Emma Thompson, Stephen Graham, and Lashana Lynch passed through the London Film Festival on Wednesday, where they discussed their new film Matilda The Musical, directed by Matthew Warchus.
18.09.2022 - 18:27 / variety.com
Rebecca Rubin Film and Media Reporter Steven Spielberg’s autobiographical coming-of-age story “The Fabelmans” took home the Toronto Film Festival’s People’s Choice Award, providing a major boost to its awards season chances. TIFF’s People’s Choice Award is one of the most reliable predictors of eventual Oscar success.
In past years, winners such as “Green Book” and “Nomadland” went on to not only get nominated but capture the best picture prize at the Academy Awards. Other recipients, including “Three Billboards Outside Ebbing, Missouri” and “Jojo Rabbit,” were major forces during awards season.
Emma Thompson, Stephen Graham, and Lashana Lynch passed through the London Film Festival on Wednesday, where they discussed their new film Matilda The Musical, directed by Matthew Warchus.
EXCLUSIVE: Joseph Amenta, whose debut feature Soft just had its world premiere at the Toronto Film Festival, has signed with M88 for representation.
arrivederci the week before that. So, at this point, critics and pundits have viewed just about every Oscar hopeful.There are just two holdovers that could crash the Hollywood hootenanny: “Black Panther: Wakanda Forever,” out Nov.
The People’s Choice Award from the just wrapped 2022 Toronto International Film Festival has gone to Steven Spielberg’s The Fabelmans. First Runner Up is Canada’s own Sarah Polley’s Women Talking. And Second Runner Up was Rian Johnson’s Glass Onion: A Knives Out Mystery. The Documentary Award went to Black Ice, and the Midnight Madness winner was Weird: The Al Yankovich Story .
People’s Choice Award: “The Fabelmans,” Steven SpielbergFirst Runner-up: “Women Talking,” Sarah PolleySecond Runner-up: “Glass Onion: A Knives Out Mystery,” Rian JohnsonPeople’s Choice Documentary Award: “Black Ice,” Hubert DavisFirst Runner-up: “Maya and the Wave,” Stephanie JohnsSecond Runner-up: “752 Is Not a Number,” Babak PayamiMidnight Madness People’s Choice Award: “Weird: The Al Yankovic Story,” Eric AppelFirst Runner-up: “Pearl,” Ti WestSecond Runner-up: “The Blackening,” Tim StoryPlatform Jury Prize: “Riceboy Sleeps,” Anthony ShimShawn Mendes Foundation Changemaker Award: “Something You Said Last Night,” Luis De FilippisAmplify Voices Award for Best Canadian Feature Film: “To Kill a Tiger,” Nisha PahujaAmplify Voices Award: “Leonor Will Never Die,” Martika Ramirez EscobarAmplify Voices Award: “While We Watched,” Vinay ShuklaIMDbPro Short Cuts Award for Best Film: “Snow in December,” Lkhagvadulam Purev-OchirHonorable Mention: “Airhostess 737,” Thanasis NeofotistosIMDbPro Short Cuts Award for Best Canadian Film: “Simo,” Azziz ZorombaHonorable Mention: “Same Old,” Lloyd Lee Choi IMDbPro Short Cuts Share Her Journey Award: “Nanitic,” Carol NguyenNETPAC Award: “Sweet As,” Jub ClercFIPRESCI Prize: “A Gaza Weekend,” Basil Kahlil
Toronto Film Festival returned in spectacular fashion after two years of virtual premieres or limited capacity screenings. The parties were packed (which may lead to COVID outbreaks down the road, but… that’s showbiz?), the red carpets were glittering and the atmosphere was electric, bordering on euphoric, as director Rian Johnson’s acclaimed sequel “Glass Onion: A Knives Out Story,” Steven Spielberg’s semi-autobiographical “The Fabelmans” and the Harry Styles-led romantic drama “My Policeman” debuted to blockbuster-starved audiences in Canada. Hollywood seemed eager to make up for lost time. So, as the curtain comes down on TIFF, here’s a look back at the major trends and takeaways from the 10-day festival.
Batman universe called The People’s Joker has been pulled from Toronto International Film Festival.The film, which reimagines the character of the Joker through a transgender origin story, had one public screening before the rest were cancelled over “rights issues”.A message on the TIFF ticketing page reads: “The filmmaker has withdrawn this film due to rights issues. We apologise for any inconvenience.
Paul Mescal suits up for the premiere of his new movie Aftersun during the 2022 Toronto International Film Festival on Monday (September 12) at the TIFF Bell Lightbox in Toronto, Canada.
Emma Corrin just gets it. The actor delivered drama at the Toronto International Film Festival, stepping out in nothing but a high-cut bodysuit.
Brent Lang Executive Editor It was supposed to be all about the movies. But even here at the Toronto International Film Festival, an ocean away from the United Kingdom, the death of 96-year-old Queen Elizabeth II has loomed large. It has provided an opportunity for festival organizers, filmmakers and talent to reflect on the life and legacy of a monarch whose 70-year reign ranks as the longest in her country’s history. That’s partly due to Canada’s status as a member of the British Commonwealth, but it’s also because the festival is such an international A-list affair, one that attracts movie stars and directors who have often had personal encounters with the queen.
Sift through some of his best work, and you will find that Steven Spielberg has always been a filmmaker charged by notions of love and ache for families, both those we are born into and those we select for ourselves. Though his tender devotion to domestic, often suburban bonds and rhythms—a well-documented and endlessly discussed through-line in his filmography—has perhaps never been as evident as in the soul-baring “The Fabelmans.” It’s Spielberg’s most personal film, one that gorgeously revives the memories of his childhood and youth with a lavish sense of wistfulness and an aptly Hollywood-ized, fable-like touch. That beautiful Hollywood sheen is fitting for the on-screen autobiography of an escapist filmmaker, one whose name we came to pronounce synonymously with the magic of movies.
Carson Burton Steven Spielberg is taking audiences on an intimate stroll through his childhood in the first trailer for “The Fabelmans.”The semi-autobiographical film follows the formative years of a young man as he discovers a shattering family secret, causing him to use movies as a means to help him see the truth about others and himself. Spielberg based the film on his own early years in Arizona and co-wrote the script with “Lincoln,” “Munich” and “West Side Story” screenwriter Tony Kushner.On Saturday, “The Fabelmans” premiered at the Toronto International Film Festival, earning a standing ovation in the crowd of movie lovers, who cheered loudly for the Oscar-winning auteur as he made his first appearance at the Canadian gathering.
Director: Aitch Alberto
UPDATED w/TIFF Statement: Sparta, the German-Romanian drama from Austrian director Ulrich Seidl that is in the Contemporary World Cinema section of the Toronto Film Festival, has been pulled from the festival lineup.
Angelique Jackson “The world belongs to the weird,” so says the tagline for “Weird: The Al Yankovic Story,” but the wee hours of Friday morning belonged to Daniel Radcliffe as the comedy made its world premiere as the clock struck midnight at the Toronto International Film Festival. Radclifffe stars as the beloved parody musician in the upcoming Roku original film, which made its world premiere at the Royal Alexandra Theatre, kicking off TIFF’s Midnight Madness programming lineup. It was a full house at the theater and the crowd ate up every second of the parody biopic, cheering loudly for every surprise cameo (of which there were many) at the first “backstory” behind Yankovic’s biggest hits from “My Bologna” to “Eat It.” Some of the most raucous applause was saved for the Radcliffe-fronted rendition of “Amish Paradise.”
Not even the death of Queen Elizabeth II could halt the hustle and bustle of another in-person Toronto International Film Festival during the Covid era as throngs lined up for premieres and chomped off food carts on festival row (aka King Street).