Steven Spielberg’s ‘The Fabelmans’ Wins Toronto Film Festival People’s Choice Award

Christian Bale has had a wide, varied career since his early breakout as a kid actor in Steven Spielberg‘s 1987 film “Empire Of The Sun.” But what performance of Bale’s do moviegoers find ubiquitous with the actor? For some, it’s his turn as deranged finance guy Patrick Bateman in Mary Harron‘s “American Psycho.” For others, it’s a more recent role, like Brit road racer Ken Miles in “Ford V.

Emma Thompson, Stephen Graham, and Lashana Lynch passed through the London Film Festival on Wednesday, where they discussed their new film Matilda The Musical, directed by Matthew Warchus.

Elvis director Baz Luhrmann admitted to feeling groggy after Vogue supremo Anna Wintour threw him a 60th birthday bash – in three parts. Baz, left with wife Catherine Martin, described it as 'a dinner, a fiesta then a blurry bit at the end!' Meanwhile, his acclaimed film will soon be coming to the stage. 'I can't see how it would not be turned into a musical,' the Aussie told me at a performance last week of his show Moulin Rouge! for the Teenage Cancer Trust. Lucian Freud's portrait of the late Queen is one of the biggest draws in the National Gallery's new exhibition of the infamous artist.

decorated as an Honorary Knight of the Order of the British Empire (KBE) by Queen Elizabeth II, who approved the award prior to her death.The honorary award given to recipients who are not U.K. citizens is the second-highest rank in the order and is designated for individuals who have made “a pre-eminent contribution in any field of activity,” per the Honours’ website.

Star Wars composer John Williams is reported to have been made one of Her Majesty Queen Elizabeth’s very last knights, with the honour one of the final awards approved by the late monarch before her death a fortnight ago.

Liza Foreman Murky blue- brown images, bringing to mind a Lorca play developed for today’s premium TV audience, fill the screen in the trailer for “The Gypsy Bride,” from “Penny Dreadful” director Paco Cabezas, which world premiered at the San Sebastián Film Festival. The fiction is produced by ViacomCBS International Studios (VIS), with the participation of Atresmedia Televisión, and in collaboration with Diagonal TV. As well as presenting the first season of the series at the Spanish-speaking world’s highest-profile festival, Cabezas, the show’s creator and director had something else to celebrate on Wednesday. 

Jazz Tangcay Artisans Editor With Oscar season fully underway following the Venice, Telluride and Toronto film festivals, buzz is building for the latest offerings from marquee filmmakers such as Steven Spielberg, Darren Aronofsky,Sarah Polley and Alejandro G. Iñárritu. But behind the scenes, look for leading artisans to also be recognized for their work on high-profile contenders; within the film community, these names have become as renowned as the directors and A-listers with whom they work. Here are some titans of the crafts who could add a nomination and even an Oscar win to their résumés when the Academy Awards are dispensed in March. Catherine MartinProduction designer“Elvis”

grossed an impressive $11.3 million at the North American box office this year.Instead, the country’s selection committee went with “Last Film Show,” a coming-of-age drama that was compared to “Cinema Paradiso” after its premiere at this year’s Tribeca Film Festival. In the vein of Steven Spielberg’s “The Fabelmans” and James Gray’s “Armageddon Time,” it is a semi-autobiographical work based on moments from its director’s childhood.The decision was reminiscent of the choice in 2013 to send “The Good Road” to the Oscars over “The Lunchbox,” which had been considered an all-but-certain nominee if it had been chosen.India has sent 54 films to the Oscars dating back to 1957, landing three nominations with no wins.

arrivederci the week before that. So, at this point, critics and pundits have viewed just about every Oscar hopeful.There are just two holdovers that could crash the Hollywood hootenanny: “Black Panther: Wakanda Forever,” out Nov.

Rebecca Rubin Film and Media Reporter Steven Spielberg’s autobiographical coming-of-age story “The Fabelmans” took home the Toronto Film Festival’s People’s Choice Award, providing a major boost to its awards season chances. TIFF’s People’s Choice Award is one of the most reliable predictors of eventual Oscar success.

Michaela Zee editor The American Film Institute has announced that the world premiere of “Selena Gomez: My Mind and Me” is set to open the 36th edition of AFI Fest on Nov. 2. “AFI is proud to launch AFI Fest 2022 with ‘Selena Gomez: My Mind and Me,’ a film as profoundly powerful as it is personal,” AFI President and CEO Bob Gazzale said in a statement. “Selena is a global force in art and entertainment, and we are honored to partner with her, Alek and Apple to shine a light upon her journey in this beautifully crafted celebration of optimism, vulnerability and hopefulness.” Directed by Alek Keshishian (“Madonna: Truth or Dare”), the documentary explores Gomez’s rise to stardom as an actress and singer, along with the personal crises she’s endured throughout her life.

Toronto Film Festival returned in spectacular fashion after two years of virtual premieres or limited capacity screenings. The parties were packed (which may lead to COVID outbreaks down the road, but… that’s showbiz?), the red carpets were glittering and the atmosphere was electric, bordering on euphoric, as director Rian Johnson’s acclaimed sequel “Glass Onion: A Knives Out Story,” Steven Spielberg’s semi-autobiographical “The Fabelmans” and the Harry Styles-led romantic drama “My Policeman” debuted to blockbuster-starved audiences in Canada. Hollywood seemed eager to make up for lost time. So, as the curtain comes down on TIFF, here’s a look back at the major trends and takeaways from the 10-day festival.

Oscar-winning filmmaker Laura Poitras sharply criticized the Toronto and Venice film festivals today for programming documentaries connected with former Secretary of State Hillary Clinton, suggesting the decision bordered on a “whitewashing” of history.

Brent Lang Executive Editor It was supposed to be all about the movies. But even here at the Toronto International Film Festival, an ocean away from the United Kingdom, the death of 96-year-old Queen Elizabeth II has loomed large. It has provided an opportunity for festival organizers, filmmakers and talent to reflect on the life and legacy of a monarch whose 70-year reign ranks as the longest in her country’s history. That’s partly due to Canada’s status as a member of the British Commonwealth, but it’s also because the festival is such an international A-list affair, one that attracts movie stars and directors who have often had personal encounters with the queen.

My favorite Toronto premiere memory was the one where eventual Best Picture winner Spotlight played to a raucous crowd reaction at the Princess of Wales Theatre, the emotion ratcheted up even further when the Boston Globe journalists who cracked the Catholic Church pedophile scandals took the stage and stood next to the actors who played them onscreen. It has been several years since TIFF has been able to show why this is such a special festival, because of the Covid epidemic and Canada’s protective lockdown of its borders. Last night marked a turning point for TIFF as a preeminent showcase for awards season movies, with the back to back Princess of Wales Theatre world premieres of Netflix’s Rian Johnson-directed Knives Out sequel Glass Onion, followed by the premiere of Amblin/Universal’s Steven Spielberg love letter to his family and a movie camera, The Fabelmans. Both of these films land squarely in the awards conversation.

Sift through some of his best work, and you will find that Steven Spielberg has always been a filmmaker charged by notions of love and ache for families, both those we are born into and those we select for ourselves. Though his tender devotion to domestic, often suburban bonds and rhythms—a well-documented and endlessly discussed through-line in his filmography—has perhaps never been as evident as in the soul-baring “The Fabelmans.” It’s Spielberg’s most personal film, one that gorgeously revives the memories of his childhood and youth with a lavish sense of wistfulness and an aptly Hollywood-ized, fable-like touch.  That beautiful Hollywood sheen is fitting for the on-screen autobiography of an escapist filmmaker, one whose name we came to pronounce synonymously with the magic of movies.

Carson Burton Steven Spielberg is taking audiences on an intimate stroll through his childhood in the first trailer for “The Fabelmans.”The semi-autobiographical film follows the formative years of a young man as he discovers a shattering family secret, causing him to use movies as a means to help him see the truth about others and himself. Spielberg based the film on his own early years in Arizona and co-wrote the script with “Lincoln,” “Munich” and “West Side Story” screenwriter Tony Kushner.On Saturday, “The Fabelmans” premiered at the Toronto International Film Festival, earning a standing ovation in the crowd of movie lovers, who cheered loudly for the Oscar-winning auteur as he made his first appearance at the Canadian gathering. 

Peter Debruge Chief Film Critic No director has done more to deconstruct the myth of the suburban American family than Steven Spielberg. Dissertations have been written and documentaries made on the subject. And now, at the spry young age of 75, Spielberg himself weighs in on where his preoccupations come from in “The Fabelmans,” a personal account of his upbringing that feels like listening to two and a half hours’ worth of well-polished cocktail-party anecdotes, only better, since he’s gone to the trouble of staging them all for our benefit. Spielberg’s a born storyteller, and these are arguably his most precious stories. From the first movie he saw (“The Greatest Show on Earth”) to memories of meeting filmmaker John Ford on the Paramount lot, this endearing, broadly appealing account of how Spielberg was smitten by the medium — and why the prodigy nearly abandoned picture-making before his career even started — holds the keys to so much of the master’s filmography. More similar to Woody Allen’s autobiographical “Radio Days” than it is to European art films such as “The 400 Blows” and “Amistad” (the more highbrow models other directors typically point to when re-creating their childhoods), “The Fabelmans” invites audiences into the home and headspace of the world’s most beloved living director, an oddly sanitized zone where even the trauma — which includes anti-Semitism, financial disadvantage and divorce — seems to go better with fresh-buttered popcorn.

Michelle Williams and Paul Dano are stepping out for the premiere of their new movie at the 2022 Toronto International Film Festival!