according to IMDB’s Box Office Mojo. The horror flick is projected to take in $16.8 million this weekend, according to The Hollywood Reporter.
24.09.2022 - 19:14 / variety.com
J. Kim Murphy It’s been a rambling, rocky odyssey to the release of “Don’t Worry Darling” — one involving canceled late-night appearances, rumors of production rivalries and conspiratorial frame-by-frame analysis of red carpet body language and an alleged loogie trajectory. But there was always going to be an opening weekend at the end of this road. And the numbers show that Olivia Wilde has directed a hit. “Don’t Worry Darling” should have no trouble topping the domestic box office, projecting a $21 million debut from 4,113 theaters. The film earned $9.4 million from opening day and Thursday previews — a more-than-solid figure for an original film that carries a modest $35 million production budget.
With a star-studded cast, topped by Oscar nominee Florence Pugh and pop superstar Harry Styles, the film has stirred up enough excitement to convince fans to see how its mystery all plays out on the big screen. The audience is skewing heavily towards women, who composed 66% of opening day crowds. Ticket buyers weren’t deterred by largely unimpressed reviews. The film carries a rather dismal 21% approval rating from top critics on review aggregation website Rotten Tomatoes. Variety chief film critic Owen Gleiberman wasn’t too hot on the film, though he did portend its ultimate popular success: “Between the pop ambition, the tasty dream visuals, and the presence of Harry Styles in his first lead role, ‘Don’t Worry Darling’ should have no trouble finding an audience. But the movie takes you on a ride that gets progressively less scintillating as it goes along.” The coming days will see if that audience sticks. “Don’t Worry Darling” has landed a “B-” grade through research firm Cinema Score, indicating a largely apathetic
according to IMDB’s Box Office Mojo. The horror flick is projected to take in $16.8 million this weekend, according to The Hollywood Reporter.
J. Kim Murphy There’s one key question gripping the world this weekend: will the box office be smiling, or will it be Lyling? Sony’s “Lyle, Lyle, Crocodile” had hopes to challenge for the top slot at the box office this weekend, though it seems that the family comedy won’t be able to outpace the second weekend of Paramount’s smash horror film “Smile.” Meanwhile, 20th Century Studios’ “Amsterdam” is bombing in its debut, aiming to finish in third. “Lyle, Lyle” landed a $3.47 million opening day, screening in 4,350 locations. While that’s not exactly the most impressive opening day on paper, the majority of ticket sales for the musical will come with family audiences attending screenings on Saturday, Sunday and the Monday holiday of Indigenous Peoples’ Day, which will keep a good fraction of kids out of school.
according to IMDB’s Box Office Mojo.The feature film debut from writer and director Parker Finn was called a film with a “highly effective creep factor,” by Variety.It is predicted to be grinning all the way to a $19 million dollar opening weekend,” according to Deadline.Moving down a notch to second place from the top slot last week was “Don’t Worry Darling,” with $2.4 million in sales. The firm, which cost $35 million to make, according to Forbes, has netted $27.9 million domestically and $11 million internationally.Directed by Olivia Wilde, the 1950s-set thriller was “mid to poorly reviewed,” and is forecast to bring in just $7.2 million on its second weekend in theaters, according to Collider.
Rebecca Rubin Film and Media Reporter Hold onto your bucket hats: Sony’s action-thriller “Bullet Train” crossed $100 million at the domestic box office. It’s an impressive milestone (in post-COVID times) for an original movie that doesn’t involve marquee comic book heroes or intergalactic adventures. It helps, of course, that a bankable actor like Brad Pitt stars in the film, as a heavily therapized assassin named Ladybug. “Bullet Train” reached $101 million in domestic ticket sales on Friday, making it only the 14th release this year to hit that benchmark. With another $130 million at the international box office, the film has now earned $231 million in global ticket sales to date.
J. Kim Murphy “Smile” has something grin about this weekend. The creeper is projected to land a $19 million debut from 3,645 locations. It’s a fantastic start for the genre film, which carries a modest $17 million production budget. Compared to other original horror entries this year, Universal’s supernatural kidnap thriller “The Black Phone” kicked off with $23 million while 20th Century Studios’ “Barbarian” opened to $10 million. “Smile” landed a mildly positive “B-” grade through research firm Cinema Score, though such a figure is standard for a horror release. The film has drawn good buzz with solid reviews, scoring a 79% from top critics on review aggregation website Rotten Tomatoes. Variety‘s chief film critic Owen Gleiberman praised the film in his review, writing that it “sets up nearly everything — its highly effective creep factor, its well-executed if familiar shock tactics, its interlaced theme of trauma and suicide — before the opening credits.”
SATURDAY AM:Paramount and other studios are calling Smile at a $19M opening. In a deja vu to last weekend with New Line’s Don’t Worry Darling, another genre pic, this R-rated horror film has received a B- CinemaScore and a severe 69%/53% definite recommend on Comscore/Screen Engine’s PostTrak; a standard audience reaction for such fare. We see one studio calling Smile at $20M, and frankly with this audience score, and the front-loaded nature of horror films, only tonight will determine if this goes up. Last weekend, everyone got excited about the initial numbers they were seeing for Don’t Worry Darling, got over their skis and called the weekend at $20M on Saturday AM before it eased to $19.3M by Monday. Smile‘s Friday is $8.2M, which includes Thursday’s $2M previews.
Paramount’s horror movie Smile struck up $2M in Thursday night previews that started at 7 p.m., a figure that’s just above M. Night Shyamalan’s Old from summer 2021, which did $1.5M in its previews, and just under Universal/Blumhouse’s Black Phone Thursday previews which were $3M in June.
Naman Ramachandran Universal’s ‘Ticket to Paradise,’ starring Julia Roberts and George Clooney, and Warner Bros.’ “Don’t Worry Darling,” with Florence Pugh, Harry Styles and Chris Pine, were in a close tussle at the U.K. and Ireland box office, with the former winning narrowly. “Ticket to Paradise” collected £2.8 million ($3.03 million) to top the box office, edging “Don’t Worry Darling,” which took £2.7 million ($2.99 million) to second place, according to numbers released by Comscore. Disney’s “Avatar” rerelease placed third with £1.2 million. After two weeks atop the box office, Disney’s “See How They Run” dropped to fourth position in its third weekend with £473,222 for a total of £3.6 million.
"Don't Worry Darling" did not disappoint at the box office, darling. Olivia Wilde's sophomore release earned $19.2 million domestically, nabbing the top spot across theatrical releases nationwide.
wrote on Instagram Sunday, days after “Don’t Worry Darling” was released in theaters, alongside photos and videos of her and Stachel from production. “Love you Ari,” she said with hashtags #GotMyCheck, #GotMyMan and #EverythingHappensforaReason.Stachel, who plays Ted, has also been outspoken about his limited role in the final cut of the Olivia Wilde-directed Warner Bros. Pictures movie, most recently posting a TikTok showcasing tweets saying he was a “glorified extra” in the film with the caption “when you end up on the cutting room floor.”“My love.
Forty members of the crew and production team on Olivia Wilde’s new movie Don’t Worry Darling have spoken out to dispute “the absurd gossip” surrounding alleged on-set unrest during the production of the New Line Cinema pic starring Harry Styles, Olivia Pugh and Chris Pine.
Refresh for latest…: There was extra oomph at the international box office this weekend as Disney’s rerelease of 20th Century Studios’ Avatar grossed $20.5M from 50 offshore markets for a $30.5M global launch. The remastered 4K HDR version of the biggest movie ever was catnip to fans with No. 1s in several markets and, as designed, sets the table for James Cameron’s upcoming sequel, Avatar: The Way of Water.
Rebecca Rubin Film and Media Reporter Despite 13 years passing since “Avatar” first hit theaters, moviegoers are apparently still dazzled by the striking world of Pandora. In anticipation of the sequel “The Way of Water,” which opens in December, Disney re-released James Cameron’s original science-fiction epic to promising returns. The film generated $10 million in North America and $20.5 million internationally over the weekend, a huge result for movie that opened more than a decade ago, even if that movie happens to be the highest-grossing global release in history. With this weekend’s returns, “Avatar” widens its lead as the biggest movie of all time with $2.85 billion worldwide.
Rebecca Rubin Film and Media Reporter In the end, there was no need to worry, darling. Olivia Wilde’s “Don’t Worry Darling,” a psychological thriller whose off-screen drama rivaled any antics in the actual movie, scored at the box office in its opening weekend, collecting a leading $19.2 million from 4,113 North American theaters. At the international box office, the movie added another $10.8 million for a global tally of $30 million. Those ticket sales indicate that behind-the-scenes scandals didn’t ding interest in the film, which co-stars Florence Pugh and Harry Styles. All the talk about Spitgate, awkward press conferences and a seemingly endless stream of tabloid fodder may have even boosted awareness. (Well, that, and the overwhelming desire to watch the world-famous pop star in his first major film role.) Whatever the reason that brought audiences to theaters, it’s an impressive debut for the $35 million-budgeted “Don’t Worry Darling.”
The run-up to the release of “Don’t Worry Darling” has been filled with tabloid headlines about the filming of the movie, most notably over an alleged feud between Pugh and director Olivia Wilde. Meanwhile, critics have mostly panned the film with a 38% Rotten Tomatoes score.
according to IMDB’s Box Office Mojo. The flick, which The Post called “too obvious,” is predicted to enjoy a $75.4 million domestic run, according to Forbes.Long before its debut, it had already generated buzz because of rumors that Wilde, 38, is dating the film’s leading man, 28-year-old British megastar Harry Styles.Flying into second place was the 4K re-release of 2009 Oscar-winner “Avatar,” with an over $3.3 million take.
The thriller directed by Olivia Wilde and starring Florence Pugh and Harry Styles was produced on a budget reported to be at around $35 million, so this opening puts the film on track to earn a modest theatrical profit if it gets some help from overseas theaters. The Venice premiere of “Don’t Worry Darling” was beset with constant rumors about animosity between Wilde and Pugh during the film’s production, and reviews from critics during and after the festival didn’t help matters with a 38% score on Rotten Tomatoes.