‘Knox Goes Away’ Review: Michael Keaton Directs Himself Into One Of His Most Memorable Performances As A Contract Killer With Dementia – Toronto Film Festival

Britney Spears is showing her admiration forShakira following her incredible MTV VMAs performance, which inspired her own dance, using prop knives and twirling around her living room. The iconic pop star also took a moment to tell her fans that she was not dancing with real knives, and was only imitating Shakira’s moves.KEVIN FEDERLINE WANTS TO INCREASE BRITNEY SPEARS’ CHILD SUPPORTSHAKIRA POKES FUN AT HER SON DURING THEIR FAMILY NIGHT AT ALEJANDRO SANZ’S CONCERT“I know I spooked everyone with the last post, but these are fake knives that my team rented from Hand Prop shop in LA,” she assured her fans on social media, while showing her dance moves wearing a white top and a pink bikini.

Near the end of Aristotle Torres’ assured feature debut “Story Ave,” a title card comes up on the screen, noting the film is “by The Bronx.” It’s a short moment, leading into the end credits, but it nevertheless speaks volumes to the textured approach that Torres gives to a film that, at least in its outline form, could feel cliché.

Carmel Dagan Staff Writer Michael Gambon, the Irish-English actor best known for his role as Hogwarts headmaster Albus Dumbledore in six of the “Harry Potter” movies, has died, Variety has confirmed. He was 82.

In a different timeline, you might be talking a lot more about “Cassandro.” And, frankly, you should. Roger Ross Williams‘ feature directorial debut found strong reviews out of the 2023 Sundance Film Festival and was set for a bit of an awards season burst at Telluride.

The Rolling Stones have previewed their new collaborative single with Lady Gaga and Stevie Wonder – listen to the clip below.The legendary band announced their 24th studio album ‘Hackney Diamonds’ on September 6 and shared its lead single ‘Angry’. Following on from 2005’s ‘A Bigger Bang’, the record will mark the Stones’ first collection of original music in 18 years.Earlier this month it was revealed that Gaga and Wonder both contributed to a song called ‘Sweet Sounds Of Heaven’.

A creepy businessman broke into a woman's house and performed a sex act with underwear he found while rifling through her drawers. Ashley Watling, who had run a successful business before losing much of his money on cryptocurrency, had a key cut and let himself into his victim's home twice.

Michael Nordine author Much like its protagonist — a ghastly superhero who gains his powers after falling into a vat of chemical waste — “The Toxic Avenger” refuses to die. Made for a paltry $500,000 in 1984, Troma’s cult classic spawned three direct sequels, a rock musical, two video games, a short-lived animated series and now a remake starring Peter Dinklage. Given the eco-friendly, anti-pollution message at the improbable franchise’s core, perhaps its reemergence shouldn’t be surprising.

*NSYNC‘s reunion continued with a joint appearance on Hot Ones, where they spilled some major tea.

bombshell investigation published Sept.

Russell Brand is being demonetized by YouTube.

Millions of households across Great Britain are set to receive £300 this Autumn as part of the £900 cost of living payment support, with a further £299 due next Spring. No confirmed details about a payment window or the qualifying period have been announced by the UK Government yet, despite widespread online speculation.

Chris Willman Senior Music Writer and Chief Music Critic Director Sam Jones won plaudits earlier this year for his HBO documentary “Jason Isbell: Running With Our Eyes Closed,” one of the best-regarded music docs since his own “I Am Trying to Break Your Heart: A Film About Wilco” back in 2001. He also got attention this year for his HBO documentary series “Smartless: On the Road,” with Jason Bateman, Will Arnett and Sean Hayes.

You wouldn’t want a documentary about Tom Wolfe to mimic his style. That could be challenging (just imagine all the on-screen exclamation marks!!!!!!!, idioSYNcratic CAPITALIZATION, and onomatopoeic spelling) not to mention possibly embarrassing.

Numerous clips have been shared online regarding how self-importantly Aaron Sorkin and company took themselves while they were making “The Newsroom,” a show that practically announced itself as the last stand for human rights and journalistic decency in the world. Holding that impossible standard high in its third season is Apple TV+’s expensive hit “The Morning Show,” a program that makes it feel like if morning news in America falls, then the apocalypse is just around the corner.

Michael Keaton has been acting in movies long enough to know that if you’re making one, as he does for the second time with the proficient neo-noir “Knox Goes Away,” your opening shot needs to say something. His says it all: a tight close-up inventories the personal affects of an unseen figure taking them one by one, heading out the door, then doubling back to grab the watch, filling the audio track with its relentless ticking.

Owen Gleiberman Chief Film Critic “Knox Goes Away” is a silky and entrancing thriller directed by its star, Michael Keaton — but as soon as I heard the film’s premise, I’ll admit I was skeptical. Keaton plays an underworld hit man who is diagnosed with dementia. That sounds a bit trendy, and more than that it sounds like a stunt premise.

Todd Gilchrist editor An adult-oriented crowd pleaser of the sort that seldom gets made any longer without superheroes being involved, and better than that, is quite entertaining, “A Haunting in Venice” extends 2023’s streak as the Year That Hollywood Lured Grown-Ups Back To Theaters. Less prestigious than practiced in spotlighting the star wattage of its pedigreed cast, Kenneth Branagh’s third Agatha Christie adaptation offers a nimble stopgap between drier art-house fare, traditional studio tentpoles and scrappy genre material leaching ticket sales from their pricier competitors — while satisfying all three potential audiences.

There’s been a lot of jealous talk about nepotism in the film world lately, but who would really want to come into the movie world as a, what, fourth-generation Huston? There are likely swords already being sharpened for Jack Huston, the handsome, charming, 40-year-old nephew of Anjelica, grandson of Jack and great-grandson of Walter. But his directing debut, Day of the Fight, which premiered this week in the Venice Film Festival’s Horizons Extra section, is certainly worthy of the family name. It’s a little earnest, sometimes a bit too style-conscious, and Huston is inclined to put performance before story every time. But the emotional input really earns its payoff in a confident, imaginatively mounted calling card.

Numerous clips have been shared online regarding how self-importantly Aaron Sorkin and company took themselves while they were making “The Newsroom,” a show that practically announced itself as the last stand for human rights and journalistic decency in the world. Holding that impossible standard high in its third season is Apple TV+’s expensive hit “The Morning Show,” a program that makes it feel like if morning news in America falls, then the apocalypse is just around the corner.