The Beatles’ iconic rooftop gig in 1970 ‘Let It Be’ documentary “almost didn’t happen”

Leo Barraclough International Features Editor Manila-based production outfit Parallax Studio and entertainment company Saga Film Studios have formed a joint venture that will distribute the two-part Western epic “Horizon: An American Saga” in the Philippines. The deal is the first of a number of acquisitions planned by the joint venture. The “Horizon: An American Saga” films are directed by and star Academy Award winner Kevin Costner.

Is Billie Eilish going more Taylor Swift? Or are fans just quicker to pick up on this kind of thing thanks to Tay? Either way, we’re kind of into it!

Ringo Starr has given the newly restored Let It Be documentary his seal of approval, despite previously claiming that there was “not a lot of joy” in it.Directed by Michael Lindsay-Hogg, Let It Be was first released in cinemas 54 years ago, and featured footage of The Beatles while they were working their 12th and final studio album of the same name in 1969.While the original film has been difficult to obtain over the past five decades, last month, NME exclusively announced that Disney+ were to release a restored version of the 1970 film.The film arrived on May 8, and was restored by renowned filmmaker Peter Jackson – who also worked on the 2022 docuseries Get Back. He used state-of-the-art digital technology to restore the 55-year-old film reels to crisp, modern quality.However, before the film was shared earlier this month, drummer Ringo Starr made headlines after revealing that he thought that the film didn’t have “a lot of joy in it”.Speaking with Associated Press, he said: “I think Peter Jackson has done an incredible job.

shout — a lot.Ringo Starr, 83, admitted that The Beatles had their issues with one another in a new interview with Dan Rather, 92, for AXS.“No no, we didn’t get along,” the drummer said of the iconic English rock band on May 10. “We were four guys. We had rows.”But Starr said that the drama with the other Beatles — Paul McCartney, George Harrison and John Lennon — “never got in the way of the music no matter how bad the row was.”“Once the count in, we all gave our best,” Starr explained.

Paul Weller has shared he believes that The Beatles split at the “right time.”The Modfather and former frontman of The Jam – who is set to release ‘66′, his 17th solo album and 28th studio LP in total since launching his career back in 1977 – spoke to Mojo, and recalled the impact The Beatles had on him when growing up.“Mum and Dad had old rock ‘n’ roll records by Chuck Berry, Little Richard and Elvis, which I loved, but The Beatles… It isn’t an exaggeration to say they changed the world for many, many people, me included,” he said.He continued: “They made me see other possibilities. They made me think of other things in this life, that there wasn’t just this little town, there was a world beyond the city walls and I wanted to be a part of it, to see and feel and experience.

Ringo Starr has revealed that The Beatles wouldn’t have made as many records had it not been for “workaholic” Paul McCartney.The drummer of the legendary band sat down with journalist Dan Rather for a new interview on AXS TV. Starr opened up about how The Beatles didn’t get along and how without Macca, they wouldn’t have made nearly as many records as they did.“No no, we didn’t get along.

The Beach Boys have discussed their new Disney+ documentary, the support they had from The Beatles, and the health of songwriter Brian Wilson.Interviewed by Mariella Frostrup alongside The Beach Boys’ documentary director Frank Marshall at Abbey Road Studios last night (May 13), the pair revealed that the 81-year-old Wilson – who has recently been placed under conservatorship for what his doctors call a “major neurocognitive disorder” – was still able to perform with the band for the film.“Brian remembered things that I had forgotten from high school at times,” said Love. “His long-term memory is right there.

Eurovision Song Contest 2024.This year’s competition, which was ultimately won by Switzerland’s Nemo, was surrounded by controversy for allowing Israel to compete amid the ongoing conflict with Hamas in Gaza.A statement shared by the EBU to both The Mirror and The Irish Times read: “We regret that some delegations at the Eurovision Song Contest in Malmö didn’t respect the spirit of the rules and the competition both onsite and during their broadcasts. We spoke to a number of delegations during the event regarding various issues that were brought to our attention.It continued: “The EBU’s governing bodies will, together with the heads of delegations, review the events surrounding the ESC in Malmö to move forward in a positive way and to ensure the values of the event are respected by everyone.A post shared by European Broadcasting Union (@ebu_hq)“Individual cases will be discussed by the event’s governing body, the Eurovision Song Contest Reference Group made up of representatives from participating broadcasters, at its next meeting.”The statement’s release comes after the slew of controversies that took over this year’s edition of the song contest.

Music fans have shared their reaction after a gig at Victoria Warehouse was cancelled at short notice last night due to the heavy rain causing a leak at the venue.

Meghan Markle was a no show at King Charles' Coronation last year but her absence did not go unnoticed by other royals who were seen questioning her whereabouts, according to a lip reader.

EXCLUSIVE: 20th Century Studios/Disney’s Kingdom of the Planet of the Apes is beating its chest towards a $125M global bow this weekend. At the international box office, we understand the Wes Ball-directed installment is at around $31M through Friday. As Anthony has reported, domestic is looking at a $52M-$55M start for the full frame.

The Netherlands will not be represented in this evening’s Eurovision Song Contest Grand Final after their artist Joost Klein was disqualified.

Disney and the BBC really don’t want any spoilers revealed for today’s debut of the latest season of Doctor Who. Fair enough, but I’m here to tell you that you will hear some of the worst music ever in these opening episodes of Ncuti Gatwa’s hopefully long run as the famed Time Lord.

The Beatles have released a brand new restored video for ‘Let It Be’.The video features clips from the newly released and restored 1970 film Let It Be, directed by Michael Lindsay-Hogg, and uses rarely-seen alternate camera angles of the Fab Four and Billy Preston as they were recording the song.The meticulous restoration was done by Park Road Post Production from the original 16mm negative. According to the video’s description on YouTube, it was “filmed on the day after the January 30 rooftop concert” in 1969.‌The Let It Be film is now streaming on Disney+, marking the first time the documentary has been available in over 50 years.In a four-star review of the film, NME shared: “There may not be a more punk rock bit of film on earth than George being told the police were on the roof to shut them down, and casually turning his amp back on.

Princess Andre has been unveiled as the new face of iconic beauty brand, Studio London cosmetics.The 16 year old social media sensation, who is the daughter of Peter Andre and Katie Price, will be working closely with Superdrug's own brand range to develop new products, appear in photo shoots and create social media content. Speaking about her exciting new role, Princess gushed: "I've shopped at Superdrug for as long as I can remember, it's always been my go-to for all of my favourite beauty products.To work with them now and play a role in the development of the makeup collection feels like a dream come true, I'm so excited for what's to come!" The announcement was made today (Thursday May 9) that Princess will be lending her youthful glow and social media savvy to the affordable makeup brand.To kick off her new role, she shared some of her must-have products from the line - and they're all priced at £6.

finally available to stream on Disney+ this week.Was it worth the 54-year wait?Well, yes — and no.Some context is needed here first: If you watched “The Beatles: Get Back” — the three-part, eight-hour docuseries directed by none other than Oscar-winning “Lord of the Rings” director Peter Jackson that also premiered on Disney+ in 2021 — you’ve already seen a lot of this.And seen it in the kind of exhaustive detail — from the same footage that Jackson used from “Let It Be” director Michael Lindsay-Hogg — that you can probably break down the level of scruffiness in Paul McCartney’s faux-badass beard.But thankfully — whether or not you’ve already watched the tedious-at-times “Get Back” — this is only 80 minutes versus eight hours of your time.For anyone but the biggest of Beatlemaniacs, that math is math-ing.But here’s the real difference: Whereas “Get Back” captured every bit of Liverpudlian shade, side-eye and Yoko Ono rock-blocking, this “Let It Be” is all about the music that was made in the slow fade of the Fab Four.For most of this film — which documents The Beatles working out songs for what would turn out to be their final album, 1970’s “Let It Be,” in January 1969 — it’s just like being a little four-winged insect on the wall of those sessions at their Apple Corps headquarters in London.Rehearsing, working out songs and just jamming — even with all the mounting tension which is actually more between McCartney and George Harrison than Sir Paul and John Lennon (for all those who still blame Ono for the Beatles’ breakup) — it’s a magical mystery tour behind the scenes of what many consider to be the greatest band of all time.When McCartney and Lennon are in such easy harmony and camaraderie on “Two Of Us” — with the

Anna Tingley If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. The Beatles‘ “Let It Be” documentary, which first released in theaters in 1970, finally sees the light of day once again.

The Chromatica Ball special is coming, after all!

Jem Aswad Executive Editor, Music (This article is unintentionally a counterpoint to my colleague Owen Gleiberman’s considerably more-positive take on the Beatles‘ “Let It Be” film, restored by Peter Jackson and released today on Disney+.) When I was a Beatles-obsessed seven-year-old, my mother, in an act of selfless parental love, took me to a Fab Four film festival: “Hard Day’s Night,” “Let It Be,” “Yellow Submarine” and “Help!,” one after the other. My mom was a cool assistant professor of English at the local university who dressed “hip,” loved music and picked up some listening habits from her students.

Anya Taylor-Joy learned on the set of George Miller’s “Mad Max: Fury Road” prequel “Furiosa.” Under heavy coats of makeup, shooting in the Australian winter when daylight was scarce, Taylor-Joy wished she could have stayed in bed at least through the crack of dawn. Instead, she’d rise up in the middle of the night, ready to do battle. “I had the earliest call time of my life: 1:45 a.m.,” the 28-year-old actress says on a recent Los Angeles afternoon.