‘Coming 2 America’ Hair And Makeup Team Say Re-Creating Iconic Looks Was “Enormous Task” – Contenders Film: The Nominees

accepted the Icon Award Tuesday night at the iHeartRadio Music Awards, complete with a show-stopping performance of her biggest hits and most iconic looks modeled by drag queens.Introduced by Billy Porter, the drag queens strutted down the stage in J. Lo’s memorable looks over the years.“The word for tonight is ‘icon,'” he shouted on stage while dressed in an all-pink ensemble.Images and videos of Lopez flashed across the on-stage screens as the drag queens rocked similar outfits.When Lopez herself emerged on stage, she donned a white fur coat with the word “Equality” on the train, eventually stripping it off as she performed “On My Way,” her latest song from her film “Marry Me,” followed by “Get Right.”In true J.

Deadline has launched the streaming site for Contenders Film: The Nominees, this past weekend’s showcase of 24 Oscar-nominated films and their stars, creatives and craftspeople talking about their roads to the Academy Awards.

Tom Cruise must have found the fountain of youth because the man hasn’t aged a bit! While filming the latest Mission Impossible in South Africa on Friday (March 4), the 59-year-old actor looked almost exactly like he did in the first installment of the action series back in 1996! The hunky action star was all smiles as he applauded a group of locals who were singing the theme song to one of Tom’s other blockbusters: 1986’s Top Gun.

An Oscar nominee for Best International Feature, Lunana: A Yak in the Classroom marks a first for the country of Bhutan, which has only ever submitted two films for consideration (and actually entered Lunana two years in a row following its earlier disqualification on a technicality). Filmmaker Pawo Choyning Dorji and star Sherab Dorji joined us for Contenders Film: The Nominees to discuss the making of the movie, a charming story of a teacher who is reluctantly transferred to a remote village and ends up learning quite a bit throughout his journey.

From the Warsaw Film School, Tadeusz Łysiak’s The Dress is nominated in the Live Action Short category at the Oscars. A poignant story about the desire for love and intimacy, it stars Anna Dzieduszycka as Julka, a short-statured woman who struggles with social rejection because of her appearance.

In the Oscar-nominated animated short film Boxballet, a gargantuan boxer and a willowy ballerina cross path unexpectedly. They develop feelings for each other, but given the enormous gulf between their backgrounds, the question becomes whether love can truly bring them together.

The U.S. is not the only country with growing income inequality. The same is true of China, a phenomenon explored in the Oscar-nominated feature documentary Ascension, from MTV Documentary Films.

After sweeping the awards at the 2021 Sundance Film Festival, capped by a fest-record $25 million sale to Apple, CODA has proven to be the little engine that could.

Joining Deadline as part of the Amazon Studios presentation at Contenders Film: The Nominees event were two of the stars of Aaron Sorkin’s funny, moving and cleverly constructed story of the relationship of Lucille Ball and Desi Arnaz in Being the Ricardos, which all takes place in a week during the course of a taping of an episode of I Love Lucy.

At Deadline’s Contenders Film: The Nominees event, Dune‘s Oscar-nominated producer Mary Parent said that “it will be the fall” when the sequel to the feature take of the Frank Herbert novel rolls cameras, “not the summer” as previously expected.

King Richard director Reinaldo Marcus Green, writer Zach Baylin, star Aunjanue Ellis and film editor Pamela Martin joined Warner Bros’ panel at Deadline’s Contenders Film: The Nominees event.

At Contenders Film: The Nominees, Deadline presented a panel with the director and star of perhaps the most historic nominated film at this year’s Oscars, Drive My Car, which represents Japan’s first-ever Best Picture nomination. It’s an astounding feat for a three-hour Japanese-language film, about a stage director’s personal crisis interweaved with his trip to Hiroshima to direct a production of Chekhov’s Uncle Vanya.

Kodi Smit-McPhee, an Oscar nominee for Best Supporting Actor, along with Film Editing nominee Peter Sciberras and Cinematography nominee Ari Wegner, joined me for Netflix’s panel on The Power of the Dog at Deadline’s Contenders Film: The Nominees event.

“It didn’t have to end this way.”

Paolo Sorrentino won the Foreign Language Oscar, as it was known then, in 2014 with his film The Great Beauty. He returns to the frame this year with The Hand of God, perhaps his most personal picture, which is nominated for Best International Feature. This lightly fictionalized tale of Sorrentino’s own youth in Naples, as he grappled with family tragedy, celebrated Diego Maradona’s arrival at his local football team, and took his first steps into his love of cinema, stars newcomer Filippo Scotti as Fabi Schisa, a teenager struggling to find his place in the world.

Adam McKay is known for, among other things, his blistering satires, Vice and The Big Short among them. His latest, the four-time Oscar-nominated Don’t Look Up, takes aim at our ignorance of climate change, our politics and our obsession with tech.

Paul Tazewell, a first-time Oscar nominee for Costume Design, sat with Best Supporting Actress nominee Ariana DeBose (who won the SAG Award earlier this week) in Disney’s panel for Deadline’s Contenders Film: The Nominees. The two have worked together on other projects, notably on Hamilton, before getting a call from Steven Spielberg about West Side Story that was too good to pass up.

For Neon and Topic Studios’ film Spencer, screenwriter Steven Knight and director Pablo Larraín used elements from various genres to craft a not-so-biographical drama about Princess Diana. 

Boasting two Oscar nominations — in the International Feature and Original Screenplay races — Joachim Trier’s lauded The Worst Person in the World is continuing a charmed awards-season run that began last July at the Cannes Film Festival, where lead Renate Reinsve won the Best Actress prize. A humanist story that blends comedy and poignant drama, the film centers on Reinsve’s Julie through good times and bad as she seeks to find herself.

Director Byron Howard joined producer Yvett Merino and composer Germaine Franco on a panel at Deadline’s Contenders Film: The Nominees event to discuss Encanto, the Disney movie that is nominated for three Oscars.