Spring has officially sprung, bringing us lighter mornings and evenings, warmer weather and splashes of colourful flowers and plants. With Mother's Day approaching, many will be thinking about what gifts to buy to show appreciation for their mums.
06.03.2022 - 00:55 / deadline.com
From the Warsaw Film School, Tadeusz Łysiak’s The Dress is nominated in the Live Action Short category at the Oscars. A poignant story about the desire for love and intimacy, it stars Anna Dzieduszycka as Julka, a short-statured woman who struggles with social rejection because of her appearance.
The film is just Lysiak’s second and was a student project, made, he says, “to pass an exam,” thus lending a “surreal” quality to being on the road to the Oscars.
How did he land on this subject? At the school, he explained, “they teach us to ask ourselves what bothers us with the world, what do we want to change in the world, what is there to repair, what are the subjects that are important to us as young people in general.”
He came together with Dzieduszycka, who shared stories from her own life, making The Dress a true collaboration. This is the actress’ first leading role and, she said, “the first time I’ve dealt with such serious topics.”
Dzieduszycka’s character suffers bullying and sexual violence, and the actress noted, “We wanted in this story to draw the attention of the audience to this very important topic. Over 40% of people with disabilities across the world experience physical and sexual violence and this is something that we do not talk about it, it’s kept under wraps — life is not a fairy tale.”
She added: “I was kind of an icon, so to speak, that could show to everyone that the world is full of many wonderful people. We thought this would be a good opportunity to show this whole issue of exclusion, how we treat one another. It was also about debunking various stereotypes that we deal with.”
Said Łysiak, “For me, loneliness is the number one disease of the 21st century.” He also calls out a culture that has glorified
Spring has officially sprung, bringing us lighter mornings and evenings, warmer weather and splashes of colourful flowers and plants. With Mother's Day approaching, many will be thinking about what gifts to buy to show appreciation for their mums.
Manori Ravindran International EditorChannel 4 has renewed the Lesley Sharp-fronted crime thriller “Before We Die” — an English adaptation of a Swedish series, produced by the team behind Walter Presents.Sharp will return as detective Hannah Laing, who joins forces with maverick detective Billy Murdoch (Vincent Regan) in a desperate bid to protect her son Christian (Gibson). Season 2 won’t follow the same storyline as its Swedish counterpart, which aired in 2019, but will see Hannah pitched directly against Dubravka, played by Kazia Pelka, the matriarch at the head of the Mimica Croatian crime family.The adaptation is produced by Eagle Eye Drama, which was formed in late 2019 by Walter Iuzzolino, Jo McGrath and Jason Thorp, the creative team behind the global drama company Walter Presents.
has a star-studded cast, and its cameos aren't too shabby either. ET's Rachel Smith spoke with Sandra Bullock at a special screening of the film in New York City on Monday, where she shared how Brad Pitt's part in the film came to be.«I honestly don't know Brad that well, we just keep doing each other favors.
Sandra Bullock is sharing some real praise for her striking wardrobe from her new romcom, .Bullock walked the carpet at a screening of her new film at the Whitby Hotel in New York City on Monday, and she spoke with ET's Rachel Smith about the her memorable purple sequin-covered jumpsuit which she rocks through a large chunk of the action adventure comedy.«She really is a star in this film,» Bullock joked about the ensemble, before giving credit to costume designer Marlene Stewart for finding «the right material» to be gentle enough to wear during action sequences and wouldn't fall apart in the jungle during production. The jumpsuit also had to be made with one particular scene in mind between Bullock and co-star Channing Tatum, in which his head ends up between her legs as they attempt to climb the side of a cliff.«It didn't scratch Channing's face which was very important,» Bullock joked. «It had to do a lot of things, it had to be in a lot of places, and it was just epic.»«She's basically still embedded in parts of my body, but it's okay,» Bullock added with a laugh.Bullock stars in the film as Loretta Sage, a reclusive romance-adventure author who's spent her career writing about exotic places. Tatum is the novels' cover model, Alan, who strives to embody the book's hero character, Dash, in real life.While the pair is promoting Loretta's latest book, she's kidnapped by an eccentric billionaire (Daniel Radcliffe) who wants to find the treasure featured in her newest novel.
Deadline has launched the streaming site for Contenders Film: The Nominees, this past weekend’s showcase of 24 Oscar-nominated films and their stars, creatives and craftspeople talking about their roads to the Academy Awards.
An Oscar nominee for Best International Feature, Lunana: A Yak in the Classroom marks a first for the country of Bhutan, which has only ever submitted two films for consideration (and actually entered Lunana two years in a row following its earlier disqualification on a technicality). Filmmaker Pawo Choyning Dorji and star Sherab Dorji joined us for Contenders Film: The Nominees to discuss the making of the movie, a charming story of a teacher who is reluctantly transferred to a remote village and ends up learning quite a bit throughout his journey.
In the Oscar-nominated animated short film Boxballet, a gargantuan boxer and a willowy ballerina cross path unexpectedly. They develop feelings for each other, but given the enormous gulf between their backgrounds, the question becomes whether love can truly bring them together.
The U.S. is not the only country with growing income inequality. The same is true of China, a phenomenon explored in the Oscar-nominated feature documentary Ascension, from MTV Documentary Films.
After sweeping the awards at the 2021 Sundance Film Festival, capped by a fest-record $25 million sale to Apple, CODA has proven to be the little engine that could.
Thirty-four years after the original Coming to America was released starring Eddie Murphy and Arsenio Hall, a sequel, Coming 2 America, finally arrived — and like the first film has been Oscar-nominated for its makeup and hairstyling. Tasked with bringing it all up to date and making the various guises and multiple roles Murphy and Hall take on really work for a new audience are Mike Marino, who did Special Effects Makeup, as well as Hair Department heads Stacey Morris and Carla Farmer. They all joined me on Amazon Studios’ panel for Deadline’s Contenders Film: The Nominees.
Joining Deadline as part of the Amazon Studios presentation at Contenders Film: The Nominees event were two of the stars of Aaron Sorkin’s funny, moving and cleverly constructed story of the relationship of Lucille Ball and Desi Arnaz in Being the Ricardos, which all takes place in a week during the course of a taping of an episode of I Love Lucy.
At Deadline’s Contenders Film: The Nominees event, Dune‘s Oscar-nominated producer Mary Parent said that “it will be the fall” when the sequel to the feature take of the Frank Herbert novel rolls cameras, “not the summer” as previously expected.
King Richard director Reinaldo Marcus Green, writer Zach Baylin, star Aunjanue Ellis and film editor Pamela Martin joined Warner Bros’ panel at Deadline’s Contenders Film: The Nominees event.
At Contenders Film: The Nominees, Deadline presented a panel with the director and star of perhaps the most historic nominated film at this year’s Oscars, Drive My Car, which represents Japan’s first-ever Best Picture nomination. It’s an astounding feat for a three-hour Japanese-language film, about a stage director’s personal crisis interweaved with his trip to Hiroshima to direct a production of Chekhov’s Uncle Vanya.
Kodi Smit-McPhee, an Oscar nominee for Best Supporting Actor, along with Film Editing nominee Peter Sciberras and Cinematography nominee Ari Wegner, joined me for Netflix’s panel on The Power of the Dog at Deadline’s Contenders Film: The Nominees event.
“It didn’t have to end this way.”
Paolo Sorrentino won the Foreign Language Oscar, as it was known then, in 2014 with his film The Great Beauty. He returns to the frame this year with The Hand of God, perhaps his most personal picture, which is nominated for Best International Feature. This lightly fictionalized tale of Sorrentino’s own youth in Naples, as he grappled with family tragedy, celebrated Diego Maradona’s arrival at his local football team, and took his first steps into his love of cinema, stars newcomer Filippo Scotti as Fabi Schisa, a teenager struggling to find his place in the world.
Adam McKay is known for, among other things, his blistering satires, Vice and The Big Short among them. His latest, the four-time Oscar-nominated Don’t Look Up, takes aim at our ignorance of climate change, our politics and our obsession with tech.
Boasting two Oscar nominations — in the International Feature and Original Screenplay races — Joachim Trier’s lauded The Worst Person in the World is continuing a charmed awards-season run that began last July at the Cannes Film Festival, where lead Renate Reinsve won the Best Actress prize. A humanist story that blends comedy and poignant drama, the film centers on Reinsve’s Julie through good times and bad as she seeks to find herself.
“I believe that a big reason why this ambitious idea of throwing a music festival in Harlem in which somewhere between 70,000 to 90,000 people every weekend would see performances was so that there was something joyous and hopeful for people at that point were kind of at the end of their rope,” Summer of Soul (Or When the Revolution Could Not Be Televised) director Ahmir “Questlove” Thompson says about the importance the 1969 Harlem Cultural Festival had to a Black America ravaged by violence and assassination.