Toronto Film ‘Not a Word’ Debuts Trailer, Director Hanna Slak Talks Truth of Mahler’s 5th Symphony: ‘You Have to Face the Darkness’ (EXCLUSIVE)

The People’s Choice Award from the just-wrapped 2023 Toronto Film Festival has gone to American Fiction . First Runner Up is Alexander Payne’s The Holdovers. Second Runner Up was Hayao Miyazaki’s The Boy And The Heron . The Documentary Award went to Mr. Dressup: The Magic Of Make-Believe, ,and the Midnight Madness winner was Dicks: The Musical.

Watching Mountains, which just made its international debut as part of the Toronto Film Festival’s Centerpiece program, I could not help but think of two other landmark films it seems to recall in its own way. One was 2019’s The Last Black Man In San Francisco, a remarkable story of gentrification and its effect on those being edged out of their home that starred Jimmie Falls and launched the career of Jonathan Majors. The other was the 1960 film version of Lorraine Hansberry’s oft-performed A Raisin In The Sun in which Sidney Poitier as Walter Lee Younger played a struggling husband, son, and father with a dream for a new house and a better life for his family.

Depending on who you speak to, Aggro Dr1ft has either been a hideous blight on the fall festival circuit or… Well, currently, there’s not exactly a consensus on what there is to love about Harmony Korine’s in-your-face fantasia, a nightmare vision of Florida made all the more hellish by its refusal to resemble anything you might expect even — or perhaps especially — from the director of Spring Breakers.

The passing pleasures of watching the fine young actors Jessie Buckley, Riz Ahmed and Jeremy Allen White can’t make up for the increasing distaste that develops from contact with Fingernails, an irritating and, finally, ridiculous examination of relationship matchmaking carried far too far. Greek director Christos Nikou won unanimous critical plaudits for his compellingly eerie debut feature Apples, which dealt with amnesia patients, and here again he appears drawn to troubled and mysterious states of mind that develop in the quest for love, commitment and some sense of security in modern life. The film debuted at the Telluride Film Festival and screened at the Toronto Film Festival.

In 2019, Australian documentary filmmaker Kitty Green made her first narrative movie, a piercing almost cinéma vérité-style movie focused on an office assistant in a Tribeca film company run by a not-so-thinly disguised Harvey Weinstein. The male culture there and the sexual acts of the boss made it almost a modern horror story at the height of the #MeToo movement. For Green’s second narrative film she has changed up the filmmaking style considerably, but with The Royal Hotel which premiered last week at Telluride and now premieres tonight at the Toronto Film Festival, she is taking an even deeper look at the dark side of men as seen through the female gaze in a broken down hotel bar in a desolate part of the Australian Outback.

Colman Domingo shows off his award following the TIFF Tribute Gala during the 2023 Toronto International Film Festival over the weekend.

Making a grand entrance into the world of directing, Billy Bryk and Finn Wolfhard present their feature debut, Hell of a Summer. With the vibes reminiscent of Friday the 13th and Sleep Away Camp, this film delivers nostalgia that captures the essence of the golden age of horror slasher cinema. Each character checks off the 1980s horror trope boxes, ensuring that every campy moment feels both authentic and delightfully over the top. Bryk and Wolfhard also star.

Michael Keaton, after making his directorial debut with 2008’s The Merry Gentleman, steps behind the camera for only the second time with his latest film, Knox Goes Away in which he also delivers one of his finest and most poignant performances as a man facing a rare form of fast moving dementia, but who is racing the clock to save his estranged son’s life before it is too late.

In an unexpected twist, the prison bars have transformed into curtains, drawing back to reveal a compelling story of redemption, humanity, and artistry. Sing Sing, adapted from the Sing Sing Follies by Clarence “Divine Eye” Maclin,  and impeccably directed by Greg Kwedar, is more than just a film about prison life. It’s a love letter to the transformative power of performing arts, smartly penned by screenwriters Kwedar and Clint Bentley. This emotional drama stars Colman Domingo, Paul Raci, John “Divine G” Whitfield, Sean San Jose, Jon-Adrian Velazquez, David J. Giraudy, Sean “Dino” Johnson, and  Sean “Divine Eye” Johson. 

Fall film festivals are usually where we look for the more serious awards bait pictures, but occasionally as with tonight’s rousing World Premiere of Taikia Waititi’s long-gestating American Somoan soccer comedy, Next Goal Wins, you get a real commercial crowd pleaser.

Rebecca Rubin Film and Media Reporter Patricia Arquette, Lulu Wang, Finn Wolfhard, Barry Jenkins, Camila Morrone, Willem Dafoe and Colman Domingo mixed and mingled at Variety and Chanel’s annual female filmmaker dinner during the Toronto Film Festival. At the glamorous event, held on Saturday night at Soho House and hosted by Variety co-editor-in-chief Ramin Setoodeh, VIP attendees nibbled on tuna tartare, striploin steak and heirloom tomato salad as they toasted the recipients of Chanel’s Women Writers’ Network. The year-round program is designed to advance the careers of women and non-binary alumni of the TIFF Writers’ Studio.

Flesh-eating sewer monsters, genitals with wings, grave robbing, two confused “identical twins” and 90 minutes of sexual innuendo is what you can expect from comedians Aaron Jackson and Josh Sharp’s stage show-turned-movie. Directed by Larry Charles and written by and starring the duo, the film also features Nathan Lane, Megan Mullally, Megan Thee Stallion and Bowen Yang. As a viewer, I often wondered how the hell this got turned into the movie because it is so outrageous. Thankfully, it succeeds at being fun and funny because anything less would have amounted to torture. 

When British-Palestinian filmmaker Farah Nabulsi was watching the UK media coverage of the Gilad Shalit prisoner exchange in 2011, it had a profound impact on her. At the time, Shalit was an Israeli occupation soldier who had been abducted in 2006 by Palestinian freedom fighters and the first Israeli soldier to be captured by Palestinians since 1994. Shalit was eventually released five years later in exchange for more than 1,000 Palestinian political prisoners, including hundreds of which were women and children. 

Naman Ramachandran Toronto Film Festival Midnight Madness world premiere “Kill” is a confluence of three stellar Indian talents. Producer Guneet Monga Kapoor is an Oscar winner for “The Elephant Whisperers”; fellow producer and filmmaker Karan Johar is a Bollywood A-lister who has just delivered massive hit “Rocky Aur Rani Kii Prem Kahaani”; and director Nikhil Nagesh Bhat is known for Netflix film “Long Live Brij Mohan” and Prime Video series “Rasbhari.” “Kill” belongs to the extreme action genre, a rarity in Indian cinema. Set entirely on an express train to New Delhi, the film follows Indian army commandos Amrit and Viresh, who are on a mission to rescue Amrit’s girlfriend Tulika.

Nick Vivarelli International Correspondent London and Paris-based Film Constellation has taken international sales on Egyptian director Abu Bakr Shawky’s hotly anticipated Saudi-set travel movie “Hajjan,” ahead of its Toronto Film Festival world premiere. “Hajjan,” which will launch from Toronto’s Discovery section, is a followup to Shawky’s first feature “Yomeddine,” which had the rare distinction of making the competition cut for Cannes.

It is never a normal “opening night” when it comes to the Toronto Film Festival which is offering numerous films including the much anticipated Hayao Miyizaki film The Boy And The Heron which is the key opening night gala, but there are others including two exceptional directorial debuts from celebrated veteran stars Kristin Scott Thomas and Patricia Arquette making it all a very memorable kickoff for TIFF on many fronts.

Brent Lang Executive Editor The Toronto International Film Festival kicked off its 48th edition with the North American premiere of “The Boy and the Heron,” the first feature from animation icon Hayao Miyazaki in a decade and the picture that is likely to serve as his cinematic swan song. The 82-year-old filmmaker isn’t doing any promotion for the film, so he wasn’t on hand at the Princess of Wales Theater on Thursday to look out at the adoring crowd of film lovers, who cheered every time his name or that of Studio Ghibli, his creative home, was invoked.

Lee” to the Michael Keaton-directed thriller “Knox Goes Away”) given the uncertainty about what has been agreed to. Still, buyers seem impressed with what’s available to purchase.

Leo Barraclough International Features Editor The international trailer for “A Whole Life,” which will have its world premiere in the Gala section of the Zürich Film Festival (Sept. 28 to Oct. 8), has debuted with Variety (below).

Leo Barraclough International Features Editor Vicky Krieps, best performance prize winner in Cannes’ Un Certain Regard for “Corsage,” will star as Sophie Toscan du Plantier in six time-Oscar nominee Jim Sheridan and David Merriman’s “Re-creation,” which is being presented in the Venice Gap-Financing Market. The docu-drama, which centers on the brutal murder in 1996 in Ireland of French film and TV producer Toscan du Plantier, has been co-written and will be co-directed by Sheridan, best known for “My Left Foot” and “In the Name of the Father,” and Merriman.