Giles Martin Latest Celebrity News & Gossip

I know you’ve all been sitting there, jittery and sweating, waiting for the big Wombles remasters. I don’t think there’s a person among us who doesn’t wish we could listen to those records with a new, digitally beefed up bottom end.Well, the bad news is, the one person who doesn’t want that to happen is songwriter and producer Mike Batt.

100 years of Disney magic will be celebrated in a special concert in Manchester this June featuring a live orchestra.

Thania Garcia What year is it again? The Beatles have charted a top 10 single on this week’s singles chart with “Now and Then” — otherwise known as “the last Beatles song.” The “new” song, which features all four members, including the late John Lennon and George Harrison, hit No. 7 as the band’s first chart-topper on the Hot 100 in nearly 30 years. Through the use of AI technology, Lennon’s isolated vocals served as the foundation for the single that was eventually completed last year by Paul McCartney, Ringo Starr and co-producer Giles Martin, with the addition of Harrison’s 1994 guitar tracks.

The Beatles‘ ‘Now And Then‘.Martin was approached by surviving Beatles member, Sir Paul McCartney, with a demo for what would be deemed as the “final” Beatles song ‘Now And Then’. The track stems from a demo tape recorded by late bandmate John Lennon and was completed with the help of AI – which lifted the songwriter’s vocals off the initial recording and allowed the surviving members to work with them.Speaking about the process of working on ‘Now And Then’ in an interview with The Sun, Martin said: “Paul played me what he’d started working on from the ’94 demo plus the extras he’d already done — new bass, piano, the guitar solo.

“Now and Then” — a brand new song by the Fab Four that was was released Thursday — well, the waterworks are about to begin again.The Peter Jackson-directed video, which dropped from the heavens Friday morning, is a flood of feels along a nostalgic, time-traveling trip that, true to the tune’s title, captures The Beatles “Now” and “Then.”When you first see present-day Paul McCartney and the eternally cool Ringo Starr — rocking a Ringo Starr T-shirt because, well, he can — all of a sudden surrounded by their late bandmates George Harrison and John Lennon in all their youthful glory, you’ll be reaching for a box of tissues.And trust us — one Kleenex will hardly be enough when you also see Harrison and Lennon sharing a mike in matching raincoats, Harrison in 1995 (when he laid down his guitar parts for “Now and Then”) trading licks with his “Sgt.

Chris Willman Senior Music Writer and Chief Music Critic Christmas has come early for Beatles fans… who fortunately have been granted a week between gifts, so they don’t have to choose which to unwrap first. There was Thursday’s release, of course, of the newsmaking “Now and Then” single, a track that features the late John Lennon and George Harrison that was recently completed by Paul McCartney and Ringo Starr, with Martin on board as McCartney’s co-producer.

Paul McCartney has revealed that he kept The Beatles‘ ‘Now And Then’ a secret from the extra musicians who played on the track in the studio.The song, dubbed the “final” single from the Fab Four, came out today (November 2) following the release of an accompanying short film titled Now And Then – The Last Beatles Song.‘Now And Then’ stemmed from a demo tape recorded by the late John Lennon, and was completed with the help of AI technology – which lifted the songwriter’s vocals off the initial recording.McCartney and his former bandmate Ringo Starr built on the demo in the studio along with producers Jeff Lynne and Giles Martin, the latter of whom is the son of late Beatles producer George Martin.At one point in the short film, McCartney recalled the process of adding a string arrangement to the single during a session at the famous Capitol Studios in Hollywood, California.“Giles worked up an arrangement like Giles’ dad would have done in the old days,” he explained.“We had to put the music out on the stands for the musicians, but we couldn’t tell them it was a new Beatles song. It was all a bit hush-hush.

Chris Willman Senior Music Writer and Chief Music Critic In advance of Thursday’s release of the recently completed “Now and Then,” which is being billed as the final new track that will ever be finished and released under the Beatles‘ name, fans are hearing portions of the song — and more of the story behind it — in a 12-minute mini-documentary, “Now And Then – The Last Beatles Song,” that premiered on Disney+ Wednesday afternoon. The doc includes footage from the 1995 recording session in which Paul McCartney, Ringo Starr and George Harrison first had a quickly aborted go at adding parts to a John Lennon demo that had been supplied to them for Yoko Ono.

“Yesterday” all over again.That’s because there will be a brand new Beatles song — yes, you read that right — coming here, there and everywhere in just one week. On Thursday, it was announced that “Now and Then” — featuring all four members of the Fab Four — will be released on Nov.

Chris Willman Senior Music Writer and Chief Music Critic Is it heresy to say that one of the greatest albums of all time just got a little bit better, 57 years after the fact? Possibly, but it doesn’t feel like too strong a statement to make after hearing the just-released Dolby Atmos mix of the Beach Boys’ 1966 classic “Pet Sounds,” as played back in one of the most state-of-the-art Dolby rooms in the world. It’s going to sound different under other listening circumstances, of course, whether the spatially immersive mix is being heard in a home with dozens of carefully calibrated speakers or through one of the all-in-one Atmos boxes that are now coming out. But what’s almost certain is that any status Brian Wilson’s masterpiece might’ve had as your own personal pet project is only going to be elevated with a lusher and richer audio interpretation of the work.

The Chemical Brothers have released a new single called ‘No Reason’ – you can listen to it below.The energetic, upbeat track marks the first material from the electronic duo – comprising Tom Rowlands and Ed Simons – since their 2021 two-song release ‘The Darkness That You Fear’.“‘No Reason’ is unmistakable and irresistible, built from a cascading melody, a heavy acid riff and a snare roll that rattles like a military tattoo,” a press release reads.The single, a highlight of the band’s recent live shows and DJ sets, was mastered in Dolby ATMOS by Beatles producer Giles Martin at the legendary Abbey Road Studios in London.The track is accompanied by a surreal animated visualiser that will be familiar to anyone who saw one of The Chemical Brothers’ 2022 festival shows. It was directed by longtime collaborators Smith and Lyall, and choreographed and performed by Gecko Theatre.Tune in here:Additionally, ‘No Reason’ will also be available on a limited edition 12-inch red vinyl with a previously unreleased B-side titled ‘All Of A Sudden’.

The Beatles-style remasters.In the ‘70s, The Wombles released four albums that spanned a string of hit singles including ‘The Wombling Song’, ‘Remember You’re A Womble’ and ‘Wombles Everywhere’.However mastermind Batt has now revealed that he’s destroyed all the original multi-track tapes so people “can’t fuck around with them after I’m gone.”Speaking to the ipaper, Batt said: “I mixed them as I wanted them, not how some corporation or great-grandchild might like to remix them when I’m not around.”It comes as a series of The Beatles albums have been remixed and expanded by Giles Martin, the son of late Beatles producer George Martin. So far, deluxe versions of ‘Sgt.

The Beatles’ ‘Tomorrow Never Knows’ has been released – you can listen to the studio outtake below.The track forms part of a new special deluxe edition of the legendary band’s 1966 album ‘Revolver’, which is set for release on October 28.Recorded during the first ‘Revolver’ recording session on April 6, 1966 in Studio Three at EMI Studios (now called Abbey Road Studios), The Beatles were joined by their producer George Martin, recording engineer Geoff Emerick and technical engineer Ken Townsend.“John [Lennon’s] ethereal vocals (fed from his mic through a rotating Leslie speaker), and innovative tape loops – including Paul [McCartney] saying ‘ah, ah, ah, ah’, which when sped up produced a sound similar to a seagull’s screech – converge with Ringo [Starr’s] thunderous drum pattern, George [Harrison]’s tamboura drone, and a backwards guitar solo,” a press release explains of the recording, which you can hear below.In an interview before ‘Revolver’’s 1966 release, McCartney told NME: “We did it because I, for one, am sick of doing sounds that people can claim to have heard before.”First confirmed by Giles Martin – the son of the late Beatles producer George – last month, ‘Revolver’ is the latest Beatles album to be re-released as a remixed and expanded deluxe box set following ‘Sgt.

“Here, There and Everywhere,” The Beatles were at their most experimental on “Revolver.”And The Beatles’ 1966 classic — considered by many to be the Fab Four’s best album ever — is getting a big splashy reissue with three special editions that will be released on Oct. 28.“ ‘Revolver’ is an album where you could listen to each song and go, ‘Oh, this is the direction they’re going to go in next.’ And be wrong every single time,” producer Giles Martin — son of legendary Beatles producer George Martin — told Rolling Stone.

The Beatles’ classic album ‘Revolver’ is set to be released next month.First confirmed by Giles Martin – the son of the late Beatles producer George Martin – last month, ‘Revolver’ is the latest Beatles album to be re-released as a remixed and expanded deluxe box set following ‘Sgt. Pepper’s Lonely Hearts Club Band’ in 2017, ‘White Album’ (2018), ‘Abbey Road’ (2019) and ‘Let It Be’ (2021).‘Revolver’, originally released by the four-piece in August 1966, will now be re-released in a range of newly mixed and expanded special edition packages.All 14 tracks on the original album have been newly mixed by Giles Martin and engineer Sam Okell in stereo and Dolby Atmos, while the album’s original mono mix has been sourced from its 1966 mono master tape.The physical and digital “super deluxe” ‘Revolver’ collections also feature the album’s original mono mix, 28 early takes from the sessions and three home demos.

Chris Willman Senior Music Writer and Chief Music Critic When the deluxe edition and remix of the Beatles’ “Revolver” were officially announced Wednesday — with everything set to arrive in physical and digital formats Oct. 28 — many fans assumed that a plus-sized, boxed-set celebration of the group’s 1966 turning point was a given, as far as Beatles projects that would inevitably pass through the pipeline on this scale. But these things shouldn’t always be so taken for granted, as Giles Martin points out. “At the end of last year when I was finishing ‘Get Back,’ I went, ‘Oh, God, I better listen to these outtakes and start going through them to see whether we’ve got enough to do this’,” says Martin, who oversaw not just the remix but the two CDs’ worth of previously unheard recordings of early versions and alternate takes. “Because we always want to make sure that we’re not scraping the bottom of the barrel, and you want to make sure that there’s enough outtakes for a ‘Revolver’ boxed set. If not, do we think about doing ‘Revolver’ and ‘Rubber Soul’ all together and just have outtakes from both?”

If you’re a fan of a particular era of British rock ’n’ roll, this is the right year to be at the Telluride Film Festival. The festival’s opening day brought onetime photographer Anton Corbijn’s “Squaring the Circle,” which looked at the rock design company Hipgnosis through memories from Paul McCartney, Jimmy Page, Roger Waters, Noah Gallagher and many others.

The Beatles producer Giles Martin has confirmed a deluxe boxset of the band’s 1966 album ‘Revolver’ is in the works.Previously ‘Sgt. Pepper’s Lonely Hearts Club Band’, ‘White Album, ‘Abbey Road’ and ‘Let It Be’ have all received the deluxe boxset treatment, with the records being remixed and remastered by Martin (the son of late Beatles producer George Martin) and released alongside outtakes, unreleased tracks and demos.Now Martin has confirmed that ‘Revolver’ will receive the same treatment, with the boxset set for release this autumn, via Apple Corps and Universal Music.I really hope you all like it….

INXS have announced “INXS Day” to celebrate four-and-a-half decades since their first live performance, revealing a special livestream event along with the announcement of multiple vinyl reissues and more.45 years ago, on August 16, 1977, the band – then named The Farriss Brothers after members Tim, Andrew and Jon – played their first gig at a house party in Sydney. Among the celebrations planned to commemorate the date are an hour-long livestream on TikTok, which will celebrate the 35th anniversary of their seminal album ‘Kick’.The livestream event will include a track-by-track feature, interviews with the band and their executive music producer, Giles Martin, and more.

Creedence Clearwater Revival‘s 1970 performance at the Royal Albert Hall.The restored album will be released on September 16, alongside the film Travelin’ Band: Creedence Clearwater Revival At The Royal Albert Hall, which is narrated by Jeff Bridges and directed by Bob Smeaton (The Beatles Anthology).Featuring the whole performance in its entirety, the never-before-released recording includes hits such as ‘Fortunate Son’, ‘Proud Mary’ and ‘Bad Moon Rising’, the last of which is now available to stream and download.Creedence Clearwater Revival At The Royal Albert Hall will be available as a standalone album on CD, cassette tape, and 180-gram vinyl, as well as digital platforms. On November 14, fans will also be able to purchase a Super Deluxe Edition box set, available exclusively at CraftRecordings.com.An official description for the restored album reads: “After spending roughly 50 years in storage, the original multitrack tapes were meticulously restored and mixed by the Grammy Award-winning team of producer Giles Martin and engineer Sam Okell, who have helmed countless acclaimed projects together, including the Beatles’ 50th-anniversary editions of Abbey Road and Sgt.

A version of this story about “The Beatles: Get Back” first appeared in The Race Begins issue of TheWrap’s awards magazineOne supposes after you’ve tackled six films involving hobbits and Middle-earth and revived King Kong for the big screen, the only pop culture behemoth left would be … the Fab Four? Oscar-winning director Peter Jackson might have taken on his biggest adventure five years ago, when he first began unearthing hours of unreleased footage of the Beatles’ notorious, on-and-off 21-day recording of their tumultuous “Let It Be” album, first on a London movie soundstage before sessions were moved to Apple Corps’ recording studio. The band’s journey culminated in the now-famous London rooftop performance that supplied three songs to the finished album, while Jackson’s own quest led to last year’s hugely acclaimed Disney+ documentary “The Beatles: Get Back.” The nearly eight-hour, multipart look at the mundanity, drudgery and eventual workaday heart-and-soul magic that goes into creating a masterwork is complete with booze breaks, toast and butter at the ready, and even some mild electrocution.“Get Back” music supervisor and sound mixer Giles Martin (son of legendary producer and “fifth Beatle” George Martin) was not at all surprised by Jackson’s acumen for bringing this story back to life.

INXS have released an immersive new mix of their album ‘Kick’, which turns 35 this year – watch band members Tim Farriss and Kirk Pengilly plus engineer Giles Martin talk about the new version in the NME-exclusive video below, and read on for NME‘s interview with Farriss about the new mix and uses of INXS’s music by Euphoria and Dua Lipa.Released April 4 on Apple Music, the latest version of ‘Kick’ was mixed by Giles Martin in Dolby ATMOS. Martin, the son of influential Beatles producer George Martin, has also mixed the Fab Four and Rolling Stones in the spatial audio format.

The Beatles‘ ‘1’ compilation album has been remastered for spatial audio by Giles Martin, the son of the band’s late producer George Martin.Giles said in an interview last year that he was a fan of the immersive 360-degree sound technology launched in 2021 by Apple Music, as well as the Dolby Atmos that it is built on, but said that it doesn’t always “sound quite right”.He revealed that he intended to remaster The Beatles’ 1967 album ‘Sgt. Pepper’s Lonely Hearts Club Band’ but has since worked on the band’s greatest Number Ones compilation album, which was released in 2000.Speaking to Apple Music’s Zane Lowe about reworking ‘1’ in spatial audio, and how his father laid the foundations for his interest in pursuing modern audio tech.“My dad was a futurist and loved technology. When I was a kid, he built studios.

As The Beatles’ final live performance atop their Apple Corps HQ in London reaches its big 53rd anniversary this Sunday, a newly mixed recording of it has arrived on the streaming services.Now, here’s a thing – and this might shock you – 53rd anniversaries aren’t really that big a deal. This obviously all comes off the back of Peter Jackson’s recent ‘Get Back’ documentary.Have you seen ‘Get Back’? Bloody hell.

The Beatles‘ legendary 1969 rooftop show is set to arrive on streaming services tomorrow (January 28).The unannounced gig took place on top of Apple Corps’ headquarters on Savile Row in London, marking the Fab Four’s final public performance of their career.Peter Jackson’s recent documentary The Beatles: Get Back includes footage of the concert, with limited IMAX screenings of the show scheduled for this Sunday (January 30).Today (January 27) it’s been announced that ‘The Beatles: Get Back – The Rooftop Performance’ will land on Spotify, Apple Music and other major streaming platforms tomorrow (January 28) at 5am GMT via Apple Corps Ltd/Capitol/UMe.Per a press release, the complete audio for The Beatles’ rooftop performance has been mixed in stereo and Dolby Atmos for the very first time by Giles Martin and Sam Okel.You can pre-save the live album here now, and see the official teaser clip above and artwork below.This Sunday (January 30) marks the 53rd anniversary of the iconic show. Following the upcoming screenings, Peter Jackson will take part in a special Q&A session which will be broadcast simultaneously to all participating IMAX cinemas.“I’m thrilled that the rooftop concert from The Beatles: Get Back is going to be experienced in IMAX, on that huge screen,” Jackson said in a statement.“It’s The Beatles’ last concert, and it’s the absolute perfect way to see and hear it.” The Beatles: Get Back – The Rooftop Concert will get a global theatrical release from February 11-13.

Chris Willman Music WriterFew Beatles fans had complaints about Peter Jackson’s recent “The Beatles: Get Back” documentary, but to the extent they did, there were some grumblings that the faithful wanted a way to hear the entire rooftop concert that makes up the last portion of the docu-series without the spoken interjections of the interceding British policemen or man-on-the-street interviews.Now, they’ll be getting their wish, along with the luxury of being able to listen to the entire mini-concert in their homes or cars on demand. The audio of the full 1969 performance is being released to streaming services as “The Beatles: Get Back — The Rooftop Performance,” starting at midnight ET/9 p.m.

The Beatles in a sweet new clip shared by his son Giles Martin. Watch the video below.In the footage, shared on Twitter, the producer discusses how he initially met The Beatles and what he thought of the quartet when they travelled from Liverpool to London to meet him. “Well, that’s a silly name for a start,” he’s heard saying when he recounts being told about The Fab Four.He decided to give them a chance, commenting: “I met them in London and when I listened…it was ok but it wasn’t brilliant.

K.J. Yossman When The Beatles’ producer George Martin – who is credited with supervising the band’s most famous recordings – was first introduced to the fab four his reaction was “Well that’s a silly name for a start. Who’d ever want a group with the name ‘beetles’?”The anecdote emerged in rare footage shared by Martin’s son Giles Martin on Twitter on Wednesday.

Chris Willman Music WriterGiles Martin just couldn’t let “Let It Be” be — even though, as he has with each of the deluxe Beatles packages he’s worked on, he challenged himself to make sure a fresh mix and expanded boxed set had a raison d’etre. In this case, giving a more unified sound to a 1970 album that was all over the map in its original incarnation was reason enough to submit it to a remix.

The Beatles’ final studio album ‘Let It Be’ has been announced.Originally released in May 1970, the classic record includes such songs as ‘Get Back’, ‘The Long and Winding Road’ and ‘For You Blue’.‘Let It Be’ is now set to be celebrated on October 15 with a special edition re-release that will span a number of formats.The original album has been newly mixed by producer Giles Martin and engineer Sam Okell in stereo, 5.1 surround DTS and Dolby Atmos.The physical and digital “super deluxe” ‘Let It