Films Made by Women Are on the Rise at U.S. Film Festivals

Director Steve McQueen said his unusual four-hour Holocaust documentary shot in Amsterdam is rooted in his strong sense that “the past is present” in physical manifestations all around us, as well as a reminder to stay vigilant.

Foe, a complicated love story set in the near future amid burned out farmland, intertwines AI and climate catastrophe with the challenges of keeping a marriage together — all elements director Garth Davis (Lion) said pulled him to the story.

International execs from Unifrance, MK2 and TrustNordisk kicked off the annual Zurich Summit on Saturday to discuss the importance of film festivals when promoting a title and if fests are drifting away from what works in cinemas. 

Todd Haynes, who has appeared on behalf of his latest directing outing, May December, since its splashy debut in Cannes, turned to a new collaborator when promoting it at the New York Film Festival.

There’s nothing like New York in the Fall— crisper air, pumpkin spice lattes, Cityside Pumpkin patch, the leaves changing in Central Park, and the New York Film Festival. What could be better? The 61st annual New York Film Festival kicks off in a few days, and there is a lot to look forward to.

There’s nothing like New York in the Fall— crisper air, pumpkin spice lattes, Cityside Pumpkin patch, the leaves changing in Central Park, and the New York Film Festival. What could be better? The 61st annual New York Film Festival kicks off in a few days, and there is a lot to look forward to.

Leo Barraclough International Features Editor Neo Sora’s concert documentary “Ryuichi Sakamoto | Opus,” a standout at the Venice Film Festival, has sold for theatrical distribution in North America to Janus Films ahead of its North American premiere at the New York Film Festival. The theatrical release will be followed by a Blu-ray Disc release on the “Janus Contemporaries” label. This is the latest deal inked by London and Paris-based production, finance and sales outfit Film Constellation, following a slew of sales to Spain (Filmin), Portugal (Midas Filmes), Germany and Austria (Rapid Eye), Scandinavia (NjutaFilms), Baltics (Kino Pavasaris), South Korea (Media Castle), China (JL Vision Films), Hong Kong and Macau (Edko Films), Taiwan (Cai Chang) and Singapore (Anticipate Pictures).

Pete Davidson is back in the dating game. According to multiple reports, he’s now dating “Outer Banks” star Madelyn Cline.

Animation Is Film revealed Thursday that its 2023 edition next month will open with Gkids and Studio Ghibli’s The Boy and the Heron, the latest film from Hayao Miyazaki that just opened the Toronto Film Festival. It is getting its U.S. Imax premiere at TCL’s Chinese 6.

McKinley Franklin editor Hayao Miyazaki’s “The Boy and the Heron” will open Animation Is Film on Oct. 18 at the TCL Chinese Theatre in the festival’s first IMAX premiere, the organization announced Thursday. The Animation Is Film Festival, sponsored by Variety, will run from Oct.

The American French Film Festival (TAFFF), which had been due to take place in L.A. from October 18 to 22, has been shelved due to the writers and actors strikes.

Addie Morfoot Contributor Woodstock Film Festival has added Tony Goldwyn’s comedy drama “Ezra,” starring Bobby Cannavale and Robert De Niro to its 2023 lineup.In the film, which made its world premiere earlier this month at the Toronto Intl. Film Festival, Cannavale stars as Max, a stand up comic who after recently blowing up his career and marriage is living with his father Stan (De Niro).

Maja Hoffmann has been officially confirmed as President of the Locarno Film Festival following a vote at an Extraordinary General Assembly on Wednesday.

Addie Morfoot Contributor Three documentaries have been selected to to participate in the inaugural Diane Weyermann fellowship program, which will kick off Sept. 15 at Maine’s 19th edition of the Camden Intl.

NewFest has announced its full lineup for the 35th milestone anniversary year of its annual New York LGBTQ+ Film Festival. The announcement was made today by NewFest’s Executive Director David Hatkoff and Director of Programming Nick McCarthy.

EXCLUSIVE: Filmmaker Cord Jefferson has, in recent years, made two life-changing decisions.

Netflix’s Pain Hustlers is a largely fictionalized tale of a very real world, and rather eye-opening, business: selling an easy fix for what ails us, even if it leads to addiction and death. Although the names have been changed, the characters invented although inspired for some by actual cases and people, the original source material is all too real. Based on a New York Times article of the same name by Evan Hughes and then developed as Hughes was turning his research into the book, “The Hard Sell: Crime And Punishment At An Opioid Start-Up”, screenwriter Wells Tower has fashioned a riveting, if disturbing scenario brought to life by director David Yates who was looking for a less fantastical tale to tell other than the Harry Potter movies he was directing. He found it, and also his way into what might be quite a shocking expose of just how far of a grift some in big pharma business and the medical community may go in order to make a buck at the expense of our own well being and health. It has its World Premiere tonight at the Toronto Film Festival.

The Burial is a not-so-great title; it sounds like a horror film. I hope it doesn’t keep people away from this highly entertaining, crowd-pleasing movie that otherwise is an example of what good old fashioned Hollywood filmmaking can still be all about in the right hands. It feels bigger than life, but it is based on some pretty big lives indeed.

In 2019, Australian documentary filmmaker Kitty Green made her first narrative movie, a piercing almost cinéma vérité-style movie focused on an office assistant in a Tribeca film company run by a not-so-thinly disguised Harvey Weinstein. The male culture there and the sexual acts of the boss made it almost a modern horror story at the height of the #MeToo movement. For Green’s second narrative film she has changed up the filmmaking style considerably, but with The Royal Hotel which premiered last week at Telluride and now premieres tonight at the Toronto Film Festival, she is taking an even deeper look at the dark side of men as seen through the female gaze in a broken down hotel bar in a desolate part of the Australian Outback.

Fall film festivals are usually where we look for the more serious awards bait pictures, but occasionally as with tonight’s rousing World Premiere of Taikia Waititi’s long-gestating American Somoan soccer comedy, Next Goal Wins, you get a real commercial crowd pleaser.