any length, including installations and virtual worlds. The program, which will take place on the island of Lazzaretto Vecchio, will present 44 projects from 25 countries, and 24 works in the Worlds Gallery section. It will comprise:

Cardi B doesn't mind spending  when it comes to her kids!In a recent interview with the, the 30-year-old rapper dished about the perks of her wealth. The «Up» singer admits that as of 2018, she was being booked for $700,000-$800,000 to play a show.

Atom Egoyan’s “Seven Veils” will have its world premiere at the 2023 Toronto International Film Festival, TIFF organizers announced on Wednesday. The Canadian filmmaker of “Exotica,” “The Sweet Hereafter” and “Chloe” will present his film at the Four Seasons Centre for the Performing Arts in a special Sept. 8 “Avant-premiere” screening held in partnership with the Canadian Opera Company.“Seven Veils” stars Amanda Seyfried and was inspired by Egoyan’s recent experience with a revival of his 1996 version of the opera “Salome,” which he directed for the first time in 1996 for the Canadian Opera Company.

With the WGA and SAG strikes happening right now, there are a lot of questions about what the fall film festival circuit will look like. Will studios pull films if they can’t have stars show up at the events? Will the events be delayed if they can’t produce a quality lineup of features? Well, even though we don’t know the answers to those questions, it appears it’s business as usual over at the Toronto International Film Festival, as the event has announced the first film to make its debut— “Seven Veils” from director Atom Egoyan.

Toronto New Wave filmmaker Atom Egoyan has set a Toronto Film Festival world premiere for his newest feature, Seven Veils, reteaming him with Oscar nom Amanda Seyfried following their work together on the 2009 thriller Chloe.

Leo Barraclough International Features Editor Seven films have been selected for the 11th edition of Final Cut in Venice, the works-in-progress section of the 80th Venice Film Festival. Final Cut in Venice, which runs Sept. 3-5, provides support for the completion of films from Africa and five Middle Eastern countries: Iraq, Jordan, Lebanon, Palestine and Syria. It is one of the programs run by the festival’s industry section, Venice Production Bridge. Over three days, the working copies of the selected films will be presented to producers, buyers, distributors, post-production companies and film festival programmers. The first two days are devoted to screenings, and then one-to-one meetings between the producers of the projects and the professionals attending the Venice Production Bridge will take place on the third day. The program will conclude with the awarding of prizes in kind or in cash, the purpose of which is to provide support for the films’ post-production.