‘The Hand Of God’s Paolo Sorrentino Discusses The Power Of Cinema And Streamers – Contenders Film: The Nominees

My Brilliant Friend is coming to an end at HBO. But not quite yet.

In “The Hand of God,” the Italian director Paolo Sorrentino conjures memories of his formative years in picturesque Naples. Capturing both the sun-dappled summer days he passed in the company of his larger-than-life family and the profound tragedy that set him on a path toward filmmaking, this partly autobiographical drama focuses on Fabio Schisa (Filippo Scotti), a teenager growing up in southern Italy during the 1980s.

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Nick Vivarelli International CorrespondentThe upcoming Los Angeles-Italia Film Fashion and Art Festival will be honoring Italian directors Paolo Sorrentino (“The Hand of God”) and Enrico Casarosa (“Luca”) as well as costume-designer Massimo Cantini Parrini (“Cyrano”) all of whom have scored nominations for the upcoming Academy Awards. The 17th edition of the pre-Oscars event will be held March 20-26 at Hollywood’s TCL Chinese Theatre and also online.This year’s opening ceremony will be hosted by veteran Italian-American actor Robert Davi, who is also this year’s president of the event. Sofia Milos (“CSI: Miami”) and Hollywood acting coach Bernard Hiller will co-host.Consul General of Italy Silvia Chiave and Italian Institute of Culture chief Emanuele Amendola will also be introducing honorees both at the Chinese Theatre and during a separate March 25 event being held at the Italian Institute of Culture.

Bob Verini Of the five 2021 Academy Award nominees for best international film, Italy’s entry, “The Hand of God,” most directly combines two of cinema’s most treasured themes: intensely personal autobiography that is able to speak to a wider audience, and the art of filmmaking itself.Writer-director Paolo Sorrentino uses the character of 16-year-old Fabietto Schisa — played by newcomer Filippo Scotti — to examine the real-life experiences that led to his own growth as a man as well as his eventual birth as a filmmaker.Watching audiences connect so deeply with a character that is drawn so closely from his own experiences has hit Sorrentino deeply. “Now that it’s more than one year that I shot the movie, I have to say that it’s strange, because now I am sharing my pain with a big audience,” he shares.

Read more: Man gives Belfast one star review after not realising it's in black and white Accepting the award, writer and director Kenneth Branagh said: "Thank you to British cinema audiences for watching in tonnage a UK and Irish cinema film at UK and Ireland cinemas. "All hail the streaming revolution, but all hail the big screen too. It's alive, and long may they live together.

The full list of winners for the 2022 BAFTAs has been announced!

Deadline has launched the streaming site for Contenders Film: The Nominees, this past weekend’s showcase of 24 Oscar-nominated films and their stars, creatives and craftspeople talking about their roads to the Academy Awards.

An Oscar nominee for Best International Feature, Lunana: A Yak in the Classroom marks a first for the country of Bhutan, which has only ever submitted two films for consideration (and actually entered Lunana two years in a row following its earlier disqualification on a technicality). Filmmaker Pawo Choyning Dorji and star Sherab Dorji joined us for Contenders Film: The Nominees to discuss the making of the movie, a charming story of a teacher who is reluctantly transferred to a remote village and ends up learning quite a bit throughout his journey.

From the Warsaw Film School, Tadeusz Łysiak’s The Dress is nominated in the Live Action Short category at the Oscars. A poignant story about the desire for love and intimacy, it stars Anna Dzieduszycka as Julka, a short-statured woman who struggles with social rejection because of her appearance.

In the Oscar-nominated animated short film Boxballet, a gargantuan boxer and a willowy ballerina cross path unexpectedly. They develop feelings for each other, but given the enormous gulf between their backgrounds, the question becomes whether love can truly bring them together.

The U.S. is not the only country with growing income inequality. The same is true of China, a phenomenon explored in the Oscar-nominated feature documentary Ascension, from MTV Documentary Films.

After sweeping the awards at the 2021 Sundance Film Festival, capped by a fest-record $25 million sale to Apple, CODA has proven to be the little engine that could.

Thirty-four years after the original Coming to America was released starring Eddie Murphy and Arsenio Hall, a sequel, Coming 2 America, finally arrived — and like the first film has been Oscar-nominated for its makeup and hairstyling. Tasked with bringing it all up to date and making the various guises and multiple roles Murphy and Hall take on really work for a new audience are Mike Marino, who did Special Effects Makeup, as well as Hair Department heads Stacey Morris and Carla Farmer. They all joined me on Amazon Studios’ panel for Deadline’s Contenders Film: The Nominees.

Joining Deadline as part of the Amazon Studios presentation at Contenders Film: The Nominees event were two of the stars of Aaron Sorkin’s funny, moving and cleverly constructed story of the relationship of Lucille Ball and Desi Arnaz in Being the Ricardos, which all takes place in a week during the course of a taping of an episode of I Love Lucy.

Kodi Smit-McPhee, an Oscar nominee for Best Supporting Actor, along with Film Editing nominee Peter Sciberras and Cinematography nominee Ari Wegner, joined me for Netflix’s panel on The Power of the Dog at Deadline’s Contenders Film: The Nominees event.

Paul Tazewell, a first-time Oscar nominee for Costume Design, sat with Best Supporting Actress nominee Ariana DeBose (who won the SAG Award earlier this week) in Disney’s panel for Deadline’s Contenders Film: The Nominees. The two have worked together on other projects, notably on Hamilton, before getting a call from Steven Spielberg about West Side Story that was too good to pass up.

With his film Flee, which recently scored a historic trifecta of Oscar nominations in the categories of Animated Feature, Documentary Feature and International Feature, Jonas Poher Rasmussen cleverly fused two cinematic mediums to help his longtime friend tell a painful, personal story that for decades he kept to himself, while maintaining his anonymity.

“We were waiting for another script, and then suddenly before the pandemic, he said, ‘Read this’,” Oscar-nominated Licorice Pizza producer Adam Somner says about how Paul Thomas Anderson’s latest project came to fruition. “It came out of the blue. It was definitely a surprise.”

“I believe that a big reason why this ambitious idea of throwing a music festival in Harlem in which somewhere between 70,000 to 90,000 people every weekend would see performances was so that there was something joyous and hopeful for people at that point were kind of at the end of their rope,” Summer of Soul (Or When the Revolution Could Not Be Televised) director Ahmir “Questlove” Thompson says about the importance the 1969 Harlem Cultural Festival had to a Black America ravaged by violence and assassination.