Paul Weller thinks The Beatles split at the “right time”: “Imagine them going through synth pop in the ’80s”

Ross Matthews has some ideas on drag queens he’d like to see on the RuPaul’s Drag Race judges panel!

By the time we meet them, Chatila and Reda already are down in the lower depths. Cousins from Palestine, they have spent much of their lives living as refugees on the run. Having made it as far as Athens, a kind of holding zone for people from the Middle East trying to slip into Europe, they are trying to scrape together money to get to Germany.

Liam Hemsworth is taking over a role popularized by another actor in Season 4 of The Witcher.

Billie Eilish has said she cried after performing her new song for the first time.Eilish dropped her newest album ‘Hit Me Hard And Soft‘ on Friday (May 17), where she would go on to host a series of listening parties across London, New York and Los Angeles.Now, Eilish has opened up to Radio 1‘s Jack Saunders (via Music News) about watching the album come to life. She told Saunders that she became emotional performing ‘The Greatest’, the record’s sixth track, at her show in Los Angeles last week (May 16).“The count-in happened and I was sitting there on the edge of the stage in front of this tiny crowd and I was like, ‘Woah, I’ve never done this one before’ and it’s really one of my hardest.” she recounted.“I love that song so much.

Paul Weller has said that age has made him more “experimental” and “open-minded”, ahead of the release of his new album. Weller’s new record ‘66’, announced back in February, is set to be released on Friday (May 24), the day before the Modfather’s 66th birthday. It is the former frontman of The Jam’s 17th solo album and his 28th LP in total since launching his career back in 1977.

Peter Debruge Chief Film Critic Straying from the hotheaded “Taxi Driver” style that has dominated much of his career, Paul Schrader pays ruminative and respectful tribute to his late friend, novelist Russell Banks, who gave the writer-director the raw material for one of his best films, “Affliction” — and now, for one of his best films in years. Adapted from Banks’ “Foregone” (and given the title the author told Schrader he wanted for the book), “Oh, Canada” presents a dying artist’s final testimony as a multifaceted film-within-a-film, honoring Banks while also revealing so many of Schrader’s own thoughts on mortality.

Olivier Assayas is back on the Croisette of the Cannes Film Festival, albeit at the Cannes Market. And the French auteur’s next project is easily one of the buzziest packages at the festival so far.

Elsa Keslassy International Correspondent Paul Dano, Alicia Vikander, Jude Law, Zach Galifianakis and Tom Sturridge team up in Olivier Assayas’ political thriller “The Wizard of the Kremlin”, based on Giuliano da Empoli’s bestseller by the same name. Produced by Olivier Delbosc’s banner Curiosa Films and Gaumont – who last partnered on Cannes prizewinning “The Taste of Things” — “The Wizard of the Kremlin” is one of the hottest packages launching at the Cannes Film Market where Alexis Cassanet, Gaumont’s EVP international sales and distribution, is kicking off pre-sales.

Big Special have shared a statement explaining why they have decided to play The Great Escape amidst the boycott.The gothic Black Country duo – comprised of Joe Hicklin and Callum Moloney – took to their official Instagram account to explain why they will go ahead with performing at this year’s edition of the Brighton-based music festival.The 2024 event – which showcases new and rising artists – is due to take place across various music venues in Brighton from today (May 15) until Saturday (18).The Great Escape is sponsored by Barclays, which has been a source of controversy amid the ongoing conflict in Gaza because of the bank’s financial investment in companies that supply arms to Israel.“We will still be performing at The great escape this week and donating our fee to the Palestinian Children’s Relief Fund, of which our label will also match the donation. Here is our statement,” wrote the duo in an Instagram post.A post shared by BIG SPECIAL (@bigspecial_)“There’s been a lot of chat about The Great Escape festival recently and their sponsorship from Barclays, who are helping fund arms sales to Israel, weapons being used to commit war crimes against the Palestinian people.“A lot of bands have boycotted the event in solidarity.

shout — a lot.Ringo Starr, 83, admitted that The Beatles had their issues with one another in a new interview with Dan Rather, 92, for AXS.“No no, we didn’t get along,” the drummer said of the iconic English rock band on May 10. “We were four guys. We had rows.”But Starr said that the drama with the other Beatles — Paul McCartney, George Harrison and John Lennon — “never got in the way of the music no matter how bad the row was.”“Once the count in, we all gave our best,” Starr explained.

Ringo Starr has revealed that The Beatles wouldn’t have made as many records had it not been for “workaholic” Paul McCartney.The drummer of the legendary band sat down with journalist Dan Rather for a new interview on AXS TV. Starr opened up about how The Beatles didn’t get along and how without Macca, they wouldn’t have made nearly as many records as they did.“No no, we didn’t get along.

Paul Schrader was about to start shooting “Oh, Canada,” his adaptation of Russell Banks’ novel about a troubled artist taking stock of his life, when the major actors union went on strike. For a second, it looked like all that hard work, passion and planning might be for nothing — with performers on the picket lines and major studios holding out on their contract demands, it was hard to see how cameras would ever roll on the low-budget indie. “Everything shut down,” said Brian Beckmann, the CFO and COO of Arclight Films, which is selling international rights to the film.

Eurovision Song Contest 2024.This year’s competition, which was ultimately won by Switzerland’s Nemo, was surrounded by controversy for allowing Israel to compete amid the ongoing conflict with Hamas in Gaza.A statement shared by the EBU to both The Mirror and The Irish Times read: “We regret that some delegations at the Eurovision Song Contest in Malmö didn’t respect the spirit of the rules and the competition both onsite and during their broadcasts. We spoke to a number of delegations during the event regarding various issues that were brought to our attention.It continued: “The EBU’s governing bodies will, together with the heads of delegations, review the events surrounding the ESC in Malmö to move forward in a positive way and to ensure the values of the event are respected by everyone.A post shared by European Broadcasting Union (@ebu_hq)“Individual cases will be discussed by the event’s governing body, the Eurovision Song Contest Reference Group made up of representatives from participating broadcasters, at its next meeting.”The statement’s release comes after the slew of controversies that took over this year’s edition of the song contest.

EXCLUSIVE: 20th Century Studios/Disney’s Kingdom of the Planet of the Apes is beating its chest towards a $125M global bow this weekend. At the international box office, we understand the Wes Ball-directed installment is at around $31M through Friday. As Anthony has reported, domestic is looking at a $52M-$55M start for the full frame.

The Beatles have released a brand new restored video for ‘Let It Be’.The video features clips from the newly released and restored 1970 film Let It Be, directed by Michael Lindsay-Hogg, and uses rarely-seen alternate camera angles of the Fab Four and Billy Preston as they were recording the song.The meticulous restoration was done by Park Road Post Production from the original 16mm negative. According to the video’s description on YouTube, it was “filmed on the day after the January 30 rooftop concert” in 1969.‌The Let It Be film is now streaming on Disney+, marking the first time the documentary has been available in over 50 years.In a four-star review of the film, NME shared: “There may not be a more punk rock bit of film on earth than George being told the police were on the roof to shut them down, and casually turning his amp back on.

The Beatles‘ classic 1970 documentary film Let It Be was premiered in London earlier this week (May 7), before arriving on Disney+. Speaking at the press launch, creators explained how one of the most vital scenes – and significant moments in music history – never happened.The film was screened in front of an audience at the Curzon Mayfair which included original recording engineer Glyn Johns and Giles Martin (son of legendary Beatles producer George Martin, who remixed the music in Let It Be), Louis Theroux, James Bay, The Lightning Seeds frontman Ian Broudie and Captain America and Indiana Jones actor Toby Jones.The documentary, directed by Michael Lindsay-Hogg, was first released in cinemas 54 years ago and has been difficult to obtain since primarily because the original master tapes were stolen from Apple Corps shortly after the film was made.Speaking in a Q&A hosted by former Radio 1 DJ Edith Bowman, Jonathan Clyde producer of the film and director of production at Apple Corps, said: “When we first started talking about [restoring] it with [head of Apple Corps] Neil Aspinall in 2000, he said rather unenthusiastically, ‘I suppose we’d better do something about Let It Be’.“But the problem was that the master sound, that’s 450 to 500, 15 minute reels of master sound from the 20-odd days of shooting, had been stolen from Apple [Corps] in the early ’70s.”He continued: “So in truth, there was not a lot we could do except whoever it was who pilched them was licensing them to bootleggers who were then bootlegging vinyl and CD box sets.

finally available to stream on Disney+ this week.Was it worth the 54-year wait?Well, yes — and no.Some context is needed here first: If you watched “The Beatles: Get Back” — the three-part, eight-hour docuseries directed by none other than Oscar-winning “Lord of the Rings” director Peter Jackson that also premiered on Disney+ in 2021 — you’ve already seen a lot of this.And seen it in the kind of exhaustive detail — from the same footage that Jackson used from “Let It Be” director Michael Lindsay-Hogg — that you can probably break down the level of scruffiness in Paul McCartney’s faux-badass beard.But thankfully — whether or not you’ve already watched the tedious-at-times “Get Back” — this is only 80 minutes versus eight hours of your time.For anyone but the biggest of Beatlemaniacs, that math is math-ing.But here’s the real difference: Whereas “Get Back” captured every bit of Liverpudlian shade, side-eye and Yoko Ono rock-blocking, this “Let It Be” is all about the music that was made in the slow fade of the Fab Four.For most of this film — which documents The Beatles working out songs for what would turn out to be their final album, 1970’s “Let It Be,” in January 1969 — it’s just like being a little four-winged insect on the wall of those sessions at their Apple Corps headquarters in London.Rehearsing, working out songs and just jamming — even with all the mounting tension which is actually more between McCartney and George Harrison than Sir Paul and John Lennon (for all those who still blame Ono for the Beatles’ breakup) — it’s a magical mystery tour behind the scenes of what many consider to be the greatest band of all time.When McCartney and Lennon are in such easy harmony and camaraderie on “Two Of Us” — with the

Noel Gallagher has created a playlist spanning Paul Weller’s entire career filled with “two hours of music, anecdotes, and impressions”.The former Oasis member was asked by BBC 6 to create a playlist of his favourite Weller tracks. According to the playlist’s description, Gallagher created a collection of tracks from Weller’s work in “The Jam to recent releases interspersed with personal recollections, anecdotes and impressions.”It continued: “The programme also includes highlights from The Jam recorded live during what Noel Gallagher describes as their ‘imperious phase’ at the Rainbow Theatre in 1979 and the Golders Green Hippodrome in 1981.”Noel was recently asked by @BBC6Music to put together a playlist of his favourite @paulwellerHQ tracks, which you can listen to now via @BBCSounds.

Paul Scholes described current Manchester United assistant Steve McClaren as "the best coach I ever had" as the former United midfielder left the blame for the club's current struggles squarely at Erik ten Hag's door.

Owen Gleiberman Chief Film Critic I first saw “Let It Be” when I was a kid, in the summer of 1970, just weeks after it was released. My family was coming off one of those “Vacation” road trips. During the miles of driving, we listened to Top 40 radio, which meant that several times a day I got to hear “The Long and Winding Road,” which I thought was the most beautiful song I’d ever heard.