Tokyo Film Festival: Gu Xiaogang And Mouly Surya To Receive Kurosawa Akira Award

The Wrestler, directed by Bangladeshi-Canadian filmmaker Iqbal H. Chowdhury, and September 1923, from Japan’s Tatsuya Mori, picked up the New Currents Awards as Busan International Film Festival wrapped a busy 28th edition on October 13. 

Chinese filmmaker Zhang Yimou has been set as the recipient of this year’s Lifetime Achievement award at the forthcoming Tokyo Film Festival (TIFF), running October 21 – November 1.

Patrick Frater Asia Bureau Chief Leading Chinese film director Zhang Yimou is to receive a lifetime achievement award at the Tokyo International Film Festival later this month. The award will be presented to him during the festival’s opening ceremony on Oct. 23. Later, Zhang will take part in a special talk session at the TIFF Loungeco-hosted by the Japan Foundation. Additionally, his “Full River Red,” which was a box office sensation in China at the beginning of the year, will play as a gala selection during the Tokyo festival. Zhang, consider to be among China’s “fifth generation” of filmmakers, has had an extraordinary career that he has sustained for over three decades.

Sharareh Drury Miami Dade College’s Miami Film Festival GEMS has announced the full lineup for its 2023 festival, which will run from Nov. 2-5. The 10th edition of the fest will feature 26 films from 14 countries, all taking place at MDC’s Koubek Center and Silverspot Cinema.

The San Sebastian Film Festival awarded O Corno (The Rye Horn) with the Golden Shell for Best Film. San Sebastián native Jaione Camborda took the top prize of the night for the feature she directed.

International execs from Unifrance, MK2 and TrustNordisk kicked off the annual Zurich Summit on Saturday to discuss the importance of film festivals when promoting a title and if fests are drifting away from what works in cinemas. 

Clayton Davis Senior Awards Editor The Oscars love it when a movie sticks it to the man. Films focusing on systemic inequality, or the monied elite’s morally murky ways, arrive as many industry voters have spent the better part of the year on the picket lines, holding out for a better contract from studios. These movies could strike an emotional chord with Academy members when they cast their ballots.

The 2024 Göteborg Film Festival will show an AI-altered version of Ingmar Bergman’s Persona with a new actor edited in. Another Persona will co-star 42-year-old Finnish actress Alma Pöysti as Elisabet Vogler, a role played in the 1966 arthouse classic by Liv Ullmann (now 84), as Deadline reports.

The Tokyo Film Festival has set the lineup for its bumper 2023 edition, running October 23 to November 1. Scroll down for the full list. 

Patrick Frater Asia Bureau Chief Equal numbers of Chinese and Japanese titles adorn the main competition section of the Toyo International Film Festival, which was announced on Wednesday – three each. Among the Chinese films is “Snow Leopard,” the last feature by the late Pema Tseden, and “Dwelling by the West Lake,” directed by Gu Xiaogang, the surprisingly inexperienced joint recipient of this year’s Kurosawa Award. The full competition with 15 titles, set to play between Oct. 23 and Nov.

Leo Barraclough International Features Editor Neo Sora’s concert documentary “Ryuichi Sakamoto | Opus,” a standout at the Venice Film Festival, has sold for theatrical distribution in North America to Janus Films ahead of its North American premiere at the New York Film Festival. The theatrical release will be followed by a Blu-ray Disc release on the “Janus Contemporaries” label. This is the latest deal inked by London and Paris-based production, finance and sales outfit Film Constellation, following a slew of sales to Spain (Filmin), Portugal (Midas Filmes), Germany and Austria (Rapid Eye), Scandinavia (NjutaFilms), Baltics (Kino Pavasaris), South Korea (Media Castle), China (JL Vision Films), Hong Kong and Macau (Edko Films), Taiwan (Cai Chang) and Singapore (Anticipate Pictures).

Animation Is Film revealed Thursday that its 2023 edition next month will open with Gkids and Studio Ghibli’s The Boy and the Heron, the latest film from Hayao Miyazaki that just opened the Toronto Film Festival. It is getting its U.S. Imax premiere at TCL’s Chinese 6.

McKinley Franklin editor Hayao Miyazaki’s “The Boy and the Heron” will open Animation Is Film on Oct. 18 at the TCL Chinese Theatre in the festival’s first IMAX premiere, the organization announced Thursday. The Animation Is Film Festival, sponsored by Variety, will run from Oct.

Patrick Frater Asia Bureau Chief Ozu Yasujiro, the leading Japanese film director behind classics including “Tokyo Story” and “Late Spring,” has had his double birth and death anniversaries – Ozu died in 1963 on the day of his 60th birthday, a little more than a year after the release of his last film “An Autumn Afternoon” – celebrated throughout 2023 at places as varied as the Cannes Film Festival, Los Angeles’ Margaret Herrick Library and the Taiwan Film & Audiovisual Institute. But it falls to October’s Tokyo International Film Festival to put on this year’s biggest and most comprehensive reconstruction of Ozu’s surprisingly varied career. Working in conjunction with the National Film Archive of Japan, the festival will present an extensive retrospective that covers almost all the films that Ozu directed (TIFF/NFAJ Classics: Ozu Yasujiro Week) from Oct. 24-29. Ozu spent his entire career, from camera assistant in 1923 to renown director in 1962, as an employee of major Japanese studio Shochiku, with all the advantages and disadvantages such an arrangement brought. While Ozu is best known for his stripped-down dramas, often centered on family relationships, sometimes troubled or contentious, involving parents and young or grown-up children, many hinging on questions of marriage, generational misunderstandings or the loneliness of the elderly, the director’s register may not entirely have been of his own choosing. “The apparent consistency of the post-war films surely owes as much to this production situation as to Ozu’s aesthetic choices,” wrote critic Tony Rayns in a recent Sight & Sound portrait.

Danish filmmaker Cristoffer Guldbrandsen, director of the documentary A Storm Foretold, has been on a journey into the heart of darkness of American politics.

The People’s Choice Award from the just-wrapped 2023 Toronto Film Festival has gone to American Fiction . First Runner Up is Alexander Payne’s The Holdovers. Second Runner Up was Hayao Miyazaki’s The Boy And The Heron . The Documentary Award went to Mr. Dressup: The Magic Of Make-Believe, ,and the Midnight Madness winner was Dicks: The Musical.

Brent Lang Executive Editor “American Fiction,” Cord Jefferson’s satire of race and media, captured the Toronto International Film Festival’s people’s choice award, bolstering its Oscars chances. TIFF’s people’s choice award is considered to be among the best predictors of eventual awards success, though the 2023 festival hosted a weaker lineup than most years due to the writers and actors strikes that saw some prominent contenders skip a Canadian premiere. In the past, winners of the prize such as “Green Book,” “12 Years a Slave” and “Nomadland” went on to be named best picture at the Academy Awards.

Naman Ramachandran Jessica Chastain will receive the Zurich Film Festival’s Golden Icon Award. Chastain will present her latest film “Memory” at the festival alongside director Michel Franco and co-star Peter Sarsgaard on Oct. 1.

Brent Lang Executive Editor Elysian Film Group, Anonymous Content and Bleecker Street have jointly acquired the U.K. rights to “The Boy and the Heron,” the first film from legendary animator Hayao Miyazaki in a decade. Elysian Film Group will release the film in U.K.

Sophia Scorziello editor A new study has found that women directors are getting more screentime at festivals than ever before. Though the gap still exists between major studio films by male and female directors, the space in between continues to shrink, and in some areas, has disappeared entirely in regards to independent films at festivals. In the wider sphere of big studio films, this may not be the case, with one finding setting the number of male and women directors of the top films over the last 15 years at a whopping 11 to 1 ratio.