‘The Hypnosis’ Review: Norwegian Satire Skewers Start-Up Culture – Karlovy Vary Int’l Film Festival

Venice Film Festival artistic director Alberto Barbera is refusing to row back on his decision to invite controversial movie-biz bigwigs Roman Polanski, Woody Allen and Luc Besson to the late summer event, which will take place despite the potential disruption by the ongoing SAG-AFTRA and WGA strikes. “Luc Besson has been recently fully cleared of any accusations. Woody Allen went under legal scrutiny twice at the end of the ’90s and was absolved,” Barbera said in a new interview with Variety.

2023 World Cup campaign against the Netherlands today. This is a rematch of the 2019 final won by the USA and is going to be the USWNT's most challenging matchup in the group stage as they continue their pursuit of a fifth World Cup title.Both teams won their opening matches, with the U.S. beating Vietnam, 3-0, and the Netherlands defeating Portugal, 1-0.

Nick Vivarelli International Correspondent Venice Film Festival artistic director Alberto Barbera is in a good mood after Tuesday’s lineup announcement managed to stave off the impact of the SAG-AFTRA strike, something which could have been “devastating” to the event, he says. In the end, the only U.S. film that skipped the Lido is Luca Guadagnino’s Zendaya-starrer “Challengers,” which Barbera says was against Guadagnino’s wishes.

Nick Vivarelli International Correspondent Spanish director J.A. Bayona’s “Society of the Snow,” a reconstruction of a 1972 plane crash in the Andes that forced survivors to take extreme measures, including cannibalism, has been set as the Venice Film Festival’s closing film. The deeply immersive Spanish-language saga is a Netflix original film shot in Andalusia’s Sierra Nevada, mainland Spain’s highest mountain range, using a 300-person crew. “Society of the Snow” will world premiere on the Lido out-of-competition on Sept. 9th. Its official screening will be held in the Palazzo del Cinema after the awards ceremony. In 1972 Uruguayan Air Force Flight 571, which had been chartered to bring Montevideo’s Old Christians Rugby Club team to Chile, crashed at an altitude of 11,712 feet in the Andes.  Of its 45 passengers – which consisted mostly of the rugby team, friends and family – 29 survived. Without food, the survivors, who belonged to Uruguay’s elite, were forced to eat the flesh of the deceased to stay alive. 19 survived an avalanche. 72 days after the crash, 16 finally made it out alive. 

Leo Barraclough International Features Editor Recently restored versions of William Friedkin’s “The Exorcist,” Terrence Malick’s “Days of Heaven” and Francis Ford Coppola’s “One From the Heart” feature in the Venice Classics section of the 80th Venice Film Festival. The lineup of recently restored films in Venice Classics, which is curated by the festival’s artistic director Alberto Barbera in collaboration with Federico Gironi, was unveiled on Friday. “The Exorcist” is screened, 50 years after it was produced by Warner Bros., alongside Disney’s “Rebecca of Sunnybrook Farm,” starring Shirley Temple and directed by “the prolific and sometimes brilliant” Allan Dwan, to mark the Hollywood studios’ 100th anniversaries.

Leo Barraclough International Features Editor The 80th Venice Film Festival has revealed its selection of projects for Venice Immersive, the XR-Extended Reality section of the festival, which runs Aug. 30 – Sept. 9. The program will include VR experience “Wallace & Gromit in the Grand Getaway” and a Fatboy Slim project. Venice Immersive is devoted to immersive media and includes all XR means of creative expression: 360° videos and XR works of any length, including installations and virtual worlds. The program, which will take place on the island of Lazzaretto Vecchio, will present 44 projects from 25 countries, and 24 works in the Worlds Gallery section. It will comprise:

The lessons learned in this pitch-black German-Bulgarian co-production are very grim indeed, a social-realist drama that takes an unexpectedly shocking turn at its harrowing climax. The film’s recent win at Karlovy Vary, where it took the Grand Prix in the Crystal Globe Competition, should give it a welcome boost on the arthouse circuit, but the unwary are warned that Stephan Komandarev’s latest feature packs a punch not seen since Lars Von Trier or Michael Haneke in their provocative prime.

Leo Barraclough International Features Editor Berlin- and Paris-based Salaud Morisset, a leading short film production and distribution outfit, has acquired two feature films for world sales – one selected by Karlovy Vary Film Festival and the other by Locarno Film Festival – as the company accelerates into feature film sales and production. Salaud Morisset has taken world sales rights on Cyril Aris’ feature documentary “Dancing on the Edge of a Volcano,” which premiered in the main competition at Karlovy Vary this week, and Una Gunjak’s fiction feature “Excursion,” just announced as the opener of Locarno Film Festival’s Filmmakers of the Present section. Salaud Morisset, which is also a co-producer on “Excursion,” aims to continue fostering synergies between its production and sales operations as it commits to a full slate of feature projects.

Jessica Kiang At a festival the size and stature of the Czech Republic’s Karlovy Vary, new discoveries are a daily occurrence. But it is rare that at festival’s end, one of the most excitingly buzzy emergent names should be that of a filmmaker who died 27 years ago and who has languished in relative obscurity – certainly in the Anglophone world – ever since. And yet here we are, at the tail end of an 11-film Yasuzo Masumura retrospective – the biggest of its kind ever mounted at an international film festival – that has proved, in a word, revelatory.  It’s not just in terms of blowing the dust from this extraordinary, unjustly overlooked filmmaker’s catalog, but also in the broader sense of being an exemplary model for how to connect a vibrant, youthful regional audience to global film history. There is a classic film fan born every minute, but in Karlovy Vary this year, you could feel it happen in real time during the screenings of Masumura’s  “A Cheerful Girl” (1957), “Hoodlum Soldier” (1965), “Spider Tattoo” (1966) and so on.  

For writer-director Naqqash Khalid, questions are more important than answers and this premise is something the academic-turned-filmmaker explores heavily in his debut film In Camera, which recently premiered at the Karlovy Vary International Film Festival. The bold film, which opened to positive reviews after it screened in the fest’s Proxima section last week, is the first feature to come out of the 2019 iFeatures slate, the low-budget Creative UK scheme from the UK’s BFI Film Fund and BBC Film. 

Since producing Todd Haynes’ Sundance-winning drama “Poison” in 1991, Christine Vachon has helped bring some of the most unique and memorable independent films to the big – and small screen.

Winner of the Caméra d’Or for the best first feature film last month at the Cannes Film Festival, writer-director Pham Thien An’s “Inside the Yellow Cocoon Shell” is a deeply felt three-hour spiritual odyssey about grief in its many forms.  READ MORE: ‘You Sing Loud, I Sing Louder’ Review: A Vulnerable Ewan McGregor Can’t Save This Father-Daughter Addiction Drama [Karlovy Vary] An impressive tracking shot moves from a nighttime soccer game through a lively street in Saigon before settling on friends having send-off drinks for a member of the group who is forsaking the city for a simple life in the mountains.

Nick Vivarelli International Correspondent For his third edition at the helm, Locarno Film Festival artistic director Giona A. Nazzaro has assembled a wide spectrum of films that “do not resemble each other in terms of tone or form” while reflecting “the world in all its expressions and manifestations,” he tells Variety. This boundless range is best exemplified by the fact that starkly surrealist Filipino arthouse star Lav Díaz’s latest work, “Essential Truths of the Lake,” will be vying for the fest’s Golden Leopard alongside fare that, at least on paper, appears much lighter. This includes U.S. director Bob Byington’s indie comedy “Lousy Carter” and Estonian helmer Rainer Sarnet’s “The Invisible Flight,” which Nazzaro says  “mixes Kung Fu, hard rock and the Orthodox Church.”

The Karlovy Vary International Film Festival’s Eastern Promises industry strand has unveiled the winners of it’s project showcases, which took place at the fest from July 2-4.

Leo Barraclough International Features Editor Assel Aushakimova’s dark comedy about journalism in Kazakhstan “Bikechess” has won the Karlovy Vary Film Festival’s Works in Progress award, which runs as part of the festival’s industry section, Eastern Promises. The section is focused on feature film projects from Central and Eastern Europe, the Balkans, the former Soviet Union, the Middle East and North Africa. The Kazakh film follows Dina, who works as a journalist for the national television station. The stories she is asked to report on are becoming increasingly absurd and full of praise for the government. Her love life is limited to a few secret meetings with her married camera­man. Dina looks after her young sis­ter, a lesbian activist, who regularly finds herself in trouble with the au­thorities.

The unseen and the obscene are the subject of Pascal Plante’s disturbingly brilliant psychological horror, which takes an overused genre — the serial killer movie — and an often-misused technique — dark Lynchian surrealism — and somehow alchemizes the two into something new and original. It’s strong meat for sure (the courtroom-drama framing is deceptive, since this is not really a film about justice), but word-of-mouth cult status beckons, and a healthy nightlife on the genre circuit is assured.

Leo Barraclough International Features Editor Sales agency The Playmaker has signed with Lieblingsfilm to handle international sales for their Zlin Film Festival winner “What the Finn?!” (“Kannawoniwasein”). “What the Finn?!” is based on the children’s book by Martin Muser, which was adapted for the screen by Klaus Döring, Adrian Bickenbach and Stefan Westerwelle, who is also the director of the film. The film had its world premiere at Zlin, where it won the main prize, the Golden Slipper Award for Best Feature Film for Children. The Playmaker will present “What the Finn?!” at the upcoming German Films Previews in Potsdam (July 5 – 8), where it will screen for international buyers.

EXCLUSIVE: Christine Vachon offered her outlook on some of the industry’s most pressing issues at a keynote masterclass session this afternoon at the Karlovy Vary International Film Festival.

You know the modern world is in a dark place when even a middle-aged Iranian woman says that things were better in the old days. Indeed, for his feature debut, director Behrooz Karamizade has fashioned an intelligent and thoughtful drama that should travel well in today’s climate of insecurity, offering a fresh perspective on a multiplicity of worldwide issues (trickle-down theory, the gig economy) while adding an especially nuanced subplot exploring the refugee crisis and the mechanics of people-trafficking.  

Brave is the man who will sign up for a real-life father-daughter road movie set the aftermath of an acrimonious divorce, but Ewan McGregor his no regrets about pairing up with his eldest child — by his first wife — for You Sing Loud, I Sing Louder, which screened as a tribute to the actor in Karlovy Vary. Set in a dreamlike American West, and very far removed from the specifics of the McGregors’ own personal situation, it finds a reformed alcoholic dad trying to reconnect with his offspring after collecting her from hospital. She thinks they’re off to visit an artist friend of her father’s, but the truth is that, in a bid to absolve himself of many years’ worth of guilt, he’s taking her to rehab.